Ephemera connected with the 'Treasures of Tutankhamun' exhibition, which toured the U.S.A. between 1976 and 1979 and was hosted at the following venues: the National Gallery of Art, Washington, D.C.; the Field Museum of Natural History and the Oriental Institute of The University of Chicago; the New Orleans Museum of Art; the Seattle Art Museum; and the Metropolitan Museum of Art, New York.
'Tutankhamun: Excavating the Archive' exhibition at the Weston Library, Oxford, 13 April 2022 – 5 February 2023.
Featuring material from the Tutankhamun Archive and other collections in the Griffith Institute.
Posters, flyers, display materials, merchandising products, ephemera, and other memorabilia.
Textile poster.
Five text panels ('Introduction', 'Timeline', 'Griffith Institute', 'Curators’ Audio Highlights', 'Howard Carter portrait'), both textile and board.
Caption texts for all sixteen showcases.
Three textile banners.
Image facsimiles, both original size and enlargements.
QR codes for the audio guide.
Reduced copy of Carter’s portrait.
Replica of wreath placed on the forehead of the king’s outer coffin, made by The Garden of Oxford (Covered Market) and used in a ceremony held on 4 November 2022, where it was laid down by Ahdaf Soueif.
Materials used in a 'Touch Tour' for the Blind and Partially Sighted / Visually Impaired on 13 October 2022.
Free standing showcase cover design.
Folder/package of posters, flyers, and other memorabilia and ephemera.
Selection of merchandising products: bag, fridge magnets, postcards, book mark, and notebook.
Booklet PDF, 5 double-sided pages, printed from the Royal Mail website, advertising products from the Special Stamp Issue 'Tutankhamun', produced by Royal Mail in collaboration with the Griffith Institute, to mark the centenary of the discovery of Tutankhamun's tomb, issued on 24 November 2022.
The original puppy figurine, made from black bronze and gold, comes from the tomb of Tutankhamun [Carter 620(51)]. It was formerly in Howard Carter's possession. Carter's niece, Phyllis Walker, presented it to the Metropolitan Museum in 1947 (no. 47.58.1). The Metropolitan Museum returned the figurine to Egypt in 2011. See https://www.metmuseum.org/art/collection/search/545993.
A sample replica was considered for reproduction as merchandise as a bracelet charm for the 'Treasures of Tutankhamun' exhibition at the Metropolitan Museum of Art, New York, from December 15, 1978, to April 15, 1979. However, it was not commissioned for commercial production.
This gold replica was privately commissioned by Dr Lilyquist and created by Bruce Hoheb, MMA Reproductions Studio, c. 1978.
DVD copy of 'Tutankhamon: l'ultima mostra' (2022), a documentary on the discovery of Tutankhamun's tomb in 1922 and the preparations for the travelling Tutankhamun exhibition launched in Los Angeles in 2019. The film was released to mark the centenary of the discovery.
Replicas of the two sistra found in Tutankhamun's tomb. The replica sistra were commissioned in 2022 and were used in the performances of James Whitburn's composition 'Zahr Al-Khayal', based an Egyptian love poem roughly contemporary with Tutankhamun.
Created by Hermes Knauer, Metropolitan Museum Objects Conservation Department, who made a limited number of pins as presentation pieces for people closely connected with the organisation of the USA Tutankhamun exhibitions. Knauer presented this pin to Dr Lilyquist in New York in 1978.
The shen-amulet motif was used for other merchandise sold at the 'Treasures of Tutankhamun' exhibition.
Notebooks, negatives, photographs, maps, and drawings made during the excavation of the tomb of Tutankhamun. For other material, refer to the catalogue.
Complete set of typescript copies transcribed from the original Tutankhamun object cards, with affixed photographs of the drawings on the cards, again made from the original set, see TAA i.1.1-620.
Tutankhamun object cards with accompanying photographs, notes (some group notes listed below) and letters, compiled by Howard Carter and other members of the excavation team [TAA i.1.1-620]
Most cards are manuscript records, as well as many original typescript records
Many cards are illustrated with drawings of objects, or details of objects, by Howard Carter and A. C. Mace
The object cards record:
Object number, main description of the object, location in the tomb, measurements, description of the object - Howard Carter and A. C. Mace (1922-1925)
Hieroglyphic inscriptions, transcriptions and translations - Mostly Alan H. Gardiner and P. E. Newberry, but some inscriptions are transcribed by Carter
Conservation records - Alfred Lucas and A. C. Mace (1922-1925)
Botanical and textile notes - P. E. Newberry
Photographic documentation - Harry Burton
Other groups of notes filed with the object cards include:
Notes on the [ancient] robberies, by Howard Carter, Alfred Lucas and Lord Carnarvon
Notes on various aspects of the Annexe by Howard Carter (1-4, 10-43, 47-64), Alfred Lucas (5-9, 44-6) and A. H. Gardiner (41)
Notes and memoranda on various aspects of the tomb by Alfred Lucas
The photograph was probably taken in early 1923; the production date of the postcard is not known, but it was almost certainly in the 1920s.
Members of the Egyptian team manoeuvring a large carrying tray out through the entrance to the modern enclosure wall constructed shortly after Tutankhamun's tomb was discovered. The team are carrying two black shrine-like boxes (Carter 37) and (Carter 38) and a gabled-roofed box (Carter 32), transporting them from the tomb's Antechamber to the Laboratory.
The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
View of the modern enclosure wall of Tutankhamun's tomb, erected by Howard Carter following the discovery of the King's tomb in November 1922, with the tomb's entrance visible in the foreground (left of centre).
The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
View showing the lid of Tutankhamun's outer coffin (Carter 253), still in situ inside the King's sarcophagus (Carter 240). This photograph was taken sometime between the sarcophagus lid being raised on 12th February 1924 and the removal of the outer coffin lid on 13th October 1925.
The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
Egyptian team members manoeuvering a tray loaded with a chariot wheel up the rock-cut steps leading out of Tutankhamun's tomb. The wheel is from one of the four chariots found in the Antechamber.
The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
Four Egyptian members of the excavation team carrying trays of objects from Tutankhamun's tomb, escorted by Arthur Callendar (on left, wearing a pith helmet) and armed guards. The men at the front transport a wheel from one of the King's chariots, followed by two men, each carrying a tray containing smaller items, including a reed basket or tray (Carter 119) with partitions.
The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
Egyptian excavation team members transport some of Tutankhamun's food provisions from the King's tomb to the nearby 'Laboratory' set up in the tomb of King Sethos II (KV15) in the Valley of the Kings.
Forty-eight boxes (Carter 62) containing choice cuts of meat and whole geese were prepared to accompany the King's burial and were placed in a neat pile beneath one of the ceremonial couches in the Antechamber. They were some of the first items Howard Carter saw when he looked into the tomb for the first time on 26th November 1922, recording them as "a heap of large curious white oviform boxes".
The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
(Carter 116)
An Egyptian team member carrying the wooden portrait figure of Tutankhamun, the so-called "mannequin", from the King's tomb to the nearby "Laboratory" tomb (KV 15, of Sethos II) for cleaning and conservation.
The portrait bust of Tutankhamun [Carter 116] was found in the tomb's Antechamber. The King is portrayed wearing a yellow flat-topped crown featuring the centrally positioned uraeus on the crown's temple band. The King also wears a close-fitting white garment.
The bust's purpose is unclear, but it probably displayed part of the King's regalia. A recent proposal is that it may have been originally used for supporting and storing the King's gold corset (Carter 54k) in the tomb. When thieves ransacked the tomb in antiquity, these robbers likely removed the corset from the bust before breaking the heavy regalia into smaller, portable pieces.
The photograph was taken on 24th January 1923, the day Carter recorded this couch being moved; the postcard's production date is unknown, but it was almost certainly sometime in the 1920s.
Howard Carter (left), assisted by Walter Hauser (right), manoeuvring the right side of the cow-headed couch (Carter 73) into a packing case in preparation for its transfer to the nearby 'Laboratory' set up in the tomb of Sethos II (KV15).
The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
(Carter 116)
An Egyptian team member carrying the wooden portrait figure of Tutankhamun, the so-called "mannequin", from the King's tomb to the nearby "Laboratory" tomb (KV 15, of Sethos II) for cleaning and conservation. The man holding the bust is escorted by an armed guard and another Egyptian excavation team member, which was necessary to ensure the safe movement of objects through the Valley of the Kings following the announcement of the tomb's discovery, which attracted large crowds of journalists and tourists who flocked to Luxor hoping to see the tomb and view objects as they were being moved.
The portrait bust of Tutankhamun [Carter 116] was found in the tomb's Antechamber. The King is portrayed wearing a yellow flat-topped crown featuring the centrally positioned uraeus on the crown's temple band. The King also wears a close-fitting white garment.
The bust's purpose is unclear, but it probably displayed part of the King's regalia. A recent proposal is that it may have been originally used for supporting and storing the King's gold corset (Carter 54k) in the tomb. When thieves ransacked the tomb in antiquity, these robbers likely removed the corset from the bust before breaking the heavy regalia into smaller, portable pieces.