Note on a marble statue in the collection of Dr Lee of Hartwell and on the artistic representation of the effects of alcohol in the human body (continuation), with two sketches of a big-bellied man:

• pencil note on paper
• loose, adjacent to Bonomi MSS 43.1
• 11.1 x 18.1 cm
• [text] 'opportunities of delineating its effects / on the contour of the human fabric / from the constant exposure nature of the the costume (sic = custom) / X The of those days in the hot climates / of Greece and Egypt being seldom more / than a single piece of cotton or woollen / cloth which was thrown about the body / at the will or caprice of the wearer always most / generally leaving a considerable portion of its / surface to the action of light and air and / thus giving an opportunity to sculptor and painter to / make himself familiar with the configuration of the human body / under all circumstances and this is perhaps what made / them such masters of in the art of sculpture / and very early ...(?) X and as this beautiful / work ...(?) been it puortrays so faithfully / the effect of his soul(?) indulgence in alcohol / to this truth of which we are / all … … …(?) We scarcely need the aid / of the wine skin on which the figure is reclining in his / drunken offers(?) to inform us of the imbibe of the above in a salty eye the figure we need not the fulsome work of / to …(?) the abdomen scarcely covered scalp the ample beard / sufficiently'

Woman writing or reading:

• pencil sketch on paper
• mounted
• 18.7 x 22.0 cm

Sketches of woman pouring oil into a lamp:

• pencil sketches on paper
• partially attached
• 26.5 x 36.0 cm

Male nude studies:

• pencil and carbon sketches on paper
• mounted
• 17.9 x 27.8 cm

Small fragment of tracing with design, not identified:

• pencil tracing on tracing paper
• loose, adjacent to Bonomi MSS 44.1
• 8.8 x 5.0 cm

Small fragment of tracing with design, not identified:

• pencil tracing on tracing paper
• loose, adjacent to Bonomi MSS 44.1
• 9.3 x 4.3 cm

Three architectural sketches:

• pencil sketches on paper
• mounted, together with Bonomi MSS 44.6 and Bonomi 44.7
• 18.8 x 12.0 cm
• [on mount] '2' (ink note)

Personified Wednesday (Hermes/Mercurius) and two other days of the week as classical figures, profile view of heads:

• pencil sketches on paper
• mounted, together with Bonomi MSS 44.5 and Bonomi 44.6
• 17.2 x 11.0 cm
• [on sketch] 'Wednesday' (pencil note)
• [on sketch] 'Lunedi v / Martedi v / Mercoledi v / Giovedi v / Venerdi / Sabbato'
• [on mount] '2' (ink note)

Crete. Island of Gavdos:

• watercolour on paper
• loose
• 12.7 x 7.5 cm
• [on watercolour] 'NE by E' (ink note)
• [on watercolour] 'E' (ink note)
• [on watercolour] 'Gozo of Candia 6 miles' (ink note)

Emblem of Tyne Sailors' Home:

• pencil drawing on tracing paper
• loose
• 13.6 x 18.9 cm
• [on drawing] 'ESTO PERPETUA' (pencil note)
• [on drawing] 'SAILORS HOME' (erased pencil note)
• [on drawing] 'TYNE SAILORS HOME' (pencil note)
• [on drawing] '21 OCT 1856' (pencil note)

Design for Tyne Sailors' Home with Britannia:

• pencil drawing on tracing paper
• loose
• 18.8 x 22.3 cm
• [on drawing] 'TYNE / SAILORS / HOME' (pencil note)

Man with plumed helmet:

• pencil sketch on tracing paper
• loose
• 8.2 x 18.8 cm

Frontal view of male nude with stick (probably design for pediment):

• pencil sketch (details) on tracing paper, with inked outline on recto used as reference for figure
• loose
• 14.8 x 19.8cm

Woman pouring oil into a lamp:

• pencil sketch on tracing paper
• loose
• 8.6 x 25.1 cm

Frieze design with women holding amphorae and warriors:

• pencil sketch on tracing paper
• loose
• 25.2 x 10.6 cm

Woman pouring oil into a lamp:

• pencil sketch on tracing paper
• loose
• 8.5 x 21.5 cm

Woman pouring oil into a lamp:

• pencil sketch on tracing paper
• loose
• 8.2 x 14.9 cm
• [on verso] '280' (pencil note)

Studies of reclining nude female figure:

• pencil sketches on paper
• loose
• 21.1 x 12.9 cm

Woman with nude male child on her lap:

• pencil sketch on paper
• loose
• 26.9 x 22.2 cm

Arched monument with two figures, surmounted by cross:

• pencil sketch on paper
• loose
• 11.3 x 15.9 cm

Lighthouse design with colossal statue of woman:

• pencil drawing on card
• loose
• 20.3 x 15.2 cm

Man using compasses (probably Eratosthenes estimating Earth's circumference):

• pencil tracing on tracing paper
• loose
• 7.8 x 26.0 cm

Crouching woman with amphorae:

• pencil sketch on tracing paper
• loose
• 8.3 x 17.9 cm

Lighthouse design with colossal statue of woman:

• pencil sketch on paper
• loose
• 17.2 x 27.8 cm

Lighthouse design with colossal statue of woman:

• pencil sketch on paper
• loose
• 17.3 x 31.0 cm

Letter:

• ink text on paper
• loose
• 11.3 x 18.3 cm
  -[text]:
  '21 May 1862
  13 Lincoln's Inn Fields
  My dear Sir
  This moment in the receipt of yours
  of this date
  The materials for a perspective
  view of the Schools have been
  in the hands of a draughtsman
  there several weeks. Tomorrow
  if I am well enough (after the
  Duke's party this evening) I will
  call to see if it be done
  Your obedient Servant
  Joseph Bonomi
  John Lee Esq(?) LLD
  x x x'

Woman holding fan:

• pencil sketch on tracing paper
• loose
• 9.3 x 16.0 cm

Caryatid design:

• ink and pencil sketch on paper
• loose
• 18.8 x 22.8 cm

Female nude:

• pencil sketch on tracing paper
• loose
• 11.9 x 15.5 cm

Alnwick Fountain and continuation of text on church at Alnwick:

• ink sketch and text on paper
• loose
• 15.7 x 11.5 cm
• [on sketch] 'Fountain Alnwick' (ink note)
• [text]:

'The roof of the nave was

restored in 1781 owing no doubt

to its threat(e)ning an invasion

of the pavement from the walls

injuditious alteration

having been weakened by throwing

2 arches into one in order to

x(?) the exhibit the x(?) pulpit to

all the people in every corner

of the church the (?)'