Profile view of free-standing bronze statuette of Nike, without wings, holding overfold of peplos about to fall (Naples, Museo Archeologico Nazionale, inv. 5010, date not known) :

• pencil sketch on paper
• mounted, together with Bonomi MSS 36.4
• 13.2 x 21.1 cm
• [on sketch] '3' (pencil note)

Profile view of free-standing bronze statue of Hypermnestra (Naples, Museo Archeologico Nazionale, inv. 5603, 3rd quarter of 1st century BC):

• pencil sketch with additional detail on clothing on paper
• mounted, together with Bonomi MSS 36.6
• 13.3 x 21.1 cm

Profile view of free-standing bronze statue of Danaid fastening dress at shoulder (Naples, Museo Archeologico Nazionale, inv. 5619, 3rd quarter of 1st century BC), with sketch of feet:

• unfinished pencil drawing with sketched head on paper
• mounted
• 25.5 x 37.8 cm

Three-quarter view of free-standing bronze statuette of Athena with helmet and silver inlays (Naples, Museo Archeologico Nazionale, inv. 5288, late 1st century BC - early 1st century AD), with sketch of helmet:

• pencil sketch on paper
• mounted, together with Bonomi MSS 36.17, on loose page at end
• 13.5 x 21.0 cm
• [on sketch] 'gold eyes' (pencil note)
• [on sketch] 'gold' (pencil note)
• [on sketch] 'open all down the other side no acorn(?) on this' (pencil note)
• [on sketch] 'gold' (pencil note)
• [on sketch] 'Gold beads' (pencil note)

Frontal view of nude standing male figure with sketched peplos, with sketch of nude left profile view and sketch of clothed right profile view

• pencil and coloured ink (red and black) sketches on paper
• loose
• 37 x 22.8 cm

Right profile view of standing male figure in peplos:

• pencil and blue ink sketch with additional detail on clothing on paper
• loose
• 37 x 22.8 cm

Left profile view of standing male figure in peplos:

• pencil drawing with sketched head, left arm and feet on paper
• loose
• 11.3 x 18.5 cm

Marble slabs of the Amazon frieze from the Mausoleum of Halicarnassus (London, British Museum, reg. 1847,0424.7 - BM Sculpture 1020 and left end of reg. 1847,0424.8 BM Sculpture 1021, c. 350 BC):

• camera lucida pencil tracing on paper
• mounted
• 42.2 x 20.5 cm
• [on mount] '2' (ink note)

Marble sculpture of Iris from the West Pediment of the Parthenon (London, British Museum, reg. 1816,0610.96 - BM Sculpture 304.N, 438-432 BC):

• pencil drawing on paper
• loose, together with Bonomi MSS 38.5
• 17.7 x 16.3 cm

Marble sculpture most probably from the Parthenon (438-432 BC), fragmentary sketch:

• pencil sketch on card
• loose, together with Bonomi MSS 38.8-10
• 11.9 x 10.6 cm

Frontal view of torso of marble sculpture, probably from the Parthenon (438-432 BC) :

• pencil drawing on card
• loose, together with Bonomi MSS 38.7-9
• 8.3 x 9.4 cm

Frontal view of free-standing female statue on pedestal with Greek inscription 'ΣΙΩΠΗ' and copy of Latin inscription CIL X.2 7502 (Gozo Island, Malta):

• camera lucida pencil tracing on paper
• currently loose, originally mounted
• 23.5 x 36.8 cm
• [on tracing] 'Trovat nella Isola di Gozo vicino alla porta del Castella sul ponte, nel piedestallo della statua di sette palmi d'altezza, la seguente iscrizione, le cui lettere essendo poco legibili, e neg=lette dagli abitatori, abbiamo procurato di osservarle con diligenza, con ricavarne il senso in questa maniera' (pencil note)
• [on tracing] 'CESTIO L.F.POAMPI GALLO VA / RENIANO LVTATUI NATALIA EMI / LIANO PATRONO MVNICIPII / L.MARCIVS MARCIANVS AMICO OPTIMO / V. KARISSIMO SIBI HONORIS CAVSA.S.L.' (pencil note)
• [on tracing] 'Le note confuse POAMPI, secondo il mio avviso leggere si fossano P.O.AMPL. cioè Patri optimo amplissimo' (pencil note)
• [on mount] '7' (ink note)

Marble relief of standing man and child holding cloth from Block V from the East frieze of the Parthenon (London, British Museum, reg. 1816,0610.19 - BM Sculpture 324 figs. nos. 33 and 34, 438-432 BC):

• camera lucida pencil tracing/drawing on paper
• mounted
• 18.1 x 26.0 cm
• [on mount] '8' (ink note)

Diagram of the pediment of the temple of Jupiter at Elis, and Arabic letters:

• ink sketch on paper
• loose
• 17.8 x 9.1 cm
• [on sketch] 'Figures by Alcamenes/ Pediment of the temple of Jupiter Elis' (ink note)
• [on sketch] 'VIRGIN' / 'CENTEAUR' / 'CENEUS' / 'EURYTÌON' / 'PIRITHOUS' / 'THESEUS' / 'CENTEAUR' / 'Boy' (ink labels)

Sketches of details of centaurs from the pediment of the temple of Jupiter at Elis:
-ink sketches on paper
-loose
-17.8 x 9.1 cm

Architectural detail of three volutes with acanthus design:

• pencil sketch on paper
• loose
• 21.8 x 17.1 cm
• [on sketch] 'ΜΝΗCΘΗ ΜΑΓΝΟΥC' (pencil note)
• [on sketch] '44' (pencil note)

Sketches of seated woman (frontal view) and standing male figure conversing with seated female figure (Athena) with helmet and spear (side view):

• ink sketches on paper mounted on card
• loose
• 22.5 x 9.1 cm

Four sketches of view and reliefs from a Roman tomb in Ghineh, near Ghazir (Lebanon), copy of a Greek inscription from a village nearby and copy of Latin inscription from Deir el-Kalaa (Lebanon):

• inked pencil sketches on paper
• loose
• 22.6 x 35.6
• [on sketch] 'Der el Kalla near Beyrout' (ink note)
• [on sketch] 'The first year of Trajan was 421 of Alexander's death.' (ink note)
• [on sketch] 'Inscription built into a wall over a door of a ruined house in a village called Kenna (?) near Gazir' (ink note; name of village in pencil)
• [on sketch] 'View of the Roman tomb near Gazir' (ink note)
• [on sketch] 'Bassorelievo in the tomb' (ink note)
• [on sketch] 'Bassorelievo in the tomb' (ink note)
• [on sketch] 'Bassorelievo in the tomb' (ink note)
• [on sketch] '3.1/3' / '5 1/4' (pencil note)

Figure; tracing of detail of Bonomi MSS 39.22:

• pencil tracing on tracing paper
• loose
• 2.7 x 5.6 cm

Page of handwritten catalogue of Egyptian antiquities:

• ink text on paper
• loose
• 16.0 x 31.6 cm
• [on verso] '66' (ink note)
• [on verso] 'Material' (ink note)
• [on verso] 'pieces of the dried stem of the Payprus Plant. - Such rolls of papyrus are made up of the fragments of papyri that are sometimes found about the mummy by the present inhabitants of Thebes.

  This specimen was purchased at the sale of antiquities by Mr Sotheby.

  Papyrus Roll - A Coptic and Greek roll of Papyrus unrolled by Mr Bonomi at Hartwell Sep. 3. 1847. Very imperfect - This is also one of the fabricated rolls. See No 3114

  Do - A hieratic and Coptic roll of papyrus, unrolled by Mrs Lee at Hartwell Sep 3. 1847. In the centre was a part of the stem of a reed which is preserved among the fragments in No 3102.

  This roll like the two former was made up of fragments. Originally, perhaps, it may have been a Coptic book written over the more ancient Hieratic characters; or the fragments of all Hieratic manuscript have been ignorantly rolled up with some Coptic fragments by the present inhabitants of Thebes, to sell to travellers.

  Pallet of a Painter, presented to me by R. Catherwood Esqre who brought it from Egypt in 1835. Mr C. had another Lot 229 of Mr Bartons collection of antiquities; and No 230; 231; and 232 consisted of Pallets of this description of two of which there are drawings July 1836.

  This is a remarkably fine specimen 16 inches long and 2./8th wide. It has two circular cavities for the red and black pgiments, usually employed in writing, and likewise an inclined cavity for the reeds used as brushes. This instrument is seen in the hands of the scribes represented on the monuments: it served at once for a ruler, and sometimes a measure, besides its office of inkstand and penholder. penholder On the front at the top is the scribe making an offering and prayer to the judge of the Amenti (the region of the West) behind whom' (ink note; with '3114' and '3102' in pencil).

Sketched plan and calculations, with watercolour stains:

• pencil sketch and watercolour stains on paper
• loose
• 11.6 x 18.3 cm
• [on sketch] 'Metre diametre' / 'C' (pencil note)
• [on sketch] 'Section B' (pencil note)

Relief depicting Assyrians carrying off booty and heads and booty piled up in a palm grove, c. 640-620 BC; sketch from gypsum slab (panels 10-12) from Court XIX (U) in the South-West Palace of Sennacherib at Nineveh in Iraq, now in London, British Museum, BM 124825,b = 1851,0902.1.b:

• pencil sketch on paper
• loose
• 25 x 16 cm

Relief depicting a man bringing a city model as tribute, c. 710-705 BC; sketch from gypsum slab (panels 6-7) from Room 10 in the Palace of Sargon II at Khorsabad in Iraq, now in Paris, Musée du Louvre, AO 19887; and sketch of column from Persepolis in Iran:

• pencil sketches on tracing paper
• loose
• 21 x 11.5 cm

Relief depicting a female winged protective spirit facing left, wearing a two-horned hat and holding a chaplet, performing an act of worship (?), c. 865-860 BC; sketch from gypsum slab (panel 20) from Room I in the North-West Palace at Nimrud (Kahlu) in Iraq, now in London, British Museum, BM 124578 = 1849,0502.4:

• Pencil sketch/tracing on tracing paper
• loose
• 15.3 x 24.8 cm

Sketch of two of the rock-stelae, with inscriptions and notes, at Nahr el-Kelb in Lebanon (TopBib vii.385):

• pencil sketch with brown wash on tracing paper
• loose
• 13.4 x 8.5 cm
• [on sketch] 'Band VII / abth 3 / blatt CLXXIII / CCXIII / 197 / abth III BL197' (pencil note)

Sketch of two of the rock-stelae at Nahr el-Kelb in Lebanon (TopBib vii.385):

• pencil sketch on tracing paper
• loose
• 7.4 x 9 cm

Rim of fragment of basalt clepsydra of Philip Arrhidaeus, from Tell el-Yahudiya, now in London, British Museum, inv. EA 938, c. 320 BC (TopBib iv.58A):

• pencil sketch on paper, with pricked marks for pouncing technique
• loose
• 14.5 x 23.3 cm

Map of the presumed boundary of ancient Nineveh:

• pencil sketch/tracing with notes on tracing paper
• loose
• 12.5 x 18.2 cm
• [on sketch]

'A Kelata

1 Khorsabad
2 Kounyik
3 E[?]
4 Tell Kaif
B Reshidi

5 Kara Kush ruins
6 Karamles ruins
7 Sheikh emir
8 Tergilla
9 Mar Daniel
10 Ain es Sufra } on the Gebel Makloub
11 Deyr Sheikh Matti
12 Tel Billa
13 Bashika
14 Bazaani
15 Imam Fadhla
16 Convent of St George

Mar Elias
Yarumjeh
18 Kiz fukura
17 Kara Koyurabi[?]' (pencil note)

Relief depicting one man striking another man holding decapitated head, Neo-Assyrian; sketch in grid from gypsum slab (not identified), probably from the South-West Palace of Sennacherib at Nineveh in Iraq:

• pencil sketch on paper
• loose
• 10.9 x 17.8 cm

Plan of the platform in which the Palace of Sargon II at Khorsabad in Iraq stood:

• pencil and ink sketch/tracing on tracing paper
• loose
• 11 x 10 cm