Two angels flanking a door: -pencil drawing on tracing paper -mounted, together with Bonomi MSS 40.15 and 40.17 -24.5 x 12.8 cm -[on drawing] 'JB' (pencil note)
Nude young Lapith holds a centaur's head from behind with his left; marble metope from the Parthenon (South metope XXVII) (London, British Museum, reg. 1816,0610.11 - BM Sculpture 316, 438-432 BC): -ink sketch on treated tracing paper -loose, adjacent to Bonomi MSS 40.20 -27.8 x 21.9 cm
Figure from plate 11 of the Compositions from the tragedies of Aeschylus, designed by John Flaxman, engraved by Thomas Piroli, London (1795): -ink and wash sketch on paper (remains of pencil) -mounted, together with Bonomi MSS 40.21 -14.5 x 10.6 cm -[on sketch] 'Flaxman's Eschilylus. Pl. 11.'
Shepherd carrying lamb and Luke 15:5 verse: -inked pencil sketch on paper -loose, adjacent to page 1 -7.5 x 12.3 cm -[on sketch] 'καὶ ἐὑρὼν ἐπιτίθησιν ἐπὶ τους / ωμους εἑαυτοῦ χαιρων / L 15 5' (pencil note) [translation: 'and when he has found it, he lays it on his shoulders, rejoicing']
Jesus performing a miracle (probably the raising of Lazarus): -inked pencil sketch on paper -mounted on loose paper, together with Bonomi MSS 41.4, adjacent to page 2 -22.8 x 18.8 cm
Crouched putto sleeping: -pencil sketch on paper -mounted, together with Bonomi MSS 41.13 and Bonomi MSS 41.14 -14.2 x 10.8 cm -[on mount] '4' (pencil note)
Murder of the sacred Apis bull by Cambyses II, with study of the king's hand: -pencil sketches on paper -loose, adjacent to page 6 -39.5 x 24.8 cm -[on sketch] 'No 8' (ink note) -[on sketch] 'Egyptian priests in despair.' (ink note) -[on sketch] 'The Bull dying' (ink note) -[on sketch] 'Persian king & attendants' (ink note)
The sacred bull Apis predicts the downfall of emperor Germanicus: -inked pencil sketch on paper -loose, adjacent to page 11 -37.0 x 22.3 cm -[on sketch] 'Germanicus consults the Bull Apis by offering him food' (ink note, crossed out) -[on sketch] 'the Bull Apis returns an unfavourable answer to Germanicus by refusing to eat out of / his hands' (ink note)
Plato at Heliopolis discoursing on the immortality of the soul with Egyptians and Jews, with studies of scene and Jew: -pencil sketches on paper -loose, adjacent to page 11 -37.0 x 22.6 cm -[on sketch] 'Plato at Heliopolis discoursing / on the Immortality of the Soul / with the Egyptians & Jews' (pencil note) -[on sketch] 'Trial Scene' (pencil note) -[on sketch] 'Jews' (pencil note) -[on sketch] 'Greek' (pencil note) -[on sketch] 'Plato' (pencil note) -[on sketch] 'Egyptians' (pencil note) -[on sketch] 'Neath the Great Mother' (pencil note) [continuation of note in Bonomi MSS 41.26 (verso)]
Mother reading with daughter: -inked pencil sketch with pencil frame on paper -partially attached, together with Bonomi MSS 42.6 -10.2 x 14.1 cm -[on sketch] 'JB' (pencil note)
Note on a marble statue in the collection of Dr Lee of Hartwell and on the artistic representation of the effects of alcohol in the human body (continuation), with two sketches of a big-bellied man: -pencil note on paper -loose, adjacent to Bonomi MSS 43.1 -11.1 x 18.1 cm -[text] 'opportunities of delineating its effects / on the contour of the human fabric / [from the constant exposure(crossed out) nature of the (crossed out)] the costume (sic = custom) / X The of those days in the hot climates / of Greece and Egypt being seldom more / than a single piece of cotton or woollen / cloth which was thrown about the body / at the will or caprice of the wearer [always (crossed out)] most / generally leaving a considerable portion of its / surface to the action of light and air and / thus giving an opportunity to sculptor and painter to / make himself familiar with the configuration of the human body / under all circumstances and this is perhaps what made / them such masters [of (crossed out)] in the art of sculpture / and very early ...(?) X and as this beautiful / work ...(?) been it puortrays so faithfully / the effect of his soul(?) indulgence in alcohol / [to (crossed out)] this [truth of which we are (crossed out)] / [all … … …(?) (crossed out)] We scarcely need the aid / of the wine skin on which the figure is reclining in his / drunken offers(?) to inform us of the imbibe of the above in a salty eye the figure [we need not (crossed out)] the fulsome work of / [to …(?) (crossed out)] the abdomen scarcely covered scalp the ample beard / sufficiently'
Three architectural sketches: -pencil sketches on paper -mounted, together with Bonomi MSS 44.6 and Bonomi 44.7 -18.8 x 12.0 cm -[on mount] '2' (ink note)
Personified Wednesday (Hermes/Mercurius) and two other days of the week as classical figures, profile view of heads: -pencil sketches on paper -mounted, together with Bonomi MSS 44.5 and Bonomi 44.6 -17.2 x 11.0 cm -[on sketch] 'Wednesday' (pencil note) -[on sketch] 'Lunedi v / Martedi v / Mercoledi v / Giovedi v / Venerdi / Sabbato' -[on mount] '2' (ink note)
Malta. Island of Gozo: -watercolour on paper -loose -12.7 x 7.5 cm -[on watercolour] 'NE by E' (ink note) -[on watercolour] 'E' (ink note) -[on watercolour] 'Gozo of Candia 6 miles' (ink note)
Design for Tyne Sailors' Home with Britannia: -pencil drawing on tracing paper -loose -18.8 x 22.3 cm -[on drawing] 'TYNE / SAILORS / HOME' (pencil note)
Frontal view of male nude with stick (probably design for pediment): -pencil sketch (details) on tracing paper, with inked outline on recto used as reference for figure -loose -14.8 x 19.8cm
