• Faulkner's translation (not published) of the stela of King Kamose [Kamosi], with an account of a victory over the Hyksos, found in the foundations of the Second Pylon, Karnak, and two additional blocks (found separately), found in the vicinity of the Third Pylon, now in the Egyptian Museum, Cairo [TopBib ii2.37, 73]. 6 manuscript pages with later annotations (changes and corrections).

Original housing for Faulkner MSS 1 and 2, consisting of one notebook cover, the inside covers are annotated by Faulkner and (probably) G. L. Norsworthy.

Watercolour in its original mount, showing the temples on Philae Island, viewed from the north-west.

• The watercolour is captioned on the mount, once below the watercolour and again on the verso. The captions are both the same but are written in two different hands: "Philæ from the North."
• Although the watercolour is not signed, it was most certainly painted by Amelia A. B. Edwards.

Drawing of tree with poem:
'What shall I call thee - Song bird? Sweetheart mine?
How shall I woo thee?... If, in truth I dare
To cast my shadow on that path of thine;
To braid my silver with thy golden hair.

How shall I woo thee? - Stretching out my hands
As elms in spring stretch forth their boughs to greet
Wing'd wanderers from sunny far-off lands?
Ah, seek some younger, fresher shade, my sweet!

Thy nest should be a bow'r of blossoms rare;
Thy shade should be all perfumed, + thy lay
Poured forth upon the summer-spicèd air
Of some soft chime, when it is always May!

Alas! my boughs are tempest-toss'd + shorn;
My roots have struck the rock - my leaves are shed;
Shall winter mate with spring, or eve with morn?
Despair with hope? The living with the dead?

Yet come, if thou wilt! For well-nigh due
In God's great miracle, when earth + sky,
Mountain, + moon, + copse their youth renew -
And if the daisies, dearest, why not I?

I wak'd last night from dreams of spring, + lo!
The first dear crocus shows its head today;
And yonder limes are crimsoned with the glow
Of the imprison'd summer! Come away!

Away, dear lover, to meet + greet the spring!
Unfold, ye buds! Laugh out in lead, ye trees!
Come, perfum'd winds, your summer sweetness bring,
From tropic isles beyond the Western seas!

Sing, sing, ye thrushes! To our Northern Shore
Dear swallows, from the purple East fly fast!
Darkness, + doubt, + winter are no more -
The eternal youth of Hope is mine at last!
A.B.E.
Oct. 1887 - Jany. 1888 (underlined)' (ink note)

Undated handwritten letter:
'I really can't quite give thee the [?] of my cold. I think I wish the L[?] one. I took a fresh one the day after thou left - + I have had a [?], more or less, since then. Just now there seems an interlude - as between the rain storms. Why don't you buy an old Culloden sword with a basket hilt? It wd be a charming possession. Owl will make this a short letter, as it has to write an elaborate one (with sketches) to the engraver, about the illustrations to the pamphlet, in wh she is much interested.
M. Narville[?] has sent me some very nice photographs - + he tells me that Mr MacGregor has made excellent ones. I have written to ask for copies. I mean it to be a very engaging pamphlet. My own, own one, I wish I was with thee on thy birthday. I do want thee so very very much - Poo' owl - so
last + long without its Baby. I get quite hipped + out of spirits, owing to dull weather, rain, + no Baby.
Thine own Owl (underlined)' (ink)

Handwritten, unsigned letter with drawing of Capri:

• 'April 11 / 80 My darling, The queer looking object above is the island of Capri - from Naples. It looks like a whale with a broken back - or a Kraken - or any other sea monster you please. Round the corner to the right is the Blue Grotto, + the high cliff in the middle is Tiberius's cliff, over wh. he had people thrown for his entertainment. I have first been writing to Mrs Hawarth[?], + have made her an elaborate Syrian country house on the slopes of Lebanon. The original is a coloured sketch, done at the luncheon halt, in my [?] sketch book. When you go to see her again ask her if she has any [?] + miles[?] of mine[?]' (ink)

Handwritten letter with ink drawing of carving:

• [on drawing] 'Corner of the Via Augustales Pompeii. May 14th 1891. A.B.E. Saville Villa. August 25th /91. My own darling one - Tomorrow will be thy birthday, + a littly sketch is all a poo' Owl has to send thee - but Owl thinks that perhaps a wee littly sketch from Pompeii, done from the one made when poo' Owl was such a very very poo' Owl, will please thee more than a more valuable gift. My precious one, I am so glad thou art in a beautiful place for thy birthday, + getting fine air, + mountains, and good walks - even though thou art far distant from thy poo' poo' Owl. God bless thee my own oney - + I hope thou wilt have many, many birthdays, + happy years between each, + that thy Owl may live ~~thee~ to give thee less anxiety + more happiness for the future. I have walked to the end of the promenade this morning, + back, before luncheon - the first time I have taken a real good walk so early. It had been pouring in torrents all the morning, + I thought, as it was then holding up, I had better make the most of it. I felt all the better for it, + ate a capital luncheon when I came in. ' I enclose a very satisfactory letter from Petrie - satisfactory both as to the [?] + the Haworths. I [?] hope he will stick to it (woodside, I mean) + not put it off till he has no time left for it. I tried, in writing to him, to let him see by a sort of sidelight, that I deemed it of real importance - + yet not to make too much of it. I did not want to make him feel the painful weight of obligation - + yet I tried that he should gather that I was grave about it. He is so very sharp, that I fancy he wd. not fail to seize a shade of meaning, however slight. He has returned Goodyear's cutting, so I now send it to thee - but I want it back for the Haworths, who have not yet seen it. Baby's little drawing of the tablet is very good - very good indeed. I am sure the oney could draw well with a little teaching + application. How curious the recumbent figure in the "pinked" shroud is, at the bottom!' (ink note)

Handwritten poem:
'To his mummy, (who is older than he) -

What shall I call thee? Mummy, - Sweetheart mine,
Where shall I find thee?... if in truth I dare
To disinter thee from the desert plain
And carry off thy body to afar.

Where shall I find thee? Burrowing with my hands
Tale[?] deep in the earth, as when they seek to meet
Some prised treasure. Yes, to far off lands
we'll travel now this summer fair my sweet.

Thy home shall be some great museum, framed
With all the splendours art can cast around,
Where thou shalt soon midst wond'ring peoples stand,
Nor think x [?] more to lie in native ground.

Yes come, I know, thou wilt! For well nigh due
Is now another find; since two days past
Have not seen a portrait, and anew
I seek to find another love at last.

I waked last night from dreams of finds, and lo!
Five new tombs have we opened now today,
And sure in one of them, deep down, full low,
Thy smiling face is lying! Come away!

Away dear love to meet and greet the sun,
Which yet thou hast not seen for ages past,
When thou lay down, Europe had scarce begun
To run its course, which thou shalt see at last.

Swift, swift, we'll travel by Northern shore
Dear lady! from the drowsy East fly fast,
Darkness + ignominy are no more,
Thy treasured features now are mine at last.

Hawara

W.m.F.P.
With many apologies to A.B.E.

Third copy of My Working Years by Sir Alan Gardiner (1962).

With an unsigned dedication on the front matter by Mr Rolf Gardiner:

"For the Library of the Griffiths[sic] Institute
on the occasion of a Memorial Dinner
held, by invitation of the Provost, at the
Queen's College, Oxford, in commemoration of
Sir Alan Gardiner
on Saturday 23 May 1964

Followed by the signatures of the attendees.

With an enclosure at the back containing the souvenir booklet printed by Oxford University Press on the occasion of the Memorial Dinner (sections: "Menu", "Sir Alan Gardiner, Kt.", a portrait photograph, and "Sir Alan Gardiner's Publications"), and a loose calling card of Rolf Gardiner.

Notebooks, loose notes, drafts of articles, teaching notes, photocopies, card indexes, copies of inscriptions, impressions, photographs, negatives, transparencies (cut into strips and in rolls), videotape recording, tracings, drawings, and correspondence.

Digital publication:

• De Keersmaecker, Roger O. (2024), Travellers' graffiti from Egypt and the Sudan. [London]: Blurb (OEB 334316).
• Content of the former website www.egypt-sudan-graffiti.be [no longer active], by Roger O. de Keersmaecker (1931-2020), with a collection of articles on specific travellers or groups of graffiti, a number of reviews of the author's previous publications, and some additional information supplementing the published volumes. This is supplemented with reprints of ASTENE Bulletin 77 (2018), p. 14 [review; see De Keersmaecker MSS 7.2 and 7.2A]; 82 (2020), p. 4-7 [obituary], and G/Geschiedenis 2020 (3), p. 64 [transfer of the archive to the Griffith Institute, University of Oxford].
• Most of the graffiti date to the nineteenth century.

Print and bound publication:

• De Keersmaecker, Roger O. (2011), Travellers' graffiti from Egypt and the Sudan X: the temple of Kalabsha, the temple of Beit el-Wali. Mortsel (Antwerpen): Graffito-Graffiti (OEB 169306).
• Great Temple of Mandulis (Kalabsha) [see TopBib vii.10-21] and Rock Temple of Beit el-Wali [see TopBib vii.21-27].
• Most of the graffiti date to the nineteenth century.
• It includes: author's personal stamp with address details on cover page; an attached page between p. 37-38 with two pictures of the Catholic cemetery on Mount Zion in Jerusalem on the recto and a picture of Cornelius Bradford's grave inscription on the verso (omitted from the PDF); and an attached page at the end with the author's biographical information (omitted from the PDF).

Print and bound publication:

• De Keersmaecker, Roger O. (2011), Travellers' graffiti from Egypt and the Sudan, XI: Gebel el-Silsila: Great Speos of Haremhab, shrines, quarry and rock-stelae. Mortsel (Antwerpen): Graffito-Graffiti (OEB 169307).
• Gebel el-Silsila: Great Speos of Haremhab [see TopBib v.208-213], shrines and rock-stelae [see TopBib v.213-218 and 220] and Quarries [see TopBib v.221].
• Most of the graffiti date to the nineteenth century.
• It includes: annotations in the form of checkmarks on p. 6-9, "o" marks on p. 9-10, and text on p. 7 with "DK 2011 (2) DK / DK 2011 (3) 2011 (4)"; and an attached page at the end with the author's biographical information (omitted from the PDF).

Print and bound publication:

• De Keersmaecker, Roger O. (2012), Travellers' graffiti from Egypt and the Sudan, additional volume [I]: the temples of Abu Simbel. Mortsel (Antwerpen): Graffito-Graffiti (OEB 169314).
• The Temples of Abu Simbel [see TopBib vii.95-117].
• Most of the graffiti date from the nineteenth century.
• It includes: the annotation "I" on cover page; inserted loose pages between p. 37-38 with biographical information on Giovanni d'Athanasi (Dimitrios Papandriopulo) (1798-1854), together with an annotated card titled "1824 ABU SIMBEL" containing a list of four individuals with their dates and number references; inserted loose pages between p. 59-60 with information on graffiti by H. B. Humphrey's / [HB H] BO USA 1840, together with an extract from email correspondence; and an attached page at the end with the author's biographical information (omitted from the PDF).

Print and bound publication:

• De Keersmaecker, Roger O. (2013), Travellers' graffiti from Egypt and the Sudan, additional volume III: Napoleon Bonaparte in Egypt. Soldiers, artists and scholars. Part II: Portrait drawings by André Dutertre. With Supplement. Mortsel (Antwerpen): Graffito-Graffiti (OEB 204639).
• Most of the graffiti date to the nineteenth century.
• It includes: non-annotated sticky markers on p. 85 (= PDF p. 84), p. 101 (= PDF p. 100), p. 132 (= PDF p. 131) and p. 141 (= PDF p. 140) [they have all been removed].
• The PDF also includes [Part III]: Supplement (= De Keersmaecker MSS 5.18) at the end, with a different page numbering.

Print and bound publication:

• De Keersmaecker, Roger O. (2013), Travellers' graffiti from Egypt and the Sudan, additional volume III: Napoleon Bonaparte in Egypt. Soldiers, artists and scholars. [Part I]. Mortsel (Antwerpen): Graffito-Graffiti (OEB 204639).
• Most of the graffiti date from the nineteenth century.
• In the print volume two pages are numbered as p. 64 (the numbering is correct in the PDF).

Print and bound publication:

• De Keersmaecker, Roger O. (2010), Travellers' graffiti from Egypt and the Sudan, IX: Thebes: the Ramesseum. Mortsel (Antwerp): Graffito-Graffiti (OEB 165004).
• The Ramesseum [see TopBib ii.2.431-443].
• Most of the graffiti date to the nineteenth century.
• It includes: a loose page glued to p. 2 containing a review of the book by Gabriele Höber-Kamel and published in Kemet 2011 (2), p. 87, which is also present inserted at the end as p. 135, but with the number crossed out and replaced by "134"; and an attached page after p. 131 with the author's biographical information (omitted from the PDF).
• The PDF includes additional pages not present in the print volume: a review of the book by Deborah Manley published in ASTENE Bulletin 46, 2010-2011 (p. 131-133).

Print and bound publication:

• De Keersmaecker, Roger O. (2011), Travellers' graffiti from Egypt and the Sudan, XII: the Luxor Temple. Mortsel (Antwerp): Graffito-Graffiti (OEB 169308).
• Luxor Temple [see TopBib ii.2.301-339].
• Most of the graffiti date to the nineteenth century.
• It includes: annotations on p. 55 with crosses and text "S. WEIR LEWIS / OF PHILADELPHIA, AGE 26 / WITH MAX"; a sticky note attached to the verso of p. 88 with the annotation "DR. DANIEL C. / McLEOD / US NAVAL / SURGEON"; and an attached page at the end with the author's biographical information (omitted from the PDF).
• The PDF includes additional pages not present in the print volume: additional information on different individuals received from different sources (p. 111-115); biographical information on J. G. Vassar, with a portrait and the cover and an extract from Vassar, John Guy 1861, Twenty Years around the world. New York: Rudd & Carleton (p. 116-120); and additional information on G. W. Pratt (p. 121-122).

Print and bound publication:

• De Keersmaecker, Roger O. (2011), Travellers' graffiti from Egypt and the Sudan, supplement: total index for the 12 volumes. Mortsel (Antwerpen): Graffito-Graffiti (OEB 169305).
• Most of the graffiti date to the nineteenth century.
• It includes: index sections for the additional volumes I, II, III part I and II (Abu Simbel, Dendera, Napoleon Bonaparte in Egypt and "Index-DUTERTRE") (22 pages in total, all omitted from the PDF), with an annotation in the form of a cross next to "Platt, W. H." in the Abu Simbel section.

Print and bound publication:

• De Keersmaecker, Roger O. (2012), Travellers' graffiti from Egypt and the Sudan, additional volume II: the temple complex of Dendara. Mortsel (Antwerpen): Graffito-Graffiti (OEB 185328).
• The Temple Complex of Dendera [see TopBib vi.41-110].
• Most of the graffiti date from the nineteenth century.
• It contains: attached pages at the end with the printed article Hallof, Jochen 1996. Besucherinschriften in den Tempeln von Dendera. Bulletin de l'Institut Français d'Archéologie Orientale 96, 229-244 (OEB 40093) (omitted from the PDF).

Print and bound publication:

• Keersmaecker, Roger O. De 2003. Travellers' graffiti from Egypt and the Sudan II: the temples of Semna and Kumma. Berchem (Antwerp): Graffito Graffiti (OEB 181113).
• Semna West [see TopBib vii.144-151] and Semna East (Kumma) [see TopBib vii.151-156].
• Most of the graffiti date to the nineteenth century.
• It includes: annotations in the form of crossed out text on p. 2, highlighted lines on p. 17 and checkmarks on p. 22 and p. 38 (= PDF p. 40); inserted loose pages between p. 15-16 containing biographical information on George Waddington and Barnard Hanbury [an extract from Waddington, George and Barnard Hanbury 1822. Journal of a visit to some parts of Ethiopia. London: John Murray, p. 1-52; and a 2018 Wikipedia page on George Waddington]; and inserted loose pages at the end with "Additional information" on Elbert Ellery Anderson's graffiti at the temple of Kumma, biographical information, a portrait, and an obituary numbered as p. 47-52 (= PDF p. 61-66).

Print and bound publication:

• De Keersmaecker, Roger O. (2004), Travellers' graffiti from Egypt and the Sudan, III: Philae: The kiosk of Trajan. Berchem (Antwerp): Graffito Graffiti (OEB 179470).
• Kiosk of Trajan [see TopBib vi.250].
• Most of the graffiti date to the nineteenth century.
• It includes: inserted loose pages between p. 64-65 (= PDF not numbered) with printed resources from the Internet [a WorldCat search on the publication and a 2019 Wikipedia page on Trajan's Kiosk]; and an extra p. 72 (omitted from PDF) containing "Additional Information from Andrew Oliver, USA" on the graffiti by Joseph Crenier and Friedrich Maximilian Hessemer on the monument.

Print and bound publication:

• De Keersmaecker, Roger O. (2005), Travellers' graffiti from Egypt and the Sudan, IV: Elkab: the rock tombs. Berchem (Antwerp): Graffito Graffiti (OEB 177623).
• El-Kab: the rock tombs [see TopBib v.176-185].
• Most of the graffiti date to the nineteenth century.
• It includes: the insertion of numbers, sometimes crossed out and corrected, on the pages with illustrations, together with a loose page at the end of the publication containing a list of the numbers given to the illustrations and two sticky notes attached to the title page and the verso of p. 6 (in the PDF, the illustrations are all moved to the end); inserted loose page between p. 2-3 with a review of this book by A. Bednarski published on www.PalArch.nl, webbased Netherlands scientific journal (2006) (see PDF p. 93); and a loose envelope between p. 12-13 containing an invitation from KU Leuven to a 2017 Egyptology lecture by Willy Clarysse.

Print and bound publication:

• De Keersmaecker, Roger O. (2006), Travellers' graffiti from Egypt and the Sudan, V: Thebes: the Temples of Medinet Habu. Mortsel (Antwerp): Graffito Graffiti (OEB 175493).
• Theban Temples: Medinet Habu [ii2.460-532].
• Most of the graffiti date to the nineteenth century.
• It includes: the insertion of numbers on the pages with illustrations together with a loose page between p. 4-5 containing a list of numbers probably given to the illustrations (in the PDF, the majority of the illustrations are moved to the end); a sticky note attached to the verso of p. 32 with the annotation "S. 41 EST Mc VICKAE H / 1838 / PL XXVII / M Me VICKAE / 1838"; a loose entrance ticket to Medinet Habu between p. 37-38; inserted loose pages at the end with "Additional information" on Edward Joy Morris, Henry B. Humphrey, Lieutenant James MacKenzie, Captain J. Clunes, P. C. Trench, W. F. Williams, Duncan Pirie, M. Joseph, Giovanni Fiamingo, William Nathaniel Peach and Miles Ponsonby, numbered as p. 69-75; and the printed version of an unidentified drawing.

Print and bound publication:

• De Keersmaecker, Roger O. (2008), Travellers' graffiti from Egypt and the Sudan, VI: Thebes: the mortuary temple of Sethos I (Qurna), the temple of Hathor (Deir el-Medina). Mortsel (Antwerp): Graffito Graffiti (OEB 170639).
• Temple of Sethos I (Qurna Temple) [see TopBib ii2.407-421] and Temple of Hathor (Deir el-Medina) [see TopBib ii2.401-407].
• Most of the graffiti date to the nineteenth century.