[Left] Brick-stamp bearing the name of a king Amenhotep, wood, provenance not known, now in London, British Museum, EA5993 (TopBib viii). [Right] Funerary cone (Davis & Macadam no. 255), pottery, from the Tomb of Userhat (TT 150) at Dra Abu el-Naga, on the West Bank of Thebes (TopBib i2.261):

• ink sketches and notes on paper
• loose
• 18.7 x 12.7 cm
• [under sketches on the left] 'Wooden brick stamp / in the Col of E Lane Esq' (ink note)
• [under sketch on the right] ''Terra cotta cone / in the Sh... Col' (ink note)

Sketch of front and texts of front and sides of a headless sphinx of Amenophis III, found in the Palace of Diocletian in Split (Croacia) and now in Split, Archaeological Museum (TopBib vii.407):

• ink sketch on paper
• loose
• 14.7 x 9.3 cm

Unfinished letter:

• ink text on paper
• loose
• 9.3 x 14.7 cm
• [text]:

'Septbr 28 /46
63 Welbeck St
Cavendish Sqre

My dear Wood
[two words in Arabic]
Our old friend Arundale
was in'

Floral design:

• pencil and ink sketch on paper, with pricked marks for pouncing technique
• loose
• 20.1 x 22.7 cm
• [on sketch] 'BGRSBOBGRG / COYPGRG /GRGBOBPYPBOBGRG' (pencil notes)

Floral design and object with floral motifs:

• pencil sketches on paper, with pricked marks for pouncing technique
• loose
• 20.1 x 22.7 cm

Cup with a lotus motif:

• pencil sketch on blue ledger paper
• loose
• 7.6 x 12.6 cm

Gold ring of Thutmose III, provenance not known, but said to come from Saqqara, tomb of Djehuty, discovered in the 1820s, now in London, British Museum, EA71492 (TopBib viii), with details of front and back of hieroglyphic inscriptions:

• inked pencil drawings on paper
• loose
• 11.2 x 16.5 cm

Copy of the hieroglyphic inscription on a broken stick of Neferhotep, lector priest, probably New Kingdom, formerly in the collection of Rev. R. T. Lieder, and current location not known, from Tell Atrib (TopBib iv.67A):

• pencil sketch on paper
• loose
• 12.6 x 20 cm
• [on sketch] 'on a walking staff one line / Lieder's Collection 18 August 69' (ink note)

Scene with Ramesses II holding bound captives on the Inner face of the First Pylon of the Ramesseum, on the West Bank of Thebes (TopBib ii2.433.(4)):

• pencil sketch on lightweight paper
• loose
• 27.9 x 42.9 cm

West half of the rear wall of the Hypostyle in the Ramesseum, on the West Bank of Thebes, not finished. Two registers: I, King running to Min and goddess. II, Two scenes, I. [King] before goddess making nini, 2, King receiving insignia and heb-sed wand from Amun and Mut. Base, a princess and eighteen princes, [break], two more princes (TopBib ii.438.(19)):

• pencil sketch on paper
• loose
• 31.6 x 45.9 cm
• [on sketch] '16th / to the / centre' (pencil note)
• [on sketch] 'Ramesseum.' (pencil note, almost certainly by Dr Moss)
• [on sketch] encircled '13' (pencil note, almost certainly by Dr Moss)

Architectonical fragment (perhaps jamb or pillar) mentioning "the Osiris Nehehniotef, justified" from an unidentified tomb at Saqqara, current location not known (TopBib iii.2.749A), and perhaps related to the stela of Nehehniotef, Dyn. XIX, from a tomb at Saqqara, formerly in Passalacqua collection, now in Berlin, Ägyptisches Museum, 7273 (TopBib iii.2.733):

• pencil sketch on paper
• mounted, together with Bonomi MSS 4.2 [Top and Bottom]
• 3.3 x 9.1 cm
• [on mount] '2' (pencil note)

Cartouches of Amasis and Sethos I:

• pencil sketches
• partially mounted, together with Bonomi MSS 4.2 [Top and Middle]
• 6.3 x 9.9 cm
• [on mount] '2' (pencil note)

Rubbing of a hieroglyphic inscription on an object thought to come from Carthage (not identified) (TopBib vii.367A):

• ink rubbing on tracing paper, mounted on paper
• mounted
• 4 x 16.2 cm (11.2 x 17.6 cm with mount)
• [on rubbing mount] 'This is a rubbing / from some Hieroglyphics / found among the ruins / of Carthage. / Given to me by / Doctor Lee of Aylesbury / 1840' (ink note)
• [on mount] '6' (pencil note)

View of the First Pylon of the Small Temple of Medinet Habu, looking East towards the Colossi of Memnon, on the West Bank of Thebes, not finished (TopBib ii.462):

• pencil sketch on paper
• loose, between Bonomi MSS 4.8 and Bonomi MSS 4.13
• 44.7 x 29.5 cm

Mother reading with daughter:

• inked pencil sketch with pencil frame on paper
• partially attached, together with Bonomi MSS 42.6
• 10.2 x 14.1 cm
• [on sketch] 'JB' (pencil note)

Sketches of rider on horseback, angel, and warrior:

• pencil sketches on paper
• partially attached
• 25.9 x 19.2 cm
• [on sketch] 'Α+Ω' (pencil note)

Ewer and lamp design:

• pencil sketch on paper
• mounted, together with Bonomi MSS 42.10
• 18.3 x 16.7 cm
• [on sketch] 'PRUDENCE' (pencil note)
• [on sketch] 'PR' (pencil note, erased)
• [on sketch] '[P]RUD - ENCE' (pencil note, erased)

Standing man with staff:

• pencil sketch on paper
• mounted
• 16.9 x 26.0 cm

Note on a marble statue in the collection of Dr Lee of Hartwell and on the artistic representation of the effects of alcohol in the human body (continuation), with two sketches of a big-bellied man:

• pencil note on paper
• loose, adjacent to Bonomi MSS 43.1
• 11.1 x 18.1 cm
• [text] 'opportunities of delineating its effects / on the contour of the human fabric / from the constant exposure nature of the the costume (sic = custom) / X The of those days in the hot climates / of Greece and Egypt being seldom more / than a single piece of cotton or woollen / cloth which was thrown about the body / at the will or caprice of the wearer always most / generally leaving a considerable portion of its / surface to the action of light and air and / thus giving an opportunity to sculptor and painter to / make himself familiar with the configuration of the human body / under all circumstances and this is perhaps what made / them such masters of in the art of sculpture / and very early ...(?) X and as this beautiful / work ...(?) been it puortrays so faithfully / the effect of his soul(?) indulgence in alcohol / to this truth of which we are / all … … …(?) We scarcely need the aid / of the wine skin on which the figure is reclining in his / drunken offers(?) to inform us of the imbibe of the above in a salty eye the figure we need not the fulsome work of / to …(?) the abdomen scarcely covered scalp the ample beard / sufficiently'

Woman writing or reading:

• pencil sketch on paper
• mounted
• 18.7 x 22.0 cm

Sketches of woman pouring oil into a lamp:

• pencil sketches on paper
• partially attached
• 26.5 x 36.0 cm

Male nude studies:

• pencil and carbon sketches on paper
• mounted
• 17.9 x 27.8 cm

Small fragment of tracing with design, not identified:

• pencil tracing on tracing paper
• loose, adjacent to Bonomi MSS 44.1
• 8.8 x 5.0 cm

Small fragment of tracing with design, not identified:

• pencil tracing on tracing paper
• loose, adjacent to Bonomi MSS 44.1
• 9.3 x 4.3 cm

Three architectural sketches:

• pencil sketches on paper
• mounted, together with Bonomi MSS 44.6 and Bonomi 44.7
• 18.8 x 12.0 cm
• [on mount] '2' (ink note)

Personified Wednesday (Hermes/Mercurius) and two other days of the week as classical figures, profile view of heads:

• pencil sketches on paper
• mounted, together with Bonomi MSS 44.5 and Bonomi 44.6
• 17.2 x 11.0 cm
• [on sketch] 'Wednesday' (pencil note)
• [on sketch] 'Lunedi v / Martedi v / Mercoledi v / Giovedi v / Venerdi / Sabbato'
• [on mount] '2' (ink note)

Crete. Island of Gavdos:

• watercolour on paper
• loose
• 12.7 x 7.5 cm
• [on watercolour] 'NE by E' (ink note)
• [on watercolour] 'E' (ink note)
• [on watercolour] 'Gozo of Candia 6 miles' (ink note)

Emblem of Tyne Sailors' Home:

• pencil drawing on tracing paper
• loose
• 13.6 x 18.9 cm
• [on drawing] 'ESTO PERPETUA' (pencil note)
• [on drawing] 'SAILORS HOME' (erased pencil note)
• [on drawing] 'TYNE SAILORS HOME' (pencil note)
• [on drawing] '21 OCT 1856' (pencil note)

Design for Tyne Sailors' Home with Britannia:

• pencil drawing on tracing paper
• loose
• 18.8 x 22.3 cm
• [on drawing] 'TYNE / SAILORS / HOME' (pencil note)

Man with plumed helmet:

• pencil sketch on tracing paper
• loose
• 8.2 x 18.8 cm