General view of the Temple of Amun and Amenophis III at Sulb or Soleb in Sudan (TopBib vii.169):

• pencil sketch on paper
• mounted, together with Bonomi MSS 8.5 (lower)
• 31.9 x 11.5 cm
• [on mount] 'West bank / about half way / between Dongola / and 2nd Cataract' (pencil note)
• [on mount] encircled 'b' (pencil note, almost certainly by Dr Moss)
• [on mount] '5' (pencil note, almost certainly by Dr Moss)
• [on mount] '2' (pencil note, almost certainly by Dr Moss)

General view of the Temple of Amun and Amenophis III at Sulb or Soleb in Sudan (TopBib vii.169):

• pencil sketch on paper
• mounted, together with Bonomi MSS 8.5 (upper)
• 22 x 5.2 cm
• [on mount] encircled 'c' (pencil note, almost certainly by Dr Moss)
• [on mount] '5' (pencil note, almost certainly by Dr Moss)
• [on mount] '2' (pencil note, almost certainly by Dr Moss)

View of two columns from the Court of the Temple of Amun and Amenophis III at Sulb or Soleb in Sudan (TopBib vii.170):

• pencil sketch on paper
• loose, adjacent to Bonomi MSS 8.5 (upper) and Bonomi MSS 8.5 (lower)
• 23.1 x 27.6 cm
• [on sketch] 'Soleb' (pencil note)
• [on sketch] encircled '5a' (pencil note, almost certainly by Dr Moss)
• [on sketch] '31' (pencil note, almost certainly by Dr Moss)

View of the Wadi Halfa in Sudan, close to the border with Egypt:

• pencil sketch on paper
• mounted, together with Bonomi MSS 8.4 (top) and Bonomi MSS 8.4 (bottom)
• 13.8 x 5.8 cm
• [on sketch] 'Wady halfa' (underlined) (pencil note)

View of the sunrise (or sunset) at the Giza pyramid field:

• monochrome watercolour
• mounted
• 17.7 x 9.9 cm
• no annotations

Supplicant man:

• partially inked pencil sketch on paper
• loose
• 11.6 x 13.1 cm

View of human figure in a cave at Jebel el-Magara in Syria:

• pencil sketch on paper, mounted on paper
• loose
• 14.5 x 10.3 cm (16 x 12 cm with mount)
• [on sketch] 'EL MAGARA' / Wadi E[?]' (pencil note)

Cityscape of possibly Aleppo in Syria:

• pencil sketch on paper
• loose
• 20.9 x 13.5 cm

View inside courtyard of mosque at possibly Aleppo in Syria (not identified):

• partially inked pencil sketch on paper
• loose
• 22.7 x 18cm

Syrian landscape with structure and tree:

• pencil sketch on paper
• loose
• 20.9 x 13.5 cm
• [on sketch] 'Syria' (ink note)

Tabernacle or memorial design:

• pencil sketch on card
• loose
• 4.6 x 7.5 cm

A fallen column, perhaps from the Roman theatre, at Tell el-Farama (Pelusium):

• pencil drawing
• mounted, together with Lloyd MSS 115
• 25.8 x 17.8 cm
• [on recto of drawing] 'Ruins of a Temple at Pelusium. / 16 Feb 1843.' (pencil note)
• [on mount] '58' (pencil note)

Four fallen columns, perhaps from the Roman theatre, at Tell el-Farama (Pelusium):

• pencil drawing
• mounted, together with Lloyd MSS 118
• 25.8 x 17.7 cm
• [on recto of drawing] 'Four Syenite columns. W of the Fort. Ruins of Pelusium. 17 Feb 1843.' (pencil note)
• [on mount] '59' (pencil note)

Ruins of Tell el-Farama (Pelusium):

• watercolour
• mounted
• 35.1 x 25.8 cm
• [on mount] 'Ruins of Peluseum from Tel El Fadda.' (ink note)
• [on mount] encircled '12' (pencil note)
• [on verso of watercolour] 'Ruins of Peluseum from Tel El Fadda. / 17th Feb 1843.' (pencil note)

Ruins of Tell el-Farama (Pelusium):

• watercolour
• mounted
• 35.3 x 25.6 cm
• [on mount] 'Ruins of Peluseum from Tel El Fadda.' (ink note)
• [on mount] encircled '13' (pencil note)
• [on verso of watercolour] 'Ruins of Peluseum or Tel El Faramah(?) / from Tel El Fadda. 16th Feb. 1843.' (pencil note)

Ruins of the citadel at Tell el-Farama (Pelusium):

• watercolour
• mounted
• 35.4 x 25.9 cm
• [on mount] 'Ruins of the Citadel at Pelusium.' (ink note)
• [on mount] encircled '5' (pencil note)
• [on verso of watercolour] 'Ruins of the Citadel at Pelusium. / 17th Feb 1843.' (pencil note) [originally 16th, corrected to 17th]

Monolithic statue-group of Ramesses II between Re and Atum, from the Temple at Tell el-Maskhuta (Pithom):

• pencil drawing
• mounted
• 26 x 35.5 cm
• [on mount] '4' (pencil note)

Inscriptions on the monolithic statue-group of Ramesses II between Re and Atum, from the Temple at Tell el-Maskhuta (Pithom):

• pencil drawing
• mounted
• 26 x 35.4 cm
• [on recto of drawing] 'W. / Back / N. - S.' (pencil note)
• [on recto of drawing] 'N. / N. angle / North side' (pencil note)
• [on recto of drawing] 'Front / East / S. - N.' (pencil note)
• [on recto of drawing] 'S / South side / Southern angle lost' (pencil note)
• [on mount] '11' (pencil note)

View from within the ruins of Tell el-Yahudiya (Leontopolis):

• watercolour with pencil details
• mounted
• 35.6 x 26.1 cm
• [on mount] 'Ruins of Tel Euhudicah, looking Westward.' (ink note)
• [on mount] encircled '14' (pencil note)
• [on verso of watercolour] 'Ruins of Tel Juhudieah / from the summit looking to the Westward. / 27th Feb 1843.' (pencil note)

View of the ruins of Tell el-Yahudiya (Leontopolis):

• watercolour with pencil details
• mounted
• 35.6 x 26.2 cm
• [on mount] 'Tel Euhudicah, from the Necropolis on the Eastward.' (ink note)
• [on mount] encircled '15' (pencil note)
• [on verso of watercolour] 'Tel Juhudieah / From the Necropolis on the Eastward. / 27th Feb 1843.' (pencil note)

Temple doorway lintel, with winged sun-disk and hieroglyphic inscription (not identified):

• pencil sketch on tracing paper
• mounted, together with Bonomi MSS 49.23 and Bonomi MSS 49.25
• 23.8 x 6.8 cm

Drawing of a detail from a battle scene, Seti I in a chariot charging Libyans on the battlefield, on the north exterior wall of the hypostyle hall in the Great Temple of Amun at Karnak:

• black ink drawing
• mounted
• 17.8 x 10.2 cm
• Below the drawing are two small cartouches of the king (in ink)
• [Lane's caption on page verso, at top left corner] 'Sculpture at Kar'nak' (pencil note)

Part of a temple wall scene from the forecourt of the Beit el-Wali temple at Kalabsha, two registers of Nubians, including women and children, bringing tribute with animals, [to Ramesses II]:

• pencil drawing
• mounted
• 17.8 x 10.2 cm
• [Lane's caption on page verso, at top left corner] 'Sculpture on the left side-wall of the court before the rock-temple of Ckala'b'sheh.' (pencil note)

Temple wall scenes from the hypostyle hall in the Great Temple of Amun at Karnak
Left scene, Seti I spears Libyan chief on the battlefield, north exterior wall
Right scene, Ramesses II binding Syrian captives, south exterior wall

• Two pencil drawings
• Drawings are mounted side-by-side
• 17.7 x 10.2 cm
• [Lane's caption on page verso, at top left corner] 'Sculptures at Kar'nak' (pencil note)

Ten albums containing original photographic prints made by Harry Burton [TAA i.6.1-10].

• Arranged by chamber and by object type
• Annotated headings and negative numbers, probably by Harry Burton or his wife Minnie B.
• Howard Carter's set of albums

Originally belonging to Howard Carter.

Handwritten text:

• pencil text on paper
• loose
• 18.2 x 22.6 cm
• [text]:

'If any man wants [?] {[?]} [?] of the truth of {the} [?]

here it is if he cannot find in history if he cannot

find it in his own heart or if refuses to seek for it then

became he wants an [?] not to look for it then

here is abundance say there books are only words which

[?] him another thing him [?] [?] being

subject to errors of various kinds the [?] of

[?] the [?] of [?] the [?]

of ad(d)itions for [?] of years and offer all

on oldest copy are not another is any

years old which years [?] [?] [?]

except it [?], and year [?] [?] first

year seeing the middle [?]

but is like a middle [?]

The [?] [?] on certainly managed to carry

The expression of age and fatigue of [?] and [?]

are the conclusion[?] the strenuous efforts'

Text:

• pencil and coloured (black) pencil text on paper
• loose
• 11.1 x 9.0 cm
• [text]: 'The cost of die / the sign of a medal / for 10 pounds and / the cost of a die / for such a medal'

Text (22 lines) in cuneiform script with annotations, now in the British Museum (not identified):

• print with pencil and brown pencil annotations on paper
• loose
• 10.7 x 18.9 cm

Text on church at Alnwick:

• ink text on paper
• loose
• 15.7 x 11.5 cm
• [text]:

'The church at Alnwick a gothic building

once a beautiful and highly adorned

edifice but now from the injuditious

additions and alterations especially

that usual one of taking away

pillars in order to make the pulpit

more generally seen from all corners

of the church thus by throwing two arches

into one thus weak increas

ing the lateral pressure endangering

the roof which perhaps on that

account has been restored in the it was found

ornamental gothic necessary

to restore in the side isles

however the original oak beams remain'