Landscape with human figure, possibly in Syria (not identified):

• pencil sketch on paper
• loose
• 17 x 9.2 cm

View of building on hill top, possibly in Syria (not identified):

• pencil sketch on paper
• loose
• 14.5 x 10 cm

View inside courtyard of mosque at possibly Aleppo in Syria (not identified):

• partially inked pencil sketch on paper
• loose
• 22.7 x 18cm

Portfolio titled 'Ninivite Antiquities / JB.' (ink)
Pencil notes: 'Ninevite / Tracings'.

Lion with tongue out from the third scene of the lower register, in the Great Hall of the Great Temple of Ramesses II at Abu Simbel (TopBib vii.103.(39)-(40)):

• pencil sketch on paper
• loose
• 41.9 x 26.8 cm
• [on sketch] '.ABOO SIMBEL.' (pencil note)
• [on sketch] 'lyon de Sesostrifs' (pencil note)
• [on sketch] encircled '9' (pencil note, almost certainly by Dr Moss)
• [on verso] encircled '4' (pencil note, almost certainly by Dr Moss)
• [on verso] 'Abu Symbel etc' (pencil note, almost certainly by Dr Moss)

Relief depicting four male captives removing stones in baskets, c. 700-692 BC; sketch in grid from gypsum slab (panels 66-67) from Court VI (I) in the South-West Palace of Sennacherib at Nineveh in Iraq, now in London, British Museum, BM 124821 = 1851,0902.5:

• pencil sketch on paper
• loose
• 44.5 x 56.7 cm
• [on sketch] 'The younger men are chained {two} together / Some have fetters on their legs' (pencil note)
• [on sketch] '"Thou didst show them no mercy / whom the ancient hast thou very / heavily laid thy yoke" Isaiah 47.6 / This is said of the Babylonians but is equally / applicable as we see to the Ninevites who were in / fact under the same rule / "Woe to him that buildeth a town / with blood (underlined) and stablisheth a city / by iniquity!" Habak 2 12 / Woe to the bloody city Nahum 3 1' (pencil note)
• [on sketch] 'This is a remarkable expression / of age and fatigue in the attitude / and countenance of their figures / which no doubt was the intention / of the assyrian artist to convey / It represents a number of jewish? / captives carrying stones up a steep / mound so steep as to require holes / or foot steps to enable the me / to go up to its top / It may be they are conveying stones / to make an inclined / plain over which to / drag a colossal bull / to the top of one of the / artificial mounds {or hills} on / which the palaces of / the kings of Nineveh / were built.' (pencil note)
• [on sketch] 'The word translated blood (underlined) / in the quotation from Habakak / is [...] in the plural / perhaps to signify (partially rubbed out) the {repeated} cruel / waste of life occasioned by / own fatigue / So in the quotation from / Nahum the word bloods is [...] / which might be rendered city of bloods / {that is} city built at the cost of so many lives / a succession of captives, of deportations of the inhabitants / from neighbouring countries' (pencil note)

Relief depicting an Assyrian eunuch general with three Elamite captives, c. 660-650 BC; unfinished sketch in grid from gypsum slab (panels 4-6) from Room XXXIII in the South-West Palace of Sennacherib at Nineveh in Iraq, now in London, British Museum, BM 124802.a = 1851,0902.7.a:

• Pencil sketch
• loose
• 58.6 x 44.7 cm
• [on verso] 'Josephs' (pencil note)

Detail of locusts in Bonomi MSS 32.10 (recto) and relief depicting horses being led by grooms, c. 700-692 BC; sketch from gypsum slab (panels 37-38) from Room LI (North) in the South-West Palace of Sennacherib at Nineveh in Iraq, now in London, British Museum, BM 124795,a-c = 1851,0902.14:
-pencil sketches on paper
-loose
-7.7 x 17.5 cm

Names of kings, gods and places in cuneiform with their English equivalents:

• ink text on paper
• loose
• 25 x 20.2 cm
• [text]:
  'great / Rasarar RASARAR (Median) / (Westegard) /
  waz arka great Persian /
  rabhu (underlined) great / Ninevite /
  God Median / [?] BAGA. ANAP / Westegard /
  God Assyrian / AN. /
  BAGA in Persian.'

Relief depicting two ships rowing away from palace surrounded by sea creatures, c. 730 BC; drawing after Henry Layard's drawing of gypsum wall panel from the Central Palace of Tiglath-Pileser III at Nimrud (Kahlu) in Iraq, now partially in London, British Museum, BM 102981 = 1908,1010.1:

• Pencil drawing on paper
• loose
• 42 x 28.5 cm
• [on drawing] 'A.H. Layard.' (pencil note)
• [on drawing] 'Ceptre.' (pencil note)

Relief depicting soldiers in a chariot, c. 640-620 BC; sketch/tracing from gypsum slab (panels 10-12) from Court XIX (U) in the South-West Palace of Sennacherib at Nineveh in Iraq, now in London, British Museum, BM 124825,b = 1851,0902.1.b:

• pencil sketch/tracing on tracing paper
• loose
• 11.4 x 8 cm

Sketch of a male figure wearing triple atef or hemhem crown:

• pencil sketch on tracing paper
• loose
• 5.7 x 12 cm

Relief depicting an eunuch attendant (head and shoulders) with fly-flapper facing left, c. 865-860 BC; sketch from gypsum slab fragment from Room G in the North-West Palace at Nimrud (Kahlu) in Iraq, currently in an unknown location:

• pencil sketch on paper
• loose
• 23.3 x 14.5 cm

Standing woman with child or putto:

• pencil sketch on paper
• partially attached
• 23.5 x 28.8 cm

Two sketches of women discussing an object:

• pencil sketch on paper
• partially attached
• 23.5 x 28.8 cm

Two kneeling women mourning next to a sarcophagus:

• pencil sketch on paper
• partially attached, together with Bonomi MSS 42.6
• 10.2 x 14.1 cm

Three standing figures (probably women) appearing in audience before seated figure (probably man):

• pencil sketch on paper
• partially attached
• 25.9 x 19.2 cm

Crouched putto sleeping on a tortoise's back, with study:

• pencil sketches on paper
• mounted, together with Bonomi MSS 42.8
• 13.7 x 10.9 cm

Plato with stick:

• pencil drawing on tracing paper
• loose, together with Bonomi MSS 42.14
• 10.9 x 18.6 cm
• [on drawing] 'WATERLOW & SONS / IMPROVED / LONDON' (ink stamp)

Shepherd holding a lamb, with sheep:

• pencil drawing with coloured pencil (brown) details on paper
• loose, together with Bonomi MSS 42.13
• 25.9 x 23.0 cm
• [on drawing] 'JB' (pencil note)
• [on drawing] 'BONVS / PASTOR' (pencil note, erased)

Egyptian princess (Solomon's future queen) receiving gifts from women of Tyre and Jews:

• pencil sketch on paper
• loose
• 39.5 x 25.2 cm
• [on sketch] 'No 4' (ink note)
• [on sketch] 'Jews' (ink note)
• [on sketch] 'women of Tyre' (ink note)
• [on sketch] 'Egyptian princess / Solomon's future queen / Temple of Bubastis' (ink note)
• [on verso] '4' (pencil note)

Walking woman with amphora on head and holding drop spindle:

• inked pencil sketch on paper
• mounted
• 18.5 x 22.7 cm

Studies of feet:

• pencil tracings on tracing paper
• loose, adjacent to Bonomi MSS 43.9
• 9.4 x 12.5 cm

Two men wrestling:

• pencil and carbon drawing on paper
• mounted
• 18.7 x 27.2 cm
• [on drawing] 'An 1816' (pencil note)

Design of mourning scene with angels (perhaps sculptural group):

• pencil sketch on paper
• loose, adjacent to Bonomi MSS 44.1
• 15.7 x 10.1 cm

Female nude studies and figure carrying platter:

• pencil sketches on tracing paper
• mounted
• 33.5 x 11.7 cm
• [on mount] '4' (ink note)

Jesus with the Apostles, with studies of some of the figures:

• ink sketches on paper, with traces of pencil
• mounted, together with Bonomi MSS 44.13
• 14.3 x 9.7 cm
• [on mount] '8' (ink note)

Profile of woman from Tomb of the de Gros Family (1530) in St James' Church, Bruges, Belgium, with sketch of tomb:

• pencil sketch on paper
• mounted, together with Bonomi 0MSS 44.12
• 16.8 x 24.1 cm
• [on sketch] 'St Jacques Bruges / Recumbent effigy / of Lady, daughter to / parents lying / above'
• [on mount] '8' (ink note)

Design for pediment with armed man, two camels and a baby:

• partially inked (red) pencil sketch on paper
• loose
• 47.7 x 25.5 cm

Seated male figure (perhaps Zeus/Jupiter):

• pencil sketch on tracing paper mounted on paper
• loose
• 6.7 x 7.6 cm (10.8 x 12.4 cm with mount)