Five female musicians playing the harp, lute, double-pipe, lyre and tambourine, accompanied by a small female dancer, from a scene in the tomb of Amenhotep-si-se (TT 75), temp. Thutmosis IV, at Sheikh Abd el-Qurna in Thebes:

• pencil drawing
• mounted
• 35 x 24.9 cm
• [on recto of drawing] 'Tomb near 17. / 1st Sept 1843.' (pencil note)
• [on mount] '12' (pencil note)
• [on verso of drawing] 'Female Minstrels. / Tomb to which there is a forced passage from / No 17. / 1st Sept / 2nd Sept / } / 1843. / With exception of the first face on the left, all the others have been / carefully injured. I have restored these. The date of the tomb / I do not know, but it is probably about Amenophth 3rd. The / paintings are very badly done, and the tomb is unfinished. / The colours however are very fresh. There is in this as in other / tombs different colours for the females. The harper is yellow, / but the next woman is rather copper coloured, so is the / little girl, and the lute player. Were they women from the / Upper country, brought expressly for their national instru / ments? The girdle was not confined to the Upper country / women. Sotennofrä wears it.' (pencil note)

Statue of Queen Teye next to the right leg of the southern colossus of Amenhotep III (Memnon Colossi), in the Mortuary Temple of Amenhotep III at Thebes:

• pencil drawing
• mounted
• 24.9 x 35 cm
• [on recto of drawing] 'Taia. / 8th Aug: 1843.' (pencil)
• [on mount] 'The Wife of Amenophth 3rd. Height about 18 ft.' (pencil note)
• [on mount] '17' (pencil note)
• [on verso of drawing] 'Taia the wife of Amenophth 3rd / From the S. colossal statue. Gurna. / The other statue is the Memnon. 8 Aug. 1843 / The height of this beautiful and unfortunately / mutilated figure is about 18 ft.' (pencil note)

Woman carrying a menat and floral a bouquet, detail of a scene from an unidentified tomb at Thebes:

• pencil drawing
• mounted
• 25 x 34.9 cm
• [on mount] 'From a Tomb.' (pencil note)
• [on mount] '18' (pencil note)
• [on verso of drawing] 'From a tomb to the N. perhaps No 5. or / near it. / 11 July 1843. / The paintings are stiff but the style is not bad. / The details are very much worked out. All the / heads of the women were effaced, it is said by / Mr. Hay's draughtsman. I have restored the face, the / band round the head, and the feet.' (pencil note)

Seated Queen Ahmose, wife of Tuthmosis I and mother of Hatshepsut, detail of a scene from a niche in Room X preceding the Sanctuary in the Great Temple of Hatshepsut at Deir el-Bahari:

• pencil drawing
• mounted
• 25 x 35 cm
• [on recto of drawing] 'Amensä. El Assasief. 27th July 1843.' (pencil)
• [on mount] '22' (pencil note)

Some of the smaller columns with the great columns beyond, view of the Hypostyle in the Great Temple of Amun at Karnak:

• unfinished pencil drawing
• mounted
• 24.9 x 35 cm
• [on mount] 'Part of the Great Hypostile Karnac.' (pencil note)
• [on mount] '32' (pencil note)
• [on verso of drawing] 'Part of the Great Hypostyle. Karnac / 13th May 1843. / The upper portion is in bad perspective. / All the columns and capitals are covered with / Bas-reliefs and Hieroglyphs. / G Ll.' (pencil note)

Luxor Temple viewed from the summit of Al-Qurn(?) above the Valley of the Kings:

• pencil sketch
• mounted
• 24.9 x 35 cm
• [on recto of sketch] 'Luxor from the Bab El Maleq. 20th July 1843'. (pencil note)
• [on mount] '34' (pencil note)

Campsite at Birket el-Ballah:

• unfinished pencil drawing
• mounted
• 35.5 x 26 cm
• [on recto of drawing] 'Birket El Ballah near Seba El Muchfer. / 30th Jan. 1843' (pencil note)
• [on mount] '38' (pencil note)

Upper part of the goddess Hathor, wearing a headdress with horns supporting a solar-disk, from an unidentified scene in the Great Temple of Amun at Karnak:

• pencil drawing
• mounted, together with Lloyd MSS 102
• 17.8 x 25.8 cm
• [on recto of drawing] 'Athor. / From a Bas Relief in a Chamber near to the Colonnade of Thothmes 3rd Karnac. / 12th May 1843. G Ll.' (pencil note)
• [on mount] '44' (pencil note)

The goddess Maat, from an unidentified scene on a column in the Hypostyle of the Great Temple of Amun at Karnak:

• pencil drawing
• mounted, together with Lloyd MSS 103
• 17.7 x 25.7 cm
• [on recto of drawing] 'Imai. / On a column of the Great Hypostyle. Karnak. / 11th. May 1843. / G Ll.' (pencil note)
• [on mount] '47' (pencil note)

Slain Libyan enemies, detail from a battle-scene in the Second Court of the Great Temple of Ramesses III at Medinet Habu:

• watercolour with pencil details
• mounted, together with Lloyd MSS 106
• 17.6 x 26 cm
• [on recto of watercolour] 'Robou. / From the Battle scene in the Great Court / at Medinet Abu. 13th Aug 1843.' (pencil note)
• [on recto of watercolour] '"The Assyrians her neighbours, which were / clothed with blue. / She saw men portrayed upon the wall the / images of the Chaldeans portrayed with ver- / milion" / Ezekiel c.23.v.5.6.14.15.' (pencil note)
• [on mount] 'W. C.' / [encircled] '59' (pencil note)

Upper part of Tuthmosis II, from an unidentified scene probably in one of the rooms North of the Granite Sanctuary (near the Pillars of Upper and Lower Egypt), in the Great Temple of Amun at Karnak:

• pencil drawing
• mounted, together with Lloyd MSS 105
• 17.7 x 25.7 cm
• [on recto of drawing] '<cartouche> / Thothmes 2nd / Chamber near the Lotus Pilasters Karnac. / 11 May 1843 G Ll.' (pencil note)
• [on mount] '48' (pencil note)

Oblong base of quartzite monument with tapering sides (called 'obelisk'), with dedication texts of Seti I and Ramesses II to Horus of Mesen commemorating Ramesses I, once at Tell Abu Seifa in el-Qantara, and now in Ismailia Museum, 2249; front, with remains of five columns of text and two lines of text at the bottom:

• pencil drawing
• mounted, together with Lloyd MSS 108
• 17.8 x 25.8 cm
• [on recto of drawing] 'Half of the underside of the Obelisk at Abu Saiffie. / 13th Feb 1843. / x' (pencil note)
• [on mount] '49' (pencil note)

Man fishing with a harpoon while seated on the riverbank at Sheikh Abd el-Qurna in Thebes; next to him is a rod and line which has a live mouse suspended from it, presumably the mouse is being used as bait or a lure:

• pencil drawing
• mounted, together with Lloyd MSS 114
• 25.7 x 17.7 cm
• [on recto of drawing] 'Gurna. Thebes. 20th Aug. 1843.' (pencil note)
• [on mount] '55' (pencil note)

Four fallen columns, perhaps from the Roman theatre, at Tell el-Farama (Pelusium):

• pencil drawing
• mounted, together with Lloyd MSS 118
• 25.8 x 17.7 cm
• [on recto of drawing] 'Four Syenite columns. W of the Fort. Ruins of Pelusium. 17 Feb 1843.' (pencil note)
• [on mount] '59' (pencil note)

The boar's habitat in the salt marshes at Salhieh (Salhiya):

• pencil drawing
• mounted, together with Lloyd MSS 120
• 25.9 x 17.8 cm
• [on recto of drawing] 'Haunts of the Boars. Salhiah. 3rd Feb. 1843.' (pencil note)
• [on mount] '61' (pencil note)

Rafieah's camel recumbent in the desert at Salhieh (Salhiya):

• pencil drawing
• mounted, together with Lloyd MSS 119
• 25.8 x 17.8 cm
• [on recto of drawing] 'Salhiah. 3rd Feb. 1843. Rafieah's Dromedary.' (pencil note)
• [on mount] '62' (pencil note)

Three officials carrying fans, forming part of a procession celebrating the Festival of the god Min, detail from a wall scene in the Second Court of the Great Temple of Ramesses III at Medinet Habu:

• pencil drawing
• mounted, together with Lloyd MSS 124
• 18 x 26 cm
• [on mount] '65' (pencil note)

"The Shady side", two men, one holding a gun and the other a stick, with a captured fox between them, and a third man kneeling on the ground at Abu Zaabal:

• pencil drawing
• mounted, together with Lloyd MSS 132 and Lloyd MSS 133
• 17.8 x 12.7 cm
• [on mount] '72' (pencil note)
• [on verso of drawing] 'Abu Zaabel. 16th Jan. 1843. / "The Shady side"' (pencil note)

Head (top lost) and shoulders of a sphinx at Karnak; king wearing nemes and broad collar, not inscribed (no text recorded), probably New Kingdom:

• pencil drawing
• mounted, together with Lloyd MSS 134
• 8.9 x 12.7 cm
• [on mount] '75' (pencil note)
• [on recto of drawing] 'Karnac. 13th June 1843. / G Ll.' (pencil note)

Three musicians (woman with harp, man with lute and woman with double-pipe), detail from a banquet scene in the tomb of Amenemhet (TT 82), temp. Tuthmosis III, at Sheikh Abd el-Qurna in Thebes:

• pencil tracing with right edge folded in
• mounted
• 55.2 x 36.9 cm
• [on mount] '7' (pencil note)
• [on verso of tracing] 'No 11.' (pencil note)

[Priests] carrying the barque of Amun-Re, detail of a scene in an unidentified temple or tomb at Thebes:

• pencil drawing with edges folded in on two sides (top and bottom edges of album page)
• mounted
• 68 x 28.8 cm
• [on verso of drawing] 'No 4' (pencil note)
• [on verso of drawing] '77' (pencil note)

Man on horseback in conversation with another man and woman seated on the ground outside the walls of an ancient temple, probably at Thebes:

• watercolour
• loose item with own mount
• 16.9 x 14 cm (19.4 x 16.4 cm with mount)

A waterwheel, or sakia [sakieh], beneath a Rhamnus tree (a species of buckthorn), at Bilbeis:

• watercolour
• mounted
• 35.4 x 25.7 cm
• [on mount] 'Water wheel at Belbies under a large Rhammas Tree.' (ink note)
• [on mount] encircled '1' (pencil note)
• [on verso of watercolour] 'Water wheel at Belbeis, under a large Rhamnus Tree. / On the S. side of the village. / 22nd January 1843.' (pencil note)

Halt whilst boar hunting in the salt marshes near Salhieh (Salhiya):

• watercolour
• mounted
• 35.3 x 25.8 cm
• [on mount] 'Halt whilst Boar shooting. Salt marshes near Salhich.' (ink note)
• [on mount] encircled '3' (pencil note)
• [on verso of watercolour] 'Halt whilst Boar shooting. / Salt marshes near Salhieh. 5 Feb 1843.' (pencil note)

View from within the ruins of Tell el-Yahudiya (Leontopolis):

• watercolour with pencil details
• mounted
• 35.6 x 26.1 cm
• [on mount] 'Ruins of Tel Euhudicah, looking Westward.' (ink note)
• [on mount] encircled '14' (pencil note)
• [on verso of watercolour] 'Ruins of Tel Juhudieah / from the summit looking to the Westward. / 27th Feb 1843.' (pencil note)

Portrait of a Bedouin sheikh with a gun and a sword:

• watercolour
• mounted
• 17.6 x 25.6 cm
• [on recto of watercolour] '28th Dec. 1842' (pencil note)
• [on mount] 'Bedamee. Sheikh Havsein. Tûree.' (ink note)
• [on mount] encircled '17' (pencil note)

Portrait of a young woman holding two cockerels(?) [unfinished], the women is wearing a brown galabiya, a long white and red headscarf, earring, a double-stranded bead necklace, and three bracelets, Egypt:

• watercolour with pencil details
• mounted, together with Lloyd MSS 019
• 17.6 x 25.5 cm
• [on mount] encircled '20' (pencil note)

Pompey's Pillar at Alexandria:

• unfinished watercolour with pencil details
• mounted, together with Lloyd MSS 027
• 17.7 x 25.8 cm
• [on mount] 'Pompeys Pillar Alexandria.' (ink note)
• [on mount] encircled '28' (pencil note)
• [on verso of watercolour] 'Pompeys pillar, Alexandria. / 20th Nov. 1842. / Height 99ft. Capital 10ft. Shaft 60ft. / Angle of the pedestal N[?]. 22 E.' (pencil note)

Common quail at Salhieh (Salhiya):

• watercolour
• mounted, together with Lloyd MSS 030 and Lloyd MSS 031
• 17.4 x 12.1 cm
• [on mount] encircled '29' [9 faded] (pencil note)
• [on verso of watercolour] 'Desert Partridge. / Rock Partridge / Gulla Arab. / 'Salhiah. 4th Feb. 1843.'

Forecourt of the Great Temple of Amun at Karnak; view of the standing column of Taharqa with the entrance to the Second Pylon and Hypostyle beyond:

• watercolour
• mounted
• 24.9 x 34.9 cm
• [on mount] 'Western Entrance of the Great Hypostyle Hall, / from the Court, Karnac.' (ink note)
• [on mount] '45' (pencil note)
• [on verso of watercolour] 'Western Entrance of the Great Hypostyle Hall, / from the Court. Karnac. / 1st July 1843.' (pencil note)