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Notes and royal names of Tuthmosis IV

Notes and royal names of Tuthmosis IV (Golden Horus, Throne and Birth names), and Throne name of Sesostris III, from monument of Tuthmosis IV, perhaps from the Temple of Amun-Re and Re-Harakhti at Amada in Nubia (TopBib vii.65-73):

  • pencil text, hieroglyphic copies and sketch on paper
  • loose
  • 7.8 x 5.2 cm
  • [text] '6 bearded nations / long robes' (pencil note)
  • [text] '4 beardles africans / short robes' (pencil note)
  • [text] 'the young king in the / arms of his mother' (pencil note)

[Upper] Iraq. Nineveh. South-West Palace of Sennacherib. Room V. Slab 43. Relief depicting an Assyrian fortified camp, c. 660-650 BC; sketch from gypsum slab in situ, but reported stolen in 1995 (reversed). [Lower] Frieze design with women holding amphorae and warriors.

[Upper] Iraq. Nineveh. South-West Palace of Sennacherib. Room V. Slab 43. Relief depicting an Assyrian fortified camp, c. 660-650 BC; sketch from gypsum slab in situ, but reported stolen in 1995 (reversed).
[Lower] Frieze design with women holding amphorae and warriors:

  • pencil sketches on tracing paper
  • loose
  • 25.6 x 19.0 cm

Architectural drawings of the Temple of Olympian Zeus at Agrigento, Sicily (Italy), with measurements

Architectural drawings of the Temple of Olympian Zeus at Agrigento, Sicily (Italy), with measurements:

  • blue ink sketches on tracing paper
  • loose
  • 49.4 x 44.2 cm
  • [on sketch] 'Plan of half the Temple of Jupiter Olympius at Agrigentum.' (ink note)
  • [on sketch] 'Length of side 369.5' (ink note)
  • [on sketch] 'Length of End 182.8' (ink note)
  • [on sketch] 'Windows' / 'Profile' (ink note)
  • [on sketch] 'Centre not roof?' (ink note)
  • [on sketch] 'Elevation within the Centre or nave.' (ink note)
  • [on sketch] 'Section of outer wall Large scale.' (ink note)
  • [on sketch] 'Elevation Large scale.' (ink note)
  • [on sketch] 'Restoration of the Temple of Jup. Olympius Agrigentum' (ink note)
  • [on sketch] 'with comparison of relative scale of Temple of Concord at Agrigentum & Parthenon at Athens.' (ink note)
  • [on sketch] 'Temple of Concord Agrigentum.' (ink note)
  • [on sketch] 'Parthenon at Athens.' (ink note)

England. London. Trafalgar Square. Nelson's Column.

Print of "Nelson's Column. Trafalgar Square. &c." in London (England), by J. Shury, published by J. Harwood, with addition of statue of Britannia and other statues in watercolour:

  • print with watercolour (grey and brown) on paper
  • mounted
  • 18.9 x 15.7 cm
  • [on print] 'J. Shury. sculp' (printed note)
  • [on print] '12, Gt Carter Lane, Doctors Commons.' (printed note)
  • [on print] 'Nelson's Column. Trafalgar Square. &c.' (printed note)
  • [on print] 'PLACE DE TRAFALGAR.' (printed note)
  • [on print] 'DIE NELSON SAULE.' (printed note)

Two angels flanking a door

Two angels flanking a door:

  • pencil drawing on tracing paper
  • mounted, together with Bonomi MSS 40.15 and 40.17
  • 24.5 x 12.8 cm
  • [on drawing] 'JB' (pencil note)

Nude young Lapith holds a centaur's head from behind with his left; marble metope from the Parthenon (South metope XXVII) (London, British Museum, reg. 1816,0610.11 - BM Sculpture 316, 438-432 BC)

Nude young Lapith holds a centaur's head from behind with his left; marble metope from the Parthenon (South metope XXVII) (London, British Museum, reg. 1816,0610.11 - BM Sculpture 316, 438-432 BC):

  • ink sketch on treated tracing paper
  • loose, adjacent to Bonomi MSS 40.20
  • 27.8 x 21.9 cm

Figure from plate 11 of the Compositions from the tragedies of Aeschylus, designed by John Flaxman, engraved by Thomas Piroli, London (1795)

Figure from plate 11 of the Compositions from the tragedies of Aeschylus, designed by John Flaxman, engraved by Thomas Piroli, London (1795):

  • ink and wash sketch on paper (remains of pencil)
  • mounted, together with Bonomi MSS 40.21
  • 14.5 x 10.6 cm
  • [on sketch] 'Flaxman's Eschilylus. Pl. 11.'

Shepherd carrying lamb and Luke 15:5 verse

Shepherd carrying lamb and Luke 15:5 verse:

  • inked pencil sketch on paper
  • loose, adjacent to page 1
  • 7.5 x 12.3 cm
  • [on sketch] 'καὶ ἐὑρὼν ἐπιτίθησιν ἐπὶ τους / ωμους εἑαυτοῦ χαιρων / L 15 5' (pencil note) [translation: 'and when he has found it, he lays it on his shoulders, rejoicing']

Crouched putto sleeping

Crouched putto sleeping:

  • pencil sketch on paper
  • mounted, together with Bonomi MSS 41.13 and Bonomi MSS 41.14
  • 14.2 x 10.8 cm
  • [on mount] '4' (pencil note)
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