View of the Luxor Temple on the East Bank in Thebes (TopBib ii2.301): -pencil sketch on paper -loose -16.3 x 11.3 cm -[on sketch] 'Karnac? (crossed out) Luxor. 7' (pencil note) -[on sketch] encircled '7' (pencil note, almost certainly by Dr Moss)
View of three sphinxes from the Avenue of crio-sphinxes at Karnak, on the East Bank of Thebes (TopBib ii2.22): -pencil sketch on paper -loose -22.4 x 16.9 cm -[on sketch] 'Karnac' (pencil note, almost certainly by Bonomi) -[on sketch] encircled '6' (pencil note, almost certainly by Dr Moss) -[on verso] 'Karnak' (pencil note, almost certainly by Dr Moss)
Notes (continuation) on the wooden sarcophagus and two coffins of Ir, Dyn. XXVI, from Thebes, formerly in Salt and Amherst collections, current location not known (TopBib i2.835): -ink text on paper -loose -20.6 x 33.2 cm -[text]: 'The [V39] hieroglyphic represents the fastening of the belt worn by the Gods and Kings round the waist The [R11] hieroglyphic in the upper part of the staff carried by the Divinity Pthath only The age of the Sarcophagus is apparently discovered(crossed out) settled by Mr Sharpe's(?) discovery * namely after the(crossed out) the time of the Persian rule with which time the style of the hieroglyphics agree Mr Sharpe also remarks the [X1\:X1-Q1] for the more ancient forms [X1\:H8-Q1]
X See Mr Sharpes notes The drawing of the heads of the different figures on all three of the Cases show that they were all three decorated by(crossed out) the work of the same artist in all of them there is a remarkable protrusion of the lips. This remark does not apply to the sculptured heads on the 2d and 3d case and therefore thus the Sculptor and painter were not the same person as there is abundant proof I Bonomi to show in other monts'
Note on signet rings: -ink text on paper -loose -13.1 x 21.3 cm -[page number] '36' -[text]: 'Signet ring of fine gold weighing nearly 3 sovereigns bearing the name of Shufu the (Suphis) of the Greeks This remarkable piece of antiquity is in the highest state preservation and(crossed out) said to have been found at Gezeh in a tomb near that(crossed out) to the excavation of Col Campbell The work(crossed out) in(crossed out) The style of the hieroglyphics is perfectly that of those sculptors(crossed out) hieroglyphics(crossed out) of the tombs about the great pyramid all the details are eminently executed The heaven is engraved with minute(crossed out) stars; The Fox or Jackall has significant lines within its con[t]our; The hatchets have their handles bound with thongs as usual in the sculptures; The volumes have the string that binds them differently(crossed out) hanging below the roll differently placed from any example in sculptured or painted hierogs in the tombs; The determinative for country is studded with dots representing the sand of the mountainous margins of the side(crossed out) valley of Egypt The sign [F35] has the tongue and semilunar mark of the longer examples as also the vase in the shape of the heart. The Name is surmounted by the usual(crossed out) globe and feathers decorated in the usual way except that the lines are more horizontal than in the sculptured examples, and the ring of The cartouch is engraved with lines representing a rope of(crossed out) of(crossed out) which decoration I know no(crossed out) of the line inclosing the hieroglyphics of a royal name I know of no example but this; the [Aa1] in the name is placed as in the tombs not in the centre(crossed out) as of the cartouch; the chickens have their unfledged wings The serastes its horns to be seen only with the magnifying glass Of(crossed out) the variations in(crossed out) from the usual made of representing a volume and the inclosure of Royal names are circumstances favorable to the genuineness of this remarkable piece of antiquity for when taken into consideration with the style of the work(crossed out) which is infinitely more difficult to imitate than little(crossed out) little x[crossed out] in which(crossed out) details from(crossed out) in which the fabricator would not have ventured to differ from the known examples'
Patrial note: -ink text on paper -loose -13.6 x 18.9 cm -[text] '... least idea of the cost of / ... [A]lexandria to London but (crossed out) / ... to (crossed out) choose for me the / ... if there is a choice' (ink note)
View looking South of cataracts on the Nile probably above the Second Cataract in Sudan: -pencil sketch on paper -loose -26 x 15.6 cm -[on sketch] 'Cataracts looking south / 19 Dec' 1832' (pencil note)
View of the exterior of the funerary mosque of Muhammad al-Abbasi at Rosetta in Egypt: -pencil sketch on paper mounted on paper -loose -20.2 x 13.9 cm (20.5 x 14.1 with mount) -[on sketch] 'Rosetta' (pencil note)
View of the ruins of the Temple of Aphaia (formerly known as the Temple of Jupiter Panhellenius) with a lounging figure on the island of Aegina in Greece: -pencil sketch on paper -loose -37.9 x 27.6 cm -[on sketch] 'Greece (underlined) Nº 4' (pencil note) -[on sketch] 'Egine / temple de Jupiter' (pencil note) -[on sketch] 'Temple of Jupiter Hellenius. Island of Agina' (pencil note)
Water wheel at Kook/Kuk (perhaps Koka) above the Second Cataract of the Nile in Sudan: -pencil and watercolour (brow, orange) sketch on paper -partially mounted on p. 8 -22.7 x 16.2 cm -[on sketch] 'Melek[?] Saba' (pencil note) -[on sketch] 'Kuk' (pencil note)