Stuk De Keersmaecker MSS 5.7 - Volume VII

1 spiral-bound publication

Print and bound publication:

• De Keersmaecker, Roger O. (2009), Travellers' graffiti from Egypt and the Sudan VII: Karnak, Great Temple of Amun: Festival Temple-pillared hall (Tuthmosis III). Hypostyle-great columns 1-12 in central aisle (Ramesses III and IV), smaller columns 75 and 76 (Ramesses II and IV, Sethos I). Berchem (Antwerp): Graffito Graffiti (OEB 167462).
• Karnak, Great Temple of Amun: Festival Temple (Pillared Hall) [see TopBib ii2.110-111], Hypostyle-great columns 1-12 in central aisle (Ramesses III and IV) and smaller columns 75 and 76 (Ramesses II and IV, Sethos I) [TopBib ii.2.50-51].
• Most of the graffiti date to the nineteenth century.
• It includes: the insertion of numbers, sometimes crossed out and corrected, on the pages with illustrations, together with two loose pages at the end of the publication containing a list of numbers given to the illustrations (in the PDF, the illustrations are all moved to the end); p. 79 with contact information and a list of the published volumes, and p. 80 "In memoriam" for his wife Helena (both omitted from the PDF); inserted loose pages at the end with an Internet article titled "Eureka in a Box" by Curtis Runnels published in Bostonia Winter 03-04 (three pages), email correspondence concerning a "Champoleon" graffito (two pages), an extract from Height, Sarah Rogers 1840. Letters from the Old World by a Lady of New York. New York: Harper & Brothers, p. 212-214 (3 pages), and a page titled "Karnak vol. VII. Addenda for Graffiti on Thutmosis III Festival Hall" (= PDF p. 82).
• The PDF includes additional pages not present in the print volume: biographical note and portrait of Sarah Rogers Haight (1808-1881) (p. 83); title page of Height, Sarah Rogers 1840. Letters from the Old World by a Lady of New York. New York: Harper & Brothers (p. 84); and information on graffiti by Richard K. Haight and Sarah Rogers Haight (p. 85-86).

Property of the Griffith Institute. No restrictions.

Copyright Griffith Institute, University of Oxford.