Tondo design with female bust and dove with olive branch, and profile view of eagle:

• pencil sketches on tracing paper
• loose
• 12.3 x 10.3 cm

Tondo design with profile view of head of bearded man :

• pencil sketch/tracing on tracing paper
• mounted, together with Bonomi MSS 50.30-35 and Bonomi MSS 50.37-39
• 9.6 x 10.5 cm

Tondo design with profile view of head of bearded man wearing headdress:

• pencil drawing/tracing on tracing paper
• mounted, together with Bonomi MSS 50.11-12 and Bonomi MSS 50.14-16
• 12.5 x 12.5 cm

Tondo design with radiate head of Helios:

• pencil sketch/tracing on tracing paper
• mounted, together with Bonomi MSS 50.30-33 and Bonomi MSS 50.35-39
• 7.2 x 6.5 cm

Tondo designs of Britannia welcoming Minerva and of seated man with child on his lap:

• pencil sketches on paper
• loose
• 22.7 x 18.9 cm
• [on sketch] '₤. S. D' (pencil note)

Tondo designs of woman pouring oil into a lamp and holding ewer and lamp, with details of lamps:

• pencil sketches on paper
• loose
• 12.7 x 20.9 cm
  -[on sketch] 'LIFEINS / URANCI' (pencil note)
  -[on sketch] 'LIFE / INSURANCE' (pencil note)

Tools, baskets, etc., not identified, now in Florence, Museo Archeologico.

Caption copied by Černý in Petrie MSS 3.2: 'Jar in cords / Hoe etc. F'.

Tools, baskets, etc., not identified, now in Florence, Museo Archeologico.

Caption copied by Černý in Petrie MSS 3.2: 'Musical instruments, baskets, etc. F'.

Tools, baskets, etc., not identified, now in Florence, Museo Archeologico.

Caption copied by Černý in Petrie MSS 3.2: 'Basket Hoe Vases etc. F'.

Tools, iron, not identified, now in Florence, Museo Archeologico.

Caption copied by Černý in Petrie MSS 3.2: 'Iron tools F'.

Tools, iron, not identified, now in Turin, Museo Egizio.

Caption copied by Černý in Petrie MSS 3.2: 'Iron tools T'.

Top half of vase:

• inked pencil drawing with white paint details and some black paint on paper
• loose
• 20.2 x 12.5 cm

Tracing of a watercolour by Winifred Firth of a wall in the tomb of Akhmeretnesut (G2184), now in the Museum of Fine Arts, Boston.

Portfolio titled 'Tracings Egypt / JB.' (ink)
Ink note: 'Tracings Egypt'
Red pencil note at top right corner: encircled 'J' (reference to previous arrangement, almost certainly introduced by Dr Moss)
Pencil note: 'Nubia & one Dendera' (originally all underlined, now only 'Nubia') (almost certainly by Dr Moss).

Back cover:
Pencil note: 'Tracings Egyptian' (almost certainly by Dr Moss)
Pencil note: 'Sketches / Complete'.

Portfolio titled 'Tracings / Various / JB.' (ink)
Pencil notes: 'Tracings / Complete / Vol 1'
Pencil note: 'Egyptian Greek. etc' (almost certainly by Dr Moss)
Red pencil note at top right corner: encircled 'L' (reference to previous arrangement, almost certainly introduced by Dr Moss).

• Postcard
• Photograph, photographer not known.
• The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
• (Carter 116)
• An Egyptian team member carrying the wooden portrait figure of Tutankhamun, the so-called "mannequin", from the King's tomb to the nearby "Laboratory" tomb (KV 15, of Sethos II) for cleaning and conservation.
• The portrait bust of Tutankhamun [Carter 116] was found in the tomb's Antechamber. The King is portrayed wearing a yellow flat-topped crown featuring the centrally positioned uraeus on the crown's temple band. The King also wears a close-fitting white garment.
• The bust's purpose is unclear, but it probably displayed part of the King's regalia. A recent proposal is that it may have been originally used for supporting and storing the King's gold corset (Carter 54k) in the tomb. When thieves ransacked the tomb in antiquity, these robbers likely removed the corset from the bust before breaking the heavy regalia into smaller, portable pieces.

• Postcard
• Photograph, photographer not known.
• The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
• (Carter 116)
• An Egyptian team member carrying the wooden portrait figure of Tutankhamun, the so-called "mannequin", from the King's tomb to the nearby "Laboratory" tomb (KV 15, of Sethos II) for cleaning and conservation.
• The portrait bust of Tutankhamun [Carter 116] was found in the tomb's Antechamber. The King is portrayed wearing a yellow flat-topped crown featuring the centrally positioned uraeus on the crown's temple band. The King also wears a close-fitting white garment.
• The bust's purpose is unclear, but it probably displayed part of the King's regalia. A recent proposal is that it may have been originally used for supporting and storing the King's gold corset (Carter 54k) in the tomb. When thieves ransacked the tomb in antiquity, these robbers likely removed the corset from the bust before breaking the heavy regalia into smaller, portable pieces.

• Postcard
• Photograph, photographer not known.
• The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
• An Egyptian team member, accompanied by Arthur Callendar [right, foreground] and an armed guard [centre, background], carries a tray containing a reed and papyrus box (Carter 42) and an ornamental box made of redwood inlaid with ebony and ivory. The objects are being transported from Tutankhamun's tomb to the nearby 'Laboratory' (the tomb of King Sety II, KV15).

• Postcard
• Photograph, photographer not known.
• The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
• Egyptian excavation team members transport some of Tutankhamun's food provisions from the King's tomb to the nearby 'Laboratory' set up in the tomb of King Sethos II (KV15) in the Valley of the Kings.
• Forty-eight boxes (Carter 62) containing choice cuts of meat and whole geese were prepared to accompany the King's burial and were placed in a neat pile beneath one of the ceremonial couches in the Antechamber. They were some of the first items Howard Carter saw when he looked into the tomb for the first time on 26th November 1922, recording them as "a heap of large curious white oviform boxes".

• Postcard
• Photograph, photographer not known.
• The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
• Four Egyptian members of the excavation team carrying trays of objects from Tutankhamun's tomb, escorted by Arthur Callendar (on left, wearing a pith helmet) and armed guards. The men at the front transport a wheel from one of the King's chariots, followed by two men, each carrying a tray containing smaller items, including a reed basket or tray (Carter 119) with partitions.

Tree, and landscape with trees:

• pencil and watercolour sketches on card
• loose
• 22.9 x 28.8 cm

Trial-piece showing the head of Sethos I, Ramesses III or IV(?), provenance not known, now in Turin, Museo Egizio, Cat. 7051.

Caption copied by Černý in Petrie MSS 3.2: 'Sculptors trial piece T'.

Trial-pieces showing birds, hieroglyphs, etc., provenance not known, now in Turin, Museo Egizio, Cat. 7057, 7062, 7059, 7060.

Caption copied by Černý in Petrie MSS 3.2: 'Sculptors trial pieces T'.

Trial-pieces showing birds, hieroglyphs, etc., provenance not known, now in Turin, Museo Egizio, Cat. 7057, 7062, 7059, 7060.

Caption copied by Černý in Petrie MSS 3.2: 'Sculptors trial pieces T'.

Triangle designs, perhaps pyramid sections:

• pencil sketches on paper
• loose
• 17.2 x 27.8 cm

Coastline view of Zembra island in Tunisia:

• watercolour on paper
• loose
• 10 x 7.7 cm
• [on sketch] 'Zembra S 1/2 E' (ink note)

Notebooks, negatives, photographs, maps, and drawings made during the excavation of the tomb of Tutankhamun. For other material, refer to the catalogue.

• Postcard
• Photograph, photographer not known.
• The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
• View showing the lid of Tutankhamun's outer coffin (Carter 253), still in situ inside the King's sarcophagus (Carter 240). This photograph was taken sometime between the sarcophagus lid being raised on 12th February 1924 and the removal of the outer coffin lid on 13th October 1925.
• This photograph was not taken by Harry Burton.

Two Egyptians overseeing four slaves at work, with man on left (probably Eratosthenes):

• partially inked pencil sketch on tracing paper
• loose, adjacent to Bonomi MSS 42.5 and Bonomi MSS 42.6
• 55.1 x 24.2 cm

Two angels flanking a door:

• pencil drawing on tracing paper
• mounted, together with Bonomi MSS 40.15 and 40.17
• 24.5 x 12.8 cm
• [on drawing] 'JB' (pencil note)