Relief scene from the early 18th Dynasty tomb of Neferhotep (TT50) at the west bank of Thebes. This scene comes from register II, and shows a kneeling harpist and a female lutist, both facing to the right side:
watercolour
mounted
[on recto, top left corner] '82 plate 2'. (pencil note)
[on recto, bottom left corner] 'G A Hoskins'. (ink note)
[on mount, bottom edge] 'Tomb of Amulek Thebes'. (ink note)
A large false door from the early 18th Dynasty tomb of Benia Pakehmen (TT383) at the west bank of Thebes. This scene shows a large false-door outlined in red, and on either side three registers including a kneeling relief figure of the tomb-owner bearing offerings:
Relief scene from the early 18th Dynasty tomb of Neferhotep (TT50) at the west bank of Thebes. This scene comes from register I, and shows May making offerings before the king Horemheb, with several male figures behind wearing garlands:
watercolour
mounted
[on recto, top left corner] 'plate 1' (ink note)
[on recto, bottom left corner] 'Amunmai Amulek king of the 18th dynasty'. (ink note)
Relief scene from the early 18th Dynasty tomb of Neferhotep (TT50) at the west bank of Thebes. This scene comes from register II, and shows the seated tomb-owner and his wife on the far right while a row of male figures carry flowers, and make offerings including incense and libations before a large offering table:
Drawing of a seated man and his wife behind him from an unidentified tomb in Thebes. A faint border for hieroglyphs is visible along the top edge, and a small star shape is visible on the top left corner:
Two photographs of Oxhyrhynchus papyri fragments with preliminary translation. Includes letter from Charles Batey (Printer to the University) enclosing the photographs, 9 July 1952.
Publication by Maria Cramer titled ‘Versuch eines Vergleichs arabischer Coptischer und demotischer Rechtsurkunden gezeigt an einigen Stiftungs - Schenkungs - Auseinander-setzungs – und Verkaufs – Urkenden’.
3 copies (1 typescript and two carbon copies) of a transcript made from Linant de Bellefonds' diary (1821-1822).
Titled: "Journal d'un Voyage en Ethiopie dans les Annees 1821 & 1822."
279 typescript pages
Not Griffith Institute copyright. See below for details.
14 glass plate negatives, two sizes, with a set of modern prints made from the larger-sized negatives (1818-1826). Not Griffith Institute copyright. Negatives made from the originals in the Louvre.
The negatives are copies of the following MSS:
B.15 (parts A and B)
Triple statue (same as following), not identified, with texts
B.26
Maison du Melek d'Argos
B.30
Gebel Barkal. View of Pyramid field (North and South groups)
TopBib vii.208, 203
= Bankes MSS XV.C.7
B.32
Gebel Barkal. Temple B.300. View of interior
TopBib vii.209
= Bankes MSS XV.C.2
B.32 bis
Gebel Barkal. Great Temple B.500. Sketch, general view showing granite stand of Taharqa, with Nile-gods binding sma-symbol etc.
TopBib vii.216A & 209(43)
B.36
Gebel Barkal. Great Temple B.500. Inner Court. Meroitic battle scene, including man on horseback and archer
TopBib vii.219(30)
= Bankes MSS XV.A.28
B.38 bis
Gebel Barkal. Temple B.700. Pylon (destroyed). West wing, outer face, Senkamanisken smites captives before Amun-Re
TopBib vii.214
= Bankes MSS XV.C.8 [middle]
B.45
Gebel Barkal. Temple B.300. Third Hall. View
TopBib vii.209
B.62
Musauwarat el-Sofra. Great Temple. Views
TopBib vii.264
= Bankes MSS XVII.B.15
B.68
Musauwarat el-Sofra. South-East Temple. Interior. North-East row of columns. Column 2, three registers
TopBib vii.267
= Bankes MSS XVII.B.6
B.69
Musauwarat el-Sofra. South-East Temple. Interior. North-East row of columns. Column 1, two registers
TopBib vii.265
= Bankes MSS XVII.B.5
B.73
Naga'. General view
TopBib vii.267
B.105
Naga'. Lion Temple of Apedemak. Exterior. King, Queen and Prince, before Isis holding captives, Mut, Hathor and Satis
TopBib vii.269(21)-(22)
= Bankes MSS XVII.C.7-8
Linant de Bellefonds, (Bey and Pasha) Louis Maurice Adolphe