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Stuk Engels
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El Hîba: notes

Howard Carter's brief manuscript notes for El Hîba (el-Hiba; Akhyronpolis ?) ("K. 568), East Bank, Middle Egypt.

Autobiography (Autobiographical Sketches): An Autobiographical Sketch (Preface)

Howard Carter's autobiography, drafts, manuscript and annotated typescript, with the following section/chapter headings:

  • The Beginning
    • 7 manuscript pages
    • Handwriting not identified, edited and annotated by Carter, all pages are crossed through (cancelled)
    • Original title "An Autobiographical Preface" is crossed through
    • Incorporated into the following typescript
  • An Autobiographical Sketch
    • 72 pages, annotated typescript and manuscript
    • 61 typescript pages, numbered 1-61, edited and annotated by Carter, most pages are crossed through (cancelled)
    • 11 manuscript pages, not numbered, notes to typescript pages
    • Original title "An Autobiographical Preface", "Preface" is crossed through and replaced by "Sketch"
    • Incorporated into the preceding manuscript

Autobiography (Autobiographical Sketches): A Sketch of Thebes; The Theban Necropolis

Howard Carter's autobiography, draft typescript and manuscript with the following section/chapter headings:

  • A Sketch of Thebes
    • 15 pages, annotated typescript, all pages, except title page, are crossed through (cancelled)
    • 1 section/chapter title page
    • 14 typescript pages, numbered 31-44
  • The Theban Necropolis
    • 15 pages, annotated typescript, all pages, except title page, are crossed through (cancelled)
    • 1 section/chapter title page
    • 14 typescript pages, numbered 45-58
  • A Sketch of Thebes
    • 8 pages, annotated manuscript, all pages are crossed through (cancelled)
    • Carter's manuscript used for the preparation of the preceding typescripts

Autobiography (Autobiographical Sketches): El-Bab El-Hosân (The Tomb of the Horse); The Rat and the Snake; Summer life in Egypt

Howard Carter's autobiography, draft typescript, a notebook containing a draft manuscript, and an annotated newspaper cutting. The typescript has the following section/chapter headings:

  • El-Bab El-Hosân. "The Tomb of the Horse"
    • 31 pages, annotated typescript, most pages, except title page, are crossed through (cancelled)
    • 1 section/chapter title page, numbered here as [137]
    • 30 typescript pages, numbered [138]-166 (NB Carter annotated the first pages in this section "1-8", the page numbers [138]-[145] were assigned in Griffith Institute)
  • The Rat and the Snake: Being a tale from the coffee hearth
    • 5 pages, annotated typescript, none of the pages are crossed through (cancelled)
    • Typescript unfinished or incomplete
    • Carter annotated the page numbers "1-5"
  • Sketch V [Summer life in Egypt]
    • Notebook containing draft manuscript ("LUDGATE" | EXERCISE BOOK)
    • 6 pages, draft manuscript, all pages are crossed through (cancelled)
  • [Summer life in Egypt]
    • 3 loose pages, draft manuscript, all pages are crossed through (cancelled)
    • Carter annotated the page numbers "1-3"
    • Draft manuscript used for the preparation of part of the preceding draft manuscript in the notebook

Autobiography (Autobiographical Sketches): The Cemetery of the Queens; January 1938 - A Sketch

Howard Carter's autobiography, draft typescript and draft manuscript, with the following headings:

  • The Cemetery of the Queens
    • 23 pages, annotated typescript, none of the pages are crossed through (cancelled)
    • 1 section/chapter title page
    • 22 typescript pages, numbered 215-236
    • [Sketch XII]
  • January 1938 - A Sketch
    • 3 pages, annotated manuscript, none of the pages are crossed through (cancelled)
    • No page numbering
    • Carter's description of King Farouk's marriage to Safinaz Zulficar (after Queen Farida) on 10 January 1938, and the festivities celebrating their marriage

Autobiography (Autobiographical Sketches): Sketch III. Thebes; Sketch IV. The Tomb of the Horse; Sketch V. Summer life and a Tale from the Coffee hearth; Sketch VI. Three Milk White Camels; Sketch VII. A Fortuitous Discovery

Howard Carter's autobiography, a notebook containing manuscript for Sketches III-VII, also some enclosures including loose manuscript notes, a typewritten note, and a newspaper cutting.

  • 76 numbered pages/openings, arranged with main text on right and notes on left
  • Carter's annotated page numbers, "73" to "149"
  • Sketch III - Thebes
    • Pages 73-86
    • Contains four subsections, I to IV
  • Sketch IV - The Tomb of the Horse
    • Pages 87-111
    • Contains three subsections, I to III
  • Sketch V. Summer life and a Tale from the Coffee-hearth
    • Pages 112-121
    • Contains one subsection, "The Rat and the Snake"
  • Sketch VI. Three Milk White Camels
    • Pages 122-141
  • Sketch VII. A Fortuitous Discovery
    • Pages 142-149

Autobiography (Autobiographical Sketches): [An Account of Myself]

Howard Carter's autobiography, a notebook with enclosed notes, containing Carter's annotated manuscript recording his archaeological training with Sir W. M. F. Petrie

  • 43 numbered pages/openings, arranged with main text on right and notes on left
  • Carter's annotated page numbers, "28"-"70"
  • All pages are crossed through (cancelled)
  • Earlier draft of Carter MSS vi.2.9 (pages 36-72): [Sketch II: An Account of Myself]

Publication draft: Notes. Egyptian Art - Origin, History, Intention and Interpretation

Howard Carter's annotated draft typescript, for an article titled 'Notes. Egyptian Art - Origin, History, Intention and Interpretation', not published and no mention of Tutankhamun's tomb.

  • Carter numbered most of the pages: "1" to "29"
  • The typescript contains the following headings:
    • [title page] Notes. Egyptian Art - Origin, History, Intention and Interpretation
    • Introductory
    • Origin
    • Generation
    • Deterioration
    • History
    • The Art of the Middle Kingdom, 2160 - 1780 B.C.
    • The Art of the New Empire, First and Second Period - 1580-1350-1150 B.C.
    • Intention
    • Interpretation. Cause of certain effects in delineation
    • Renaissance
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