1) Unfinished manuscript of 'The Life of Sinuhe: A Reader's Commentary on the Middle Kingdom Version(s)' (September 2020) (print out and relevant Word documents and PDFs). Updated version August 2022 (Word documents and PDFs). 2) Drawings of reconstructions of the Theban tomb-chapel of Nebamun, now in the British Museum in London, including sketches, tracings and a measured perspective acrylic (1997). 3) Correspondence: Letter from Esmé Little (née Peet; niece of T. E. Peet) to Richard B. Parkinson dated 30 January 1989. 4) 35mm Kodachrome slides mainly from Nile cruises with Bales Worldwide and British Museum Traveller (c. 2000–2006) [1 oversize box].
Card indexes used in compilation of the Coptic Dictionary, photographs, photostats, notebooks, notes, correspondence, newspaper cuttings, negatives, and casts.
1) Original measured perspective drawing of the tomb of Tutankhamun in the Valley of the Kings (1978) [corrected version]. 2) Drawings of Eighteenth Dynasty tombs (incomplete original set and complete sets of photocopies/prints) (1980s). 3) Prints of the measured perspective drawing of the tomb of Tutankhamun in the Valley of the Kings (1978) [version with error]. 4) Drawings of reconstructions of Egyptian boats (1993-4). 5) Models, plaster and resin moulds and casts for plaque depicting a scene from the lid of box from the tomb of Tutankhamun (c. 1979) - the plaque has been sold in the British Museum shop since the late 1990s (copyright issued in the late 1990s for a while, then reissued c. 2010). 6) Model, plaster and resin moulds and casts for the mask of Tutankhamun (1978). 7) Models, plaster and resin moulds and casts for small figurines (2 seated Isis suckling Horus, Bes amulet and scarab, 1970s). 8) Album of newspaper cuttings titled "Illustrations", mostly from the Illustrated London News, bound in illustrated binding by Harold Parkinson (c. 1930). 9) Copy of Simplified Hieroglyphs arranged according to Gardiner's Signlist. Drawn in both left and right directions together with samples of cursive hieroglyphs and hieratic signs. Hieratic versions are drawn from Möller Hieratische Paläographie Vol. I (6th to 13th dynasties), of which 'Sinuhe' provides the majority of the examples, by R. B. & H. Parkinson (1988-1989). 10) Original measured perspective drawing of the White Chapel at Karnak, by H. & R. B. Parkinson (c. 1989-1990).
The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
(Carter 116)
An Egyptian team member carrying the wooden portrait figure of Tutankhamun, the so-called "mannequin", from the King's tomb to the nearby "Laboratory" tomb (KV 15, of Sethos II) for cleaning and conservation.
The portrait bust of Tutankhamun [Carter 116] was found in the tomb's Antechamber. The King is portrayed wearing a yellow flat-topped crown featuring the centrally positioned uraeus on the crown's temple band. The King also wears a close-fitting white garment.
The bust's purpose is unclear, but it probably displayed part of the King's regalia. A recent proposal is that it may have been originally used for supporting and storing the King's gold corset (Carter 54k) in the tomb. When thieves ransacked the tomb in antiquity, these robbers likely removed the corset from the bust before breaking the heavy regalia into smaller, portable pieces.
The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
Four Egyptian members of the excavation team carrying trays of objects from Tutankhamun's tomb, escorted by Arthur Callendar (on left, wearing a pith helmet) and armed guards. The men at the front transport a wheel from one of the King's chariots, followed by two men, each carrying a tray containing smaller items, including a reed basket or tray (Carter 119) with partitions.
Howard Carter's "autopsy" drawings, recording objects in situ on Tutankhamun's body and within the body wrappings.
18 annotated pencil drawings of groups of objects found in the body wrappings and on the body of Tutankhamun, recorded during the autopsy of the King's body, 11-19 November 1925
The photograph was probably taken in early 1923; the production date of the postcard is not known, but it was almost certainly in the 1920s.
Members of the Egyptian team manoeuvring a large carrying tray out through the entrance to the modern enclosure wall constructed shortly after Tutankhamun's tomb was discovered. The team are carrying two black shrine-like boxes (Carter 37) and (Carter 38) and a gabled-roofed box (Carter 32), transporting them from the tomb's Antechamber to the Laboratory.
The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
Two Egyptian team members carrying a white chest (Carter 50) up the rock-cup steps leading out of Tutankhamun's tomb, with Howard Carter assisting (head visible behind the left shoulder of the man at the front). This chest contained many items of Tutankhamun's wardrobe.
The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
(Carter 116)
Howard Carter (second from right, striding, wearing a hat with a black band) accompanying the wooden portrait figure of Tutankhamun (the so-called "mannequin"; Carter 116), which is carried by an Egyptian member of the team transporting the object to the "Laboratory" tomb (KV 15, of Sethos II) for cleaning and conservation.
Also present in the photograph is Lord Carnarvon (sitting on the wall at the far left), who watches as the group passes by. The man walking to the left of the Earl is Arthur Weigall (dark hat with a darker headband), a former Egyptian Antiquities Service Inspector now engaged as a journalist reporting on the excavation. The other Europeans present here are also journalists or tourists.
The portrait bust of Tutankhamun [Carter 116] was found in the tomb's Antechamber. The King is portrayed wearing a yellow flat-topped crown featuring the centrally positioned uraeus on the crown's temple band. The King also wears a close-fitting white garment.
The bust's purpose is unclear, but it probably displayed part of the King's regalia. A recent proposal is that it may have been originally used for supporting and storing the King's gold corset (Carter 54k) in the tomb. When thieves ransacked the tomb in antiquity, these robbers likely removed the corset from the bust before breaking the heavy regalia into smaller, portable pieces.
![Transporting Tutankhamun's "mannequin" [1]](/uploads/r/null/c/6/9/c6989faf4715475b8610a391b2f70fa89105333f6c3010bf5513e38d1be0ac67/TAA_ii_6_81awm_142.jpg)
