Three-quarter view of free-standing bronze statue of Danaid fastening dress at shoulder (Naples, Museo Archeologico Nazionale, inv. 5619, 3rd quarter of 1st century BC), with diagrams of peplos and measurements:

• pencil sketch on paper
• mounted
• 26.1 x 37.9 cm
• [on sketch] 'The measurements taken with the Passetto / all round the edge A measured with a string maxed is 7.2 1/2 / From B to the edge A is 1 „ 6 measured down the middle of the statue / From the corner A+ to the hem C measures 2 „ 4 / From the bottom of the hem D to the top C measures 3 „ 3 1/2 / Round the bottom edge D measures 5 „ 2 / From the edge A to the bottom D measures 3 „ 1 (pencil note)
• [on sketch] This represents the half of the dress or rather folded in two' (pencil note)
• [on sketch] 'as the figure has a belt that supports the dress becaus it throws over at C which is the inside surface of the dress therefore the measure 6.1 is uncertain but it cannot be less therefore the measurement 33 1/2 must be too little or the dress must form half a circle, there where is the angle A+' (pencil note)
• [key to measurements annotated in sketch and one diagram] 'A / B / C / D / A+' (pencil note)

Three-quarter view of free-standing bronze statue of Danaid [with right arm raised] (Naples, Museo Archeologico Nazionale, inv. 5604, 3rd quarter of 1st century BC) [head and right arm not depicted]:

• pencil drawing on paper
• mounted
• 26.5 x 38.1 cm

Three women kneeling in prayer:

• pencil sketch on paper
• loose
• 8.7 x 9.2 cm
• [on sketch] 'JB' (pencil note)

Three views of horse's head:

• pencil sketches on paper, mounted on pink paper
• loose
• [left] 5.2 x 5.7 cm, [middle] 4.2 x 6.0 cm, [right] 5.1 x 5.7 cm (19 x 6.4 cm with mount)

Three studies of female nude figure:

• photographic print on paper
• loose, adjacent to Bonomi MSS 47.1
• 9.9 x 11.9 cm
• [on print] 'PLATE II' (printed note)

Three standing women presenting objects (including building and statue models) to seated female scholar:

• pencil sketch on tracing paper
• mounted, together with Bonomi MSS 49.5 and Bonomi MSS 49.7
• 19.0 x 11.6 cm

Three standing women presenting objects (including building and statue models) to seated female scholar:

• pencil drawing on tracing paper
• mounted, together with Bonomi MSS 49.13 and Bonomi MSS 49.14
• 15.4 x 10.1 cm
• [on mount] 'JB' (pencil note)

Three standing women presenting objects (including building and statue models) to seated female scholar:

• pencil sketch on tracing paper
• mounted, together with Bonomi MSS 49.5 and Bonomi MSS 49.6
• 16.7 x 11.7 cm

Three standing women presenting objects (including building and statue models) to seated female scholar:

• pencil sketch on tracing paper
• mounted, together with Bonomi MSS 49.6 and Bonomi MSS 49.7
• 19.0 x 11.6 cm

Three standing figures (probably women) appearing in audience before seated figure (probably man):

• pencil sketch on paper
• partially attached
• 25.9 x 19.2 cm

Three sketches of objects in the Hertz collection (hieroglyphic inscription of kohl pot, bronze statuette of classical goddess and amulet or seal) and squeeze of seal(?):

• pencil sketches and squeeze on paper
• loose
• 18.4 x. 11.4 cm
• [on sketch] 'Cohol blue porcelain vase / in Hertz Col' (pencil note)
• [on sketch] 'bronze in / Heztr [sic] / Col' (pencil note)

Three sketches of man drinking water from amphora being held by woman (Classical) and sketch of Egyptian scene with a pharaoh and the god Seth:

• ink and pencil sketches on tracing paper
• mounted, together with Bonomi MSS 49.16 and Bonomi MSS 49.18-22
• 12.8 x 12.1 cm

Three seated figures with four attendants:

• pencil sketch on paper
• loose, adjacent to p. 7; too small to be the item originally mounted there
• 8.5 x 6.2 cm
• [on sketch] 'Ld Prudhoe Champollion Defterdar bay / and the artist drinking coffee' (pencil note)
• [on mount] 'South of Nour' (pencil note) [does not refer to sketch]
• [on mount] 'glazed' (pencil note) [does not refer to sketch]

Three medieval (?) capitals of columns, two showing figures in relief:

• pencil sketch on tracing paper
• loose
• 24.4 x 19.1 cm

Three female figures with lyres:

• ink sketch on tracing paper
• mounted
• 28.6 x 22.5 cm

Three designs of woman pouring oil into a lamp (two in mirror view):

• pencil tracings on tracing paper
• mounted, together with Bonomi MSS 46.14
• 14.2 x 19.1 cm

Three designs of woman pouring oil into a lamp (mirror views):

• pencil tracings/sketches on tracing paper
• mounted, together with Bonomi MSS 46.18
• 27.1 x 19.1 cm

Three designs of woman holding ewer and lamp (mirror views; one on recto, two on verso):

• pencil tracings on tracing paper
• loose
• 26.4 x 21.9 cm

Three designs of female figure pouring oil into a lamp and holding ewer and lamp:

• pencil sketches on tracing paper
• loose
• 21.6 x 20.0 cm

Three designs from the life of Christ:

• ink sketches on paper
• mounted, together with Bonomi MSS 40.10
• 11.2 x 11.2 cm

Three designs featuring the goddess Britannia:

• partially inked pencil drawings on paper
• loose, adjacent to Bonomi MSS 40.6
• 17.7 x 22.0 cm

Three designs featuring the goddess Britannia:

• pencil sketches on tracing paper
• mounted, together with Bonomi MSS 50.2
• 22.5 x 13.4 cm

Three architectural sketches:

• pencil sketches on paper
• mounted, together with Bonomi MSS 44.6 and Bonomi 44.7
• 18.8 x 12.0 cm
• [on mount] '2' (ink note)

Part of the funeral procession scene (dragging of the sarcophagus) in the passage of the Tomb of Amenemhet (TT 82) at Sheikh Abd el-Qurna, on the West Bank of Thebes (TopBib i2.165(10).III):

• pencil sketch/tracing on tracing paper
• loose
• 30.9 x 15.1 cm

The sacred Apis bull predicts the downfall of emperor Germanicus, with bull's head detail:

• inked pencil sketch on paper
• loose
• 48.3 x 29.0 cm
• [on sketch] 'No 22' (pencil note)

The sacred bull Apis predicts the downfall of emperor Germanicus:

• inked pencil sketch on paper
• loose, adjacent to page 11
• 37.0 x 22.3 cm
• [on sketch] 'Germanicus consults the Bull Apis by offering him food' (ink note)
• [on sketch] 'the Bull Apis returns an unfavourable answer to Germanicus by refusing to eat out of / his hands' (ink note)

The Tenantry Column at Alnwick in Northumberland:

• watercolour sketch on paper
• loose, adjacent to Bonomi MSS 52.1
• 28.6 x 22.6 cm
• [on sketch] 'Alnwick / juin 23 1856' (pencil note)

Texts in Arabic and part of column:

• pencil sketch and texts on paper
• loose
• 19 x 10.3 cm

Text on church at Alnwick:

• ink text on paper
• loose
• 15.7 x 11.5 cm
• [text]:

'The church at Alnwick a gothic building

once a beautiful and highly adorned

edifice but now from the injuditious

additions and alterations especially

that usual one of taking away

pillars in order to make the pulpit

more generally seen from all corners

of the church thus by throwing two arches

into one thus weak increas

ing the lateral pressure endangering

the roof which perhaps on that

account has been restored in the it was found

ornamental gothic necessary

to restore in the side isles

however the original oak beams remain'

Text (22 lines) in cuneiform script with annotations, now in the British Museum (not identified):

• print with pencil and brown pencil annotations on paper
• loose
• 10.7 x 18.9 cm