A common sandpiper (Actitis hypoleucos) (probably this) at Abu Zaabal:

• watercolour
• mounted, together with Lloyd MSS 037 and Lloyd MSS 038
• 17.5 x 12.2 cm
• [on watercolour] 'Abu Zaable. 11th Janry 1843' (ink)
• [on mount] '36' (pencil note)

A grove of date palms at Abu Zaabal:

• watercolour
• mounted, together with Lloyd MSS 043
• 26.7 x 19.6 cm
• [on mount] 'Date Trees Abu Zaable' (ink note)
• [on mount] '44' (pencil note)
• [on verso of watercolour] 'Study of Date Trees. / Abu Zaable. 26th Feb. 1843 / The minor fronds have been trimmed away.' (pencil note)

A mosque near Abu Zaabal:

• watercolour
• mounted
• 35.5 x 25 cm
• [on mount] 'Mosque N.N.E. Abu Zaabel.' (ink note)
• [on mount] encircled '6' (pencil note)
• [on verso of watercolour] ''Mosque N.N.E. Abu Zaabel / 12th Jan 1843' (pencil note)

Three studies of foxes at Abu Zaabal. Top scene: fox, presumably dead, lying on the ground; middle scene: dead fox, strung-up by back-legs; bottom scene: a mountainous desert scene with two foxes:

• watercolours
• mounted, together with Lloyd MSS 039, Lloyd MSS 040 and Lloyd MSS 042
• 12.2 x 17.5 cm
• [on recto of watercolour] 'Abu Zaabel.' (pencil note)
• [on watercolour/mount] '41' (pencil note)
• [on verso of watercolour] '[Abu Zaabel. 14th Jan: 1843.]' (pencil note)

Print and bound publication:

• De Keersmaecker, Roger O. (2012), Travellers' graffiti from Egypt and the Sudan, additional volume [I]: the temples of Abu Simbel. Mortsel (Antwerpen): Graffito-Graffiti (OEB 169314).
• The Temples of Abu Simbel [see TopBib vii.95-117].
• Most of the graffiti date from the nineteenth century.
• It includes: the annotation "I" on cover page; inserted loose pages between p. 37-38 with biographical information on Giovanni d'Athanasi (Dimitrios Papandriopulo) (1798-1854), together with an annotated card titled "1824 ABU SIMBEL" containing a list of four individuals with their dates and number references; inserted loose pages between p. 59-60 with information on graffiti by H. B. Humphrey's / [HB H] BO USA 1840, together with an extract from email correspondence; and an attached page at the end with the author's biographical information (omitted from the PDF).

Print and bound publication:

• De Keersmaecker, Roger O. (2012), Travellers' graffiti from Egypt and the Sudan, additional volume II: the temple complex of Dendara. Mortsel (Antwerpen): Graffito-Graffiti (OEB 185328).
• The Temple Complex of Dendera [see TopBib vi.41-110].
• Most of the graffiti date from the nineteenth century.
• It contains: attached pages at the end with the printed article Hallof, Jochen 1996. Besucherinschriften in den Tempeln von Dendera. Bulletin de l'Institut Français d'Archéologie Orientale 96, 229-244 (OEB 40093) (omitted from the PDF).

Print and bound publication:

• De Keersmaecker, Roger O. (2013), Travellers' graffiti from Egypt and the Sudan, additional volume III: Napoleon Bonaparte in Egypt. Soldiers, artists and scholars. [Part I]. Mortsel (Antwerpen): Graffito-Graffiti (OEB 204639).
• Most of the graffiti date from the nineteenth century.
• In the print volume two pages are numbered as p. 64 (the numbering is correct in the PDF).

Print and bound publication:

• De Keersmaecker, Roger O. (2013), Travellers' graffiti from Egypt and the Sudan, additional volume III: Napoleon Bonaparte in Egypt. Soldiers, artists and scholars. Part II: Portrait drawings by André Dutertre. With Supplement. Mortsel (Antwerpen): Graffito-Graffiti (OEB 204639).
• Most of the graffiti date to the nineteenth century.
• It includes: non-annotated sticky markers on p. 85 (= PDF p. 84), p. 101 (= PDF p. 100), p. 132 (= PDF p. 131) and p. 141 (= PDF p. 140) [they have all been removed].
• The PDF also includes [Part III]: Supplement (= De Keersmaecker MSS 5.18) at the end, with a different page numbering.

Pompey's Pillar at Alexandria:

• unfinished watercolour with pencil details
• mounted, together with Lloyd MSS 027
• 17.7 x 25.8 cm
• [on mount] 'Pompeys Pillar Alexandria.' (ink note)
• [on mount] encircled '28' (pencil note)
• [on verso of watercolour] 'Pompeys pillar, Alexandria. / 20th Nov. 1842. / Height 99ft. Capital 10ft. Shaft 60ft. / Angle of the pedestal N[?]. 22 E.' (pencil note)

Alnwick Fountain and continuation of text on church at Alnwick:

• ink sketch and text on paper
• loose
• 15.7 x 11.5 cm
• [on sketch] 'Fountain Alnwick' (ink note)
• [text]:

'The roof of the nave was

restored in 1781 owing no doubt

to its threat(e)ning an invasion

of the pavement from the walls

injuditious alteration

having been weakened by throwing

2 arches into one in order to

x(?) the exhibit the x(?) pulpit to

all the people in every corner

of the church the (?)'

Alpine landscape:

• watercolour on paper, mounted on paper
• loose
• 16.2 x 22.4 cm (21.1 x 29.2 cm with mount)

Altar-base, black granite, Dyn. XXVI, provenance not known, now in Turin, Museo Egizio, 22053 (Cat. 1750).

Caption copied by Černý in Petrie MSS 3.2: 'Altar of [Mrjj-Rʿ] Turin'.

Amulets and trial-pieces, not identified, now in Turin, Museo Egizio.

Caption copied by Černý in Petrie MSS 3.2: 'Small pectorals / Glazed plaques [drawing] and eye T'.

Anatomical studies (ribcage, shoulder and humerus):

• inked pencil drawings with ink wash on paper
• loose
• 18.2 x 22.7 cm
• [on drawing] 'S. Vertebrae of Neck - / C. Acromiun of Scapula - / H. Clavicle - / R. Sternum - / f. Head of Humerus - / K Humerus' (ink note)

Anatomical study (ribcage with shoulder):

• ink and pencil sketch on paper
• loose
• 18.2 x 22.7 cm
• [on sketch] 'vertebrae of neck' (pencil note)
• [on sketch] 'R sternum' (pencil and ink note)
• [on sketch] 'clavicle H' (ink and pencil note)
• [on sketch] 'C. acromiun of scapula' (pencil note)

-Loose note with a list of names of kings, dynasty, and photograph reference number:
'Ancient Portraits'.

Angel and three cloaked, hooded female figures:

• sketch on paper
• loose, adjacent to Bonomi MSS 40.1
• 18.4 x 11.4 cm

Angel and three other figures kneeling:

• pencil sketches on paper
• loose
• 9.1 x 7.2 cm
• [on sketch] 'JB' (pencil note)

Angel carrying child:

• pencil sketch on paper
• loose
• 18.1 x 22.9 cm

Angel holding ewer and lamp with flower:

• ink sketch on paper
• loose
• 11.3 x 7.5 cm
• [on sketch] 'Implement / as drawn / in Proof (underlined) / is quite / correct.-' (ink note)

Animal coffin in the form of an obelisk, dedicated by Harsiesi, wood, Late Period, provenance not known, now in Turin, Museo Egizio, Cat. 2407.

Caption copied by Černý in Petrie MSS 3.2: 'Wooden obelisk of [Ḥrw-sȝ-ȝst] T'.

Animal-shaped vase and a bed, pottery, not identified, now in Turin, Museo Egizio.

Caption copied by Černý in Petrie MSS 3.2: 'Vase in form of a dog. Early greek? / Pottery couch T'.

Ape, basalt, temp. Nektanebos II, found in Rome, Iseum, now in Rome, Museo Capitolino, Inv. 32, 26 (5, 11)

Caption copied by Černý in Petrie MSS 3.2: 'Tahuti blinded by electricity! Rome'.

Ape, basalt, temp. Nektanebos II, found in Rome, Iseum, now in Rome, Museo Capitolino, Inv. 32, 26 (5, 11).

Caption copied by Černý in Petrie MSS 3.2: 'Tahuti. Rome'.

Arched monument with two figures, surmounted by cross:

• pencil sketch on paper
• loose
• 11.3 x 15.9 cm

Arched structure (not identified):

• pencil sketch on paper
• mounted
• 8.4 x 12.5 cm

Architectonic designs (elevations, sections and details):

• pencil and ink sketches on paper
• mounted, together with Bonomi MSS 26.3 (upper)
• 22.9 x 18.7 cm

Architectonic designs (elevations, sections and details):

• pencil and ink sketches on paper
• mounted, together with Bonomi MSS 26.3 (lower)
• 22.9 x 18.8 cm

Architectonic designs (plans, elevations and axonometric projections):

• pencil and ink sketches on paper
• originally partially glued, now loose
• 31.9 x 21.9 cm

Architectonic designs (plans, elevations and sections):

• pencil and ink sketches on paper
• originally partially glued, now loose
• 31.9 x 21.9 cm