Journals, excavation records (Abu Geili, Jebel Moya, Saqadi, Dar el-Mek, etc.), indexes, maps, plans and photographs.

1) Negatives and prints of drawings of Egypt by Henry Salt (1815-25), property of Lady Salt, Shillingstone House, Dorset.
2) Photocopies of a portfolio of coloured drawings of Egypt by Henry Salt at the Department of Ancient Egypt and Sudan, British Museum, London.

Greek dictionary card index, used in the compilation of W. E. Crum, <i>A Coptic Dictionary</i> (Oxford, 1929-39).

Two portfolios with 45 loose sheets of mounted drawings and watercolours.

Negatives of Egyptian antiquities, scenes of daily life, and landscapes.

Photographic records made during the excavation of the Tomb of Tutankhamun, consisting of approximately 1400 black and white glass negatives. 10 albums of original prints made from these negatives for Carter, and original prints made for and kept with the object card index for the excavation.

Photographs, tracings and squeezes of Dodecaschoenus graffiti.

Manuscript of his original text on the architecture of <i>The Five Graves at Sendschirli</i> (Zincirli). Non-Egyptological.

Original drawings by different artists and made for various publications.

1) 103 stereoscopic photographs published by Underwood & Underwood, consisting of views of Egypt (49), China (50), Europe (3), and India (1).
2) Sawyer's View-Master Model B, black bakelite (c. 1944-1947), and twelve View-Master reels with seven pictures of Egypt each (© 1950): 3301 'Cairo, Egypt'; 3302 'The Famous Mosques of Cairo, Egypt'; 3303 'The Great Pyramids and Sphinx, Giza, Egypt'; 3304 'The Tombs of the Kings, Thebes, Egypt'; 3305 'Treasures of King Tut-Ankh-Amen, Cairo, Egypt'; 3306 'The River Nile, Assuan to Cairo, Egypt'; 3307 'The Valley of the Nile, Egypt'; 3308 'People of the Nile Valley, Egypt'; 3309 'Sakkara and Memphis, Egypt'; 3310 'Luxor & El Karnak, Egypt'; 3311 'Ancient Thebes, Egypt'; and 3312 'Assuan on the Nile, Egypt'.
3) 50 stereoscopic glass positives accompanied by a handwritten numbered index of images and a Gaumont stereoscopic viewer. The positives were created in Egypt sometime between 1900 and 1914. Views include Alexandria, Cairo (street scenes and inside the Egyptian Museum), the pyramids at Giza, the Luxor Temple, the Valley of the Kings, and Aswan.

Paper squeezes from various sources.

Antique and modern postcards from various sources.

Photographs from various sources, including 19th Century Studio Photographs by Abdullah Frères, A. Beato, F. Bonfils, W. Hammerschmidt, P. Sébath and others.
Includes photographs of Egyptologists.

Items which cannot be incorporated into other GI series.

Maps from various sources.

Lantern slides from various sources.

Film and media from various sources.

Plaster casts of objects in Edinburgh, Royal Museum of Scotland, 1956.144 (lower part of block statue of Pedehor, Late Period), and 1961.439 (stela of Anakht, New Kingdom); Reading, The Ure Museum of Greek Archaeology (copper mirror of Henuiti (woman), Dyn. XII), inked in by J. Černý; Samos, Archeological Museum of Vathy (inscription from bronze mirror of Antiuzashu, Dyn. XXV-XXVI), cast sent by J. Penrose Barron of Balliol College to J. Černý, kept with copies of the texts made by J. Černý and J. Harris.

A collection of 19th Century photographs of Jerusalem, Lebanon, etc.

Notes, papers, correspondence, etc., on prehistoric Faiyûm.

Photographs of Egyptian sites and museum objects.

Two albums containing approximately 460 black and white photographs taken by various members of the IFAO team during excavations at Deir el-Medîna during the 1920s and 30s. Photographs interspersed with some notes and drawings.

Visitor's book of the G. Foucart family, Cairo, for 1925 to 1948.

3 albums containing watercolours and sketches.

Copies, transcriptions, facsimiles, drawings and some photographs of mummy labels in Demotic, Greek or bilingual, presented as loose sheets in folders arranged by cities/museums/collections, housed in five slip-cover boxes. They were collected by Möller from printed sources and from several collections he visited on research journeys. One folder in box V is by W. Spiegelberg (1893).

Rubbings.

Original painting of the 'Painted Tomb' (or Tomb 100) at Hierakonpolis.