Relief scene from the early 18th Dynasty tomb of Neferhotep (TT50) at the west bank of Thebes. This scene comes from register II, and shows a kneeling harpist and a female lutist, both facing to the right side:

• watercolour
• mounted
• [on recto, top left corner] '82 plate 2'. (pencil note)
• [on recto, bottom left corner] 'G A Hoskins'. (ink note)
• [on mount, bottom edge] 'Tomb of Amulek Thebes'. (ink note)
• 29.7 by 22.3 cm

The plant Hibiscus Esculentus:

• watercolour
• mounted
• [on recto, bottom right edge] 'Hibiscus Esculentus'. (pencil note)
• 19.0 by 21.0 cm

A small group of yellow and red flowers (unidentified), likely painted by J. Hoskins:

• watercolour
• mounted
• 18.0 by 27.7 cm

A large false door from the early 18th Dynasty tomb of Benia Pakehmen (TT383) at the west bank of Thebes. This scene shows a large false-door outlined in red, and on either side three registers including a kneeling relief figure of the tomb-owner bearing offerings:

• watercolour
• mounted
• 29.2 by 22.3 cm

Relief scene from the early 18th Dynasty tomb of Neferhotep (TT50) at the west bank of Thebes. This scene comes from register I, and shows May making offerings before the king Horemheb, with several male figures behind wearing garlands:

• watercolour
• mounted
• [on recto, top left corner] 'plate 1' (ink note)
• [on recto, bottom left corner] 'Amunmai Amulek king of the 18th dynasty'. (ink note)
• 34.0 by 24.1 cm

Relief scene from the early 18th Dynasty tomb of Neferhotep (TT50) at the west bank of Thebes. This scene comes from register II, and shows the seated tomb-owner and his wife on the far right while a row of male figures carry flowers, and make offerings including incense and libations before a large offering table:

• pencil drawing
• hieroglyphs in ink
• mounted
• 34.2 by 29.0 cm

A lintel from the small temple at Medinet Habu, including three lines of royal titulary of Thutmosis III:

• watercolour
• mounted
• [on recto, top right corner] 'P 2'. (pencil note)
• 29.7 by 24.2 cm

Colossi of Memnon, located at the site of the temple of Amenhotep III at Kom el-Hetan on the west bank at Thebes:

• pencil drawing
• mounted
• 33.5 by 22.6 cm

View of the facade of the small temple of Hathor of Abeshek and Queen Nefertari at Abu Simbel:

• watercolour
• mounted
• 33.9 by 26.1 cm

View of the Osiride pillars from the forecourt area of the temple of Ptah at Gerf Husein:

• watercolour
• mounted
• 26.7 by 23.0 cm

View of the Gate of Diocletian at Philae:

• watercolour
• mounted
• 29.5 by 22.7 cm

Two camels, the upper scene shows the camel reclining near a tent and the lower scene shows the camel standing:

• pencil drawing
• mounted
• [on recto, right side] 'desert'. (pencil note)
• 22.7 by 17.5 cm

Drawing of a seated man and his wife behind him from an unidentified tomb in Thebes. A faint border for hieroglyphs is visible along the top edge, and a small star shape is visible on the top left corner:

• pencil drawing
• mounted
• 21.0 by 25.3 cm

View of the temple of Poseidon (Poseidonia) at Paestum:

• pencil drawing
• mounted
• 40.2 by 24.7 cm

Study of two young boys, one with his hand on the shoulder of the other boy and facing towards him:

• watercolour
• mounted
• [on recto, bottom left corner] 'Two boys of Thebes'.
• 29.2 by 29.2 cm

Study of a female figure, wearing a dark dress and facing towards the left. Before her is a faint pencil sketch that is incomplete:

• watercolour
• mounted
• 23.3 by 22.3 cm

Notebook containing notes on work in Theban tombs, financed by Sir Robert Mond, 1909-1910.

Printout of the booklet "Charles Gordon Jelf. Born June 8, 1886. Killed in Action October 13, 1915" (printed for private circulation, 1915); from Bodleian Libraries, University of Oxford copy [http://solo.bodleian.ox.ac.uk/primo-explore/fulldisplay?docid=oxfaleph013761443&context=L&vid=SOLO&search_scope=LSCOP_ALL&tab=local&lang=en_US].

• 3 copies (1 typescript and two carbon copies) of a transcript made from Linant de Bellefonds' diary (1821-1822).
  • Titled: "Journal d'un Voyage en Ethiopie dans les Annees 1821 & 1822."
  • 279 typescript pages
  • Not Griffith Institute copyright. See below for details.
• 14 glass plate negatives, two sizes, with a set of modern prints made from the larger-sized negatives (1818-1826). Not Griffith Institute copyright. Negatives made from the originals in the Louvre.
• The negatives are copies of the following MSS:
• B.15 (parts A and B)
  • Triple statue (same as following), not identified, with texts
• B.26
  • Maison du Melek d'Argos
• B.30
  • Gebel Barkal. View of Pyramid field (North and South groups)
  • TopBib vii.208, 203
  • = Bankes MSS XV.C.7
• B.32
  • Gebel Barkal. Temple B.300. View of interior
  • TopBib vii.209
  • = Bankes MSS XV.C.2
• B.32 bis
  • Gebel Barkal. Great Temple B.500. Sketch, general view showing granite stand of Taharqa, with Nile-gods binding sma-symbol etc.
  • TopBib vii.216A & 209(43)
• B.36
  • Gebel Barkal. Great Temple B.500. Inner Court. Meroitic battle scene, including man on horseback and archer
  • TopBib vii.219(30)
  • = Bankes MSS XV.A.28
• B.38 bis
  • Gebel Barkal. Temple B.700. Pylon (destroyed). West wing, outer face, Senkamanisken smites captives before Amun-Re
  • TopBib vii.214
  • = Bankes MSS XV.C.8 [middle]
• B.45
  • Gebel Barkal. Temple B.300. Third Hall. View
  • TopBib vii.209
• B.62
  • Musauwarat el-Sofra. Great Temple. Views
  • TopBib vii.264
  • = Bankes MSS XVII.B.15
• B.68
  • Musauwarat el-Sofra. South-East Temple. Interior. North-East row of columns. Column 2, three registers
  • TopBib vii.267
  • = Bankes MSS XVII.B.6
• B.69
  • Musauwarat el-Sofra. South-East Temple. Interior. North-East row of columns. Column 1, two registers
  • TopBib vii.265
  • = Bankes MSS XVII.B.5
• B.73
  • Naga'. General view
  • TopBib vii.267
• B.105
  • Naga'. Lion Temple of Apedemak. Exterior. King, Queen and Prince, before Isis holding captives, Mut, Hathor and Satis
  • TopBib vii.269(21)-(22)
  • = Bankes MSS XVII.C.7-8