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Designs

Portfolio titled 'Designs. / JB' (ink)
Ink table of contents (not complete) on piece of paper partially glued to cover:
-'Designs'
-'1'
-'2'
-'3 Angel good'
-'4 Designs Mother and Child'
-'5'
-'6'
-'7'
-'8 Chair'
-'9 Mother and Child'
-'10 Exhibition Book'
-'11'

Pencil notes partially covered by piece of paper glued to cover: 'Various designs / Complete'.

Four designs featuring the goddess Britannia

Four designs featuring the goddess Britannia:

  • inked (red and black) pencil drawings on paper
  • mounted
  • 25.3 x 33.6 cm
  • [on drawing] 'BRITANNIA SACRIFISING AT THE SHRINE OF ART' (pencil note)
  • [on drawing] 'BRITANNIA WELCOMING MINERVA' (pencil note)
  • [on drawing] 'BRITANNIA REPLENISHING THE LAMP OF THE GENIUS OF ART' (pencil note)
  • [on drawing] '"STET NOMINS UMBRA"' (pencil note)

Figure from plate 11 of the Compositions from the tragedies of Aeschylus, designed by John Flaxman, engraved by Thomas Piroli, London (1795)

Figure from plate 11 of the Compositions from the tragedies of Aeschylus, designed by John Flaxman, engraved by Thomas Piroli, London (1795):

  • ink and wash sketch on paper (remains of pencil)
  • mounted, together with Bonomi MSS 40.21
  • 14.5 x 10.6 cm
  • [on sketch] 'Flaxman's Eschilylus. Pl. 11.'

Nude young Lapith holds a centaur's head from behind with his left; marble metope from the Parthenon (South metope XXVII) (London, British Museum, reg. 1816,0610.11 - BM Sculpture 316, 438-432 BC)

Nude young Lapith holds a centaur's head from behind with his left; marble metope from the Parthenon (South metope XXVII) (London, British Museum, reg. 1816,0610.11 - BM Sculpture 316, 438-432 BC):

  • ink sketch on treated tracing paper
  • loose, adjacent to Bonomi MSS 40.20
  • 27.8 x 21.9 cm

Circular design of Britannia replenishing the lamp of the genius of art, with annotations and sketches

Circular design of Britannia replenishing the lamp of the genius of art, with annotations and sketches:

  • print on paper
  • mounted
  • 20.9 x 24.1 cm
  • [on print] 'no mouth see drawing' (pencil note)
  • [on print] 'in' (pencil note) [different examples]
  • [on print] 'out' (pencil note) [different examples]
  • [on print] 'cut away' (pencil note) [different examples]
  • [on print] 'ring lines all the same thickness' (pencil note)
  • [on print] 'under' (pencil note)

Two angels flanking a door

Two angels flanking a door:

  • pencil drawing on tracing paper
  • mounted, together with Bonomi MSS 40.15 and 40.17
  • 24.5 x 12.8 cm
  • [on drawing] 'JB' (pencil note)

England. London. Trafalgar Square. Nelson's Column.

Print of "Nelson's Column. Trafalgar Square. &c." in London (England), by J. Shury, published by J. Harwood, with addition of statue of Britannia and other statues in watercolour:

  • print with watercolour (grey and brown) on paper
  • mounted
  • 18.9 x 15.7 cm
  • [on print] 'J. Shury. sculp' (printed note)
  • [on print] '12, Gt Carter Lane, Doctors Commons.' (printed note)
  • [on print] 'Nelson's Column. Trafalgar Square. &c.' (printed note)
  • [on print] 'PLACE DE TRAFALGAR.' (printed note)
  • [on print] 'DIE NELSON SAULE.' (printed note)

Designs

Portfolio titled 'Designs / JB.' (ink)
Pencil notes: 'Designs / Completed'.

Rubbing of a hieroglyphic inscription on an object thought to come from Carthage (not identified)

Rubbing of a hieroglyphic inscription on an object thought to come from Carthage (not identified) (TopBib vii.367A):

  • ink rubbing on tracing paper, mounted on paper
  • mounted
  • 4 x 16.2 cm (11.2 x 17.6 cm with mount)
  • [on rubbing mount] 'This is a rubbing / from some Hieroglyphics / found among the ruins / of Carthage. / Given to me by / Doctor Lee of Aylesbury / 1840' (ink note)
  • [on mount] '6' (pencil note)
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