Vase of Tuthmosis III, calcite, provenance not known, now in Turin, Museo Egizio, Cat. 3224.

Caption copied by Černý in Petrie MSS 3.2: 'Alabaster vase. Tahutmes III. 9 hins T'.

Vase of Unis, calcite, Dyn. V, provenance not known, now in Florence, Museo Archeologico, 3253.

Caption copied by Černý in Petrie MSS 3.2: 'Alabaster vase of [Wnjs]. F.'.

Vase with cartouche of Teti ‘beloved of the Ram of Mendes’, calcite, from Abydos, Middle Cemetery of Mariette, now in Cairo, Egyptian Museum, CG 16037.

Note: This image is not present in the album Petrie MSS 5.4.

Vase with ivy decoration, and hieroglyphic inscription "Ra raises":

• pencil tracing on tracing paper
• loose
• 18.3 x 23.9 cm

Vase with reliefs showing seated Isis under a tree, black basalt, Roman, provenance not known, now in Rome, Museo Capitolino, Inv. 29.

Caption copied by Černý in Petrie MSS 3.2: 'Rome. Black basalt vases. Romano-Egyptian.'.

Vase with reliefs showing seated Isis under a tree, black basalt, Roman, provenance not known, now in Rome, Museo Capitolino, Inv. 29.

Caption copied by Černý in Petrie MSS 3.2: 'Rome. Black basalt vases. Romano-Egyptian.'.

Vase with reliefs showing seated Isis under a tree, black basalt, Roman, provenance not known, now in Rome, Museo Capitolino, Inv. 29

Caption copied by Černý in Petrie MSS 3.2: 'Rome. Black basalt vases. Romano-Egyptian.'.

Vase with reliefs showing seated Isis under a tree, black basalt, Roman, provenance not known, now in Rome, Museo Capitolino, Inv. 29.

Caption copied by Černý in Petrie MSS 3.2: 'Rome. Black basalt vases. Romano-Egyptian.'.

Vases, not inscribed, calcite, not identified, now in Florence, Museo Archeologico.

Caption copied by Černý in Petrie MSS 3.2: 'Alabaster vases F'.

Vases, not inscribed, calcite, not identified, now in Florence, Museo Archeologico.

Caption copied by Černý in Petrie MSS 3.2: 'Alabaster vases F'.

Vessel with female figures for handles:

• pencil sketch on paper
• loose
• 20.4 x 12.6 cm

View of Acca (Acre) :

• ink sketch on paper
• loose, adjacent to Bonomi MSS 51.1
• 10.3 x 5.0 cm
• [on sketch] 'Acca' (ink note)

View of Acca (Acre):

• ink sketch on paper
• loose, adjacent to Bonomi MSS 51.1
• 10.3 x 5.0 cm
• [on sketch] 'Acca' (ink note)

View of fortifications and dwelling or tent in foreground (not identified):

• pencil sketch on paper
• loose, adjacent to Bonomi MSS 52.1
• 18.7 x 11.2 cm

View of ruined castle in the Greek island of Leros:

• pencil sketch on paper
• loose, adjacent to Bonomi MSS 52.1
• 18.1 x 11.5 cm
• [on sketch] ' Ancient castle Lerus. Cyclades' (pencil note)

View of ruined church (not identified):

• pencil sketch on paper
• loose
• 12 x 5.9 cm
• [on sketch] 'The Norman / Church / Elbù[?]' (pencil note)

• Postcard
• Photograph, photographer not known.
• The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
• View of the modern enclosure wall of Tutankhamun's tomb, erected by Howard Carter following the discovery of the King's tomb in November 1922, with the tomb's entrance visible in the foreground (left of centre).

View of the village of Beer/Derr in Nubia(?):

• pencil sketch on paper
• loose
• 11.7 x 6.0 cm
• [on sketch] 'BEER' (pencil note)
• [on verso] 'DERR' (pencil note)

View of town through window:

• pencil sketch on paper
• loose
• 13.6 x 18.9 cm
• [on sketch] 'view out of the window of the / house of the Sheikh of Ajunia[?]' (ink note)

Views of ruined conduit (or bath) at Kensington Palace, in the kitchen garden belonging to the palace, built about 1536 by Henry VIII's for Queen Elizabeth when a child:

• carbon sketches on paper
• loose, adjacent to Bonomi MSS 52.1
• 36.8 x 27.0 cm
• [on sketch] 'The Conduit / Kensington / July 1858' (pencil note)

Print and bound publication:

• De Keersmaecker, Roger O. (2001), Travellers' graffiti from Egypt and the Sudan, I: the kiosk of Qertassi. Berchem (Antwerp): Graffito Graffiti (OEB 184624).
• Early travellers' graffiti at Qertassi [see TopBib vii.6-8].
• Most of the graffiti date to the nineteenth century.
• It includes: the annotation "ACCESSION" on p. 6 (= PDF p. 8) and an annotated sticky note on p. 20 (= PDF p. 23).

Print and bound publication:

• Keersmaecker, Roger O. De 2003. Travellers' graffiti from Egypt and the Sudan II: the temples of Semna and Kumma. Berchem (Antwerp): Graffito Graffiti (OEB 181113).
• Semna West [see TopBib vii.144-151] and Semna East (Kumma) [see TopBib vii.151-156].
• Most of the graffiti date to the nineteenth century.
• It includes: annotations in the form of crossed out text on p. 2, highlighted lines on p. 17 and checkmarks on p. 22 and p. 38 (= PDF p. 40); inserted loose pages between p. 15-16 containing biographical information on George Waddington and Barnard Hanbury [an extract from Waddington, George and Barnard Hanbury 1822. Journal of a visit to some parts of Ethiopia. London: John Murray, p. 1-52; and a 2018 Wikipedia page on George Waddington]; and inserted loose pages at the end with "Additional information" on Elbert Ellery Anderson's graffiti at the temple of Kumma, biographical information, a portrait, and an obituary numbered as p. 47-52 (= PDF p. 61-66).

Print and bound publication:

• De Keersmaecker, Roger O. (2004), Travellers' graffiti from Egypt and the Sudan, III: Philae: The kiosk of Trajan. Berchem (Antwerp): Graffito Graffiti (OEB 179470).
• Kiosk of Trajan [see TopBib vi.250].
• Most of the graffiti date to the nineteenth century.
• It includes: inserted loose pages between p. 64-65 (= PDF not numbered) with printed resources from the Internet [a WorldCat search on the publication and a 2019 Wikipedia page on Trajan's Kiosk]; and an extra p. 72 (omitted from PDF) containing "Additional Information from Andrew Oliver, USA" on the graffiti by Joseph Crenier and Friedrich Maximilian Hessemer on the monument.

Print and bound publication:

• De Keersmaecker, Roger O. (2005), Travellers' graffiti from Egypt and the Sudan, IV: Elkab: the rock tombs. Berchem (Antwerp): Graffito Graffiti (OEB 177623).
• El-Kab: the rock tombs [see TopBib v.176-185].
• Most of the graffiti date to the nineteenth century.
• It includes: the insertion of numbers, sometimes crossed out and corrected, on the pages with illustrations, together with a loose page at the end of the publication containing a list of the numbers given to the illustrations and two sticky notes attached to the title page and the verso of p. 6 (in the PDF, the illustrations are all moved to the end); inserted loose page between p. 2-3 with a review of this book by A. Bednarski published on www.PalArch.nl, webbased Netherlands scientific journal (2006) (see PDF p. 93); and a loose envelope between p. 12-13 containing an invitation from KU Leuven to a 2017 Egyptology lecture by Willy Clarysse.

Print and bound publication:

• De Keersmaecker, Roger O. (2010), Travellers' graffiti from Egypt and the Sudan, IX: Thebes: the Ramesseum. Mortsel (Antwerp): Graffito-Graffiti (OEB 165004).
• The Ramesseum [see TopBib ii.2.431-443].
• Most of the graffiti date to the nineteenth century.
• It includes: a loose page glued to p. 2 containing a review of the book by Gabriele Höber-Kamel and published in Kemet 2011 (2), p. 87, which is also present inserted at the end as p. 135, but with the number crossed out and replaced by "134"; and an attached page after p. 131 with the author's biographical information (omitted from the PDF).
• The PDF includes additional pages not present in the print volume: a review of the book by Deborah Manley published in ASTENE Bulletin 46, 2010-2011 (p. 131-133).

Print and bound publication:

• De Keersmaecker, Roger O. (2006), Travellers' graffiti from Egypt and the Sudan, V: Thebes: the Temples of Medinet Habu. Mortsel (Antwerp): Graffito Graffiti (OEB 175493).
• Theban Temples: Medinet Habu [ii2.460-532].
• Most of the graffiti date to the nineteenth century.
• It includes: the insertion of numbers on the pages with illustrations together with a loose page between p. 4-5 containing a list of numbers probably given to the illustrations (in the PDF, the majority of the illustrations are moved to the end); a sticky note attached to the verso of p. 32 with the annotation "S. 41 EST Mc VICKAE H / 1838 / PL XXVII / M Me VICKAE / 1838"; a loose entrance ticket to Medinet Habu between p. 37-38; inserted loose pages at the end with "Additional information" on Edward Joy Morris, Henry B. Humphrey, Lieutenant James MacKenzie, Captain J. Clunes, P. C. Trench, W. F. Williams, Duncan Pirie, M. Joseph, Giovanni Fiamingo, William Nathaniel Peach and Miles Ponsonby, numbered as p. 69-75; and the printed version of an unidentified drawing.

Print and bound publication:

• De Keersmaecker, Roger O. (2008), Travellers' graffiti from Egypt and the Sudan, VI: Thebes: the mortuary temple of Sethos I (Qurna), the temple of Hathor (Deir el-Medina). Mortsel (Antwerp): Graffito Graffiti (OEB 170639).
• Temple of Sethos I (Qurna Temple) [see TopBib ii2.407-421] and Temple of Hathor (Deir el-Medina) [see TopBib ii2.401-407].
• Most of the graffiti date to the nineteenth century.

Print and bound publication:

• De Keersmaecker, Roger O. (2009), Travellers' graffiti from Egypt and the Sudan VII: Karnak, Great Temple of Amun: Festival Temple-pillared hall (Tuthmosis III). Hypostyle-great columns 1-12 in central aisle (Ramesses III and IV), smaller columns 75 and 76 (Ramesses II and IV, Sethos I). Berchem (Antwerp): Graffito Graffiti (OEB 167462).
• Karnak, Great Temple of Amun: Festival Temple (Pillared Hall) [see TopBib ii2.110-111], Hypostyle-great columns 1-12 in central aisle (Ramesses III and IV) and smaller columns 75 and 76 (Ramesses II and IV, Sethos I) [TopBib ii.2.50-51].
• Most of the graffiti date to the nineteenth century.
• It includes: the insertion of numbers, sometimes crossed out and corrected, on the pages with illustrations, together with two loose pages at the end of the publication containing a list of numbers given to the illustrations (in the PDF, the illustrations are all moved to the end); p. 79 with contact information and a list of the published volumes, and p. 80 "In memoriam" for his wife Helena (both omitted from the PDF); inserted loose pages at the end with an Internet article titled "Eureka in a Box" by Curtis Runnels published in Bostonia Winter 03-04 (three pages), email correspondence concerning a "Champoleon" graffito (two pages), an extract from Height, Sarah Rogers 1840. Letters from the Old World by a Lady of New York. New York: Harper & Brothers, p. 212-214 (3 pages), and a page titled "Karnak vol. VII. Addenda for Graffiti on Thutmosis III Festival Hall" (= PDF p. 82).
• The PDF includes additional pages not present in the print volume: biographical note and portrait of Sarah Rogers Haight (1808-1881) (p. 83); title page of Height, Sarah Rogers 1840. Letters from the Old World by a Lady of New York. New York: Harper & Brothers (p. 84); and information on graffiti by Richard K. Haight and Sarah Rogers Haight (p. 85-86).

Print and bound publication:

• De Keersmaecker, Roger O. (2010), Travellers' graffiti from Egypt and the Sudan VIII: Elkab: the temple of Amenophis III. Mortsel (Antwerp): Graffito-Graffiti (OEB 164354).
• El-Kab: Temple of Amenophis III [see TopBib v.188-189].
• Most of the graffiti date to the nineteenth century.
• It includes: annotations in the form of checkmarks and crosses on p. 23, 24, 44; inserted loose pages between p. 37-38 with the printed portraits of John Palmer Bruce Chichester and his wife Caroline Thistlethwayte, and attached extract of his article Keersmaecker, Roger O. de 2009. Two travellers' graffiti in the temple of Amenhotep III at Elkab. In Claes, Wouter, Herman de Meulenaere, and Stan Hendrickx (eds), Elkab and beyond: studies in honour of Luc Limme, 187-194. Leuven: Peeters (OEB 167998); p. 44 with contact information and a list of the published volumes, and p. 45 with the author's biographical information (both omitted from the PDF); and inserted loose pages at the end containing additional information on Elbert Ellery Anderson's graffiti, his portrait and an obituary (5 pages), and email correspondence (3 pages).

Print and bound publication:

• De Keersmaecker, Roger O. (2011), Travellers' graffiti from Egypt and the Sudan X: the temple of Kalabsha, the temple of Beit el-Wali. Mortsel (Antwerpen): Graffito-Graffiti (OEB 169306).
• Great Temple of Mandulis (Kalabsha) [see TopBib vii.10-21] and Rock Temple of Beit el-Wali [see TopBib vii.21-27].
• Most of the graffiti date to the nineteenth century.
• It includes: author's personal stamp with address details on cover page; an attached page between p. 37-38 with two pictures of the Catholic cemetery on Mount Zion in Jerusalem on the recto and a picture of Cornelius Bradford's grave inscription on the verso (omitted from the PDF); and an attached page at the end with the author's biographical information (omitted from the PDF).