Decorative Egyptian or Egyptianizing designs:

• pencil and watercolour (red, yellow, blue, green) sketches on paper
• loose
• 26.3 x 41.7 cm
• [on sketch] encircled '10' (pencil note, almost certainly by Dr Moss)

Queen Nefertari with two sistra [before Hathor of Abeshek (not depicted)] from the scene on the lower register of the Osiride pillar I (a) in the Great Hall of the Great Temple of Ramesses II at Abu Simbel (TopBib vii.105.I(a)):

• pencil drawing on paper
• loose
• 26.5 x 23.4 cm
• [on drawing] 'abo simbeI / P. T' (pencil note, almost certainly by Dr Moss)
• [on drawing] encircled '7' (pencil note, almost certainly by Dr Moss)

View of Roman or Saracenic building at Aswan:

• pencil sketch on paper
• mounted
• 29.2 x 9.4 cm
• [on sketch] 'Assouan' (pencil note)
• [on mount] '1' (pencil note, almost certainly by Dr Moss)

View of 'Kursi Faraoun' in Philae:

• pencil sketch on paper
• mounted, together with Bonomi MSS 8.2 (lower)
• 20.8 x 14.3 cm
• [on sketch] 'Kursi Faraoun / Philae' (ink note)
• [on mount] '2' (pencil note, almost certainly by Dr Moss)

View of the Island of Elephantine (TopBib v.224):

• pencil sketch on paper
• mounted, together with Bonomi MSS 8.2 (upper)
• 15.0 x 3.6 cm
• [on sketch] 'Elephantina'
• [on mount] '2' (pencil note, almost certainly by Dr Moss)

View of the last cataract/rapids (shallal) (perhaps the Second Cataract) near Wadi Halfa in Sudan, close to the border with Egypt:

• pencil sketch on paper
• mounted, together with Bonomi MSS 8.4 (top) and Bonomi MSS 8.4 (middle)
• 18.1 x 9.1 cm
• [on sketch] 'The last Shilal / near Wady halfa' (pencil note)
• [on mount] '3' (pencil note, almost certainly by Dr Moss)

General view of Gebel Barkal in Sudan, with the Pyramid Field on left (TopBib vii.203):

• pencil sketch on paper (3 pieces glued together)
• loose, originally mounted
• 62.7 x 11.7 cm
• [on sketch] 'Berkel' (pencil note)
• [on mount] '6' (pencil note, almost certainly by Dr Moss)
• [on mount] '1c' (pencil note, almost certainly by Dr Moss)

View of the Pyramid Field at Nuri (Bellal) in Sudan (TopBib vii.223):

• pencil sketch on paper
• mounted
• 31.6 x 12.4 cm
• [on sketch] '60 paces(?)' (pencil note)
• [on mount] '7' (pencil note, almost certainly by Dr Moss)
• [on mount] '1' (pencil note, almost certainly by Dr Moss)

Frontal view of free-standing female statue on pedestal with Greek inscription 'ΣΙΩΠΗ' and copy of Latin inscription CIL X.2 7502 (Gozo Island, Malta):

• camera lucida pencil tracing on paper
• currently loose, originally mounted
• 23.5 x 36.8 cm
• [on tracing] 'Trovat nella Isola di Gozo vicino alla porta del Castella sul ponte, nel piedestallo della statua di sette palmi d'altezza, la seguente iscrizione, le cui lettere essendo poco legibili, e neg=lette dagli abitatori, abbiamo procurato di osservarle con diligenza, con ricavarne il senso in questa maniera' (pencil note)
• [on tracing] 'CESTIO L.F.POAMPI GALLO VA / RENIANO LVTATUI NATALIA EMI / LIANO PATRONO MVNICIPII / L.MARCIVS MARCIANVS AMICO OPTIMO / V. KARISSIMO SIBI HONORIS CAVSA.S.L.' (pencil note)
• [on tracing] 'Le note confuse POAMPI, secondo il mio avviso leggere si fossano P.O.AMPL. cioè Patri optimo amplissimo' (pencil note)
• [on mount] '7' (ink note)

Marble relief of standing man and child holding cloth from Block V from the East frieze of the Parthenon (London, British Museum, reg. 1816,0610.19 - BM Sculpture 324 figs. nos. 33 and 34, 438-432 BC):

• camera lucida pencil tracing/drawing on paper
• mounted
• 18.1 x 26.0 cm
• [on mount] '8' (ink note)

Diagram of the pediment of the temple of Jupiter at Elis, and Arabic letters:

• ink sketch on paper
• loose
• 17.8 x 9.1 cm
• [on sketch] 'Figures by Alcamenes/ Pediment of the temple of Jupiter Elis' (ink note)
• [on sketch] 'VIRGIN' / 'CENTEAUR' / 'CENEUS' / 'EURYTÌON' / 'PIRITHOUS' / 'THESEUS' / 'CENTEAUR' / 'Boy' (ink labels)

Sketches of details of centaurs from the pediment of the temple of Jupiter at Elis:
-ink sketches on paper
-loose
-17.8 x 9.1 cm

Architectural detail of three volutes with acanthus design:

• pencil sketch on paper
• loose
• 21.8 x 17.1 cm
• [on sketch] 'ΜΝΗCΘΗ ΜΑΓΝΟΥC' (pencil note)
• [on sketch] '44' (pencil note)

Sketches of seated woman (frontal view) and standing male figure conversing with seated female figure (Athena) with helmet and spear (side view):

• ink sketches on paper mounted on card
• loose
• 22.5 x 9.1 cm

Four sketches of view and reliefs from a Roman tomb in Ghineh, near Ghazir (Lebanon), copy of a Greek inscription from a village nearby and copy of Latin inscription from Deir el-Kalaa (Lebanon):

• inked pencil sketches on paper
• loose
• 22.6 x 35.6
• [on sketch] 'Der el Kalla near Beyrout' (ink note)
• [on sketch] 'The first year of Trajan was 421 of Alexander's death.' (ink note)
• [on sketch] 'Inscription built into a wall over a door of a ruined house in a village called Kenna (?) near Gazir' (ink note; name of village in pencil)
• [on sketch] 'View of the Roman tomb near Gazir' (ink note)
• [on sketch] 'Bassorelievo in the tomb' (ink note)
• [on sketch] 'Bassorelievo in the tomb' (ink note)
• [on sketch] 'Bassorelievo in the tomb' (ink note)
• [on sketch] '3.1/3' / '5 1/4' (pencil note)

Figure; tracing of detail of Bonomi MSS 39.22:

• pencil tracing on tracing paper
• loose
• 2.7 x 5.6 cm

Page of handwritten catalogue of Egyptian antiquities:

• ink text on paper
• loose
• 16.0 x 31.6 cm
• [on verso] '66' (ink note)
• [on verso] 'Material' (ink note)
• [on verso] 'pieces of the dried stem of the Payprus Plant. - Such rolls of papyrus are made up of the fragments of papyri that are sometimes found about the mummy by the present inhabitants of Thebes.

  This specimen was purchased at the sale of antiquities by Mr Sotheby.

  Papyrus Roll - A Coptic and Greek roll of Papyrus unrolled by Mr Bonomi at Hartwell Sep. 3. 1847. Very imperfect - This is also one of the fabricated rolls. See No 3114

  Do - A hieratic and Coptic roll of papyrus, unrolled by Mrs Lee at Hartwell Sep 3. 1847. In the centre was a part of the stem of a reed which is preserved among the fragments in No 3102.

  This roll like the two former was made up of fragments. Originally, perhaps, it may have been a Coptic book written over the more ancient Hieratic characters; or the fragments of all Hieratic manuscript have been ignorantly rolled up with some Coptic fragments by the present inhabitants of Thebes, to sell to travellers.

  Pallet of a Painter, presented to me by R. Catherwood Esqre who brought it from Egypt in 1835. Mr C. had another Lot 229 of Mr Bartons collection of antiquities; and No 230; 231; and 232 consisted of Pallets of this description of two of which there are drawings July 1836.

  This is a remarkably fine specimen 16 inches long and 2./8th wide. It has two circular cavities for the red and black pgiments, usually employed in writing, and likewise an inclined cavity for the reeds used as brushes. This instrument is seen in the hands of the scribes represented on the monuments: it served at once for a ruler, and sometimes a measure, besides its office of inkstand and penholder. penholder On the front at the top is the scribe making an offering and prayer to the judge of the Amenti (the region of the West) behind whom' (ink note; with '3114' and '3102' in pencil).

Sketched plan and calculations, with watercolour stains:

• pencil sketch and watercolour stains on paper
• loose
• 11.6 x 18.3 cm
• [on sketch] 'Metre diametre' / 'C' (pencil note)
• [on sketch] 'Section B' (pencil note)

Coloured lithograph of Greek vase by Nikosthenes discovered in Etruria, from the collection of the Marquess of Northampton; published on 23 April 1848 as plate XV to illustrate "Observations by the Marquess of Northampton, Pres. R.S., F.S.A., upon a Greek vase discovered in Etruria, now in his Lordship's possession, bearing the name of the fabricator Nicosthenes", in Archaeologia: or, Miscellaneous tracts relating to antiquity, published by the Society of Antiquaries of London 32 (1847), p. 255-262:

• multi-coloured (orange, red, black) lithograph
• loose
• 24.4 x 29.7 cm

Figures and shields; tracing of detail of Bonomi MSS 39.22:

• pencil tracing on paper
• loose
• 8.9 x 6.4 cm

Reclining figure of Christ(?) [no wounds depicted]:

• pencil sketch on paper
• loose, adjacent to Bonomi MSS 40.1
• 18.6 x 11.5 cm

Two female figures, one on left with a set of scales and one on right with a sword (allegories of Justice):

• pencil sketch/tracing on tracing paper
• mounted, together with Bonomi MSS 40.5
• 19.9 x 12.4 cm

Male figure with arms raised above head, with outline of figure (left) and sketch of head (below):

• pencil sketches on paper
• mounted, together with Bonomi MSS 40.4
• 12.8 x 25.7 cm

Four designs featuring the goddess Britannia:

• inked (red and black) pencil drawings on paper
• mounted
• 25.3 x 33.6 cm
• [on drawing] 'BRITANNIA SACRIFISING AT THE SHRINE OF ART' (pencil note)
• [on drawing] 'BRITANNIA WELCOMING MINERVA' (pencil note)
• [on drawing] 'BRITANNIA REPLENISHING THE LAMP OF THE GENIUS OF ART' (pencil note)
• [on drawing] '"STET NOMINS UMBRA"' (pencil note)

Reclining figure of Christ(?) [no wounds depicted]:

• pencil sketch on paper
• loose, adjacent to Bonomi MSS 40.10-11
• 18.6 x 11.5 cm

Two angels flanking a door:

• pencil sketch on paper
• mounted, together with Bonomi MSS 40.16-17
• 19.3 x 12.4 cm

Circular design of Britannia replenishing the lamp of the genius of art, with annotations and sketches:

• print on paper
• mounted
• 20.9 x 24.1 cm
• [on print] 'no mouth see drawing' (pencil note)
• [on print] 'in' (pencil note) [different examples]
• [on print] 'out' (pencil note) [different examples]
• [on print] 'cut away' (pencil note) [different examples]
• [on print] 'ring lines all the same thickness' (pencil note)
• [on print] 'under' (pencil note)

Note on furniture:

• pencil note on lined paper
• mounted on loose paper, adjacent to page 2
• 9.0 x 8.8 cm (10.4 x 11.1 cm with mount)
• [text]

  ''Most judicious and valuable is a / deal table stained black with ink it / is agreeable to the eyes at candle / light and highly condusive to the / maintenance of the

  Also to be recommended a chair / made of boxes that would take the / shape [x] so conducive to longev- / ity as it is the position of complete / repose''.

View of the forum of Pompeii, looking South-East:

• pencil drawing on paper
• loose, adjacent to Bonomi MSS 34.1-2
• 39.0 x 24.9 cm
• [on drawing] 'Pompeii' (pencil note)
• [on drawing] 'Forums Pompei. looking S.E.' (pencil note)

Frontal view of free-standing marble sculpture of Diana Lucifera (Naples, Museo Archeologico Nazionale, inv. 6280, date not known):

• pencil sketch on paper
• mounted
• 27.3 x 8.4 cm