Copy of Greek inscription:
-pencil sketch on paper
-loose
-31.6 x 16.0 cm

Architectural drawings of the Temple of Olympian Zeus at Agrigento, Sicily (Italy), with measurements:
-blue ink sketches on tracing paper
-loose
-49.4 x 44.2 cm
-[on sketch] 'Plan of half the Temple of Jupiter Olympius at Agrigentum.' (ink note)
-[on sketch] 'Length of side 369.5' (ink note)
-[on sketch] 'Length of End 182.8' (ink note)
-[on sketch] 'Windows' / 'Profile' (ink note)
-[on sketch] 'Centre not roof?' (ink note)
-[on sketch] 'Elevation within the Centre or nave.' (ink note)
-[on sketch] 'Section of outer wall Large scale.' (ink note)
-[on sketch] 'Elevation Large scale.' (ink note)
-[on sketch] 'Restoration of the Temple of Jup. Olympius Agrigentum' (ink note)
-[on sketch] 'with comparison of relative scale of Temple of Concord at Agrigentum & Parthenon at Athens.' (ink note)
-[on sketch] 'Temple of Concord Agrigentum.' (ink note)
-[on sketch] 'Parthenon at Athens.' (ink note)

Page of handwritten catalogue of Egyptian antiquities:
-ink text on paper
-loose
-16.0 x 31.6 cm
-[on verso] '66' (ink note)
-[on verso] 'Material' (ink note)
-[on verso] 'pieces of the dried stem of the Payprus Plant. - Such rolls of papyrus are made up of the fragments of papyri that are sometimes found about the mummy by the present inhabitants of Thebes. / This specimen was purchased at the sale of antiquities by Mr Sotheby. / Papyrus Roll - A Coptic and Greek roll of Papyrus unrolled by Mr Bonomi at Hartwell Sep. 3. 1847. Very imperfect - This is also one of the fabricated rolls. See No 3114 / Do - A hieratic and Coptic roll of papyrus, unrolled by Mrs Lee at Hartwell Sep 3. 1847. In the centre was a part of the stem of a reed which is preserved among the fragments in No 3102. / This roll like the two former was made up of fragments. Originally, perhaps, it may have been a Coptic book written over the more ancient Hieratic characters; or the fragments of all Hieratic manuscript have been ignorantly rolled up with some Coptic fragments by the present inhabitants of Thebes, to sell to travellers. / Pallet of a Painter, presented to me by R. Catherwood Esqre who brought it from Egypt in 1835. Mr C. had another Lot 229 of Mr Bartons collection of antiquities; and No 230; 231; and 232 consisted of Pallets of this description of two of which there are drawings July 1836. / This is a remarkably fine specimen 16 inches long and 2./8th wide. It has two circular cavities for the red and black pgiments, usually employed in writing, and likewise an inclined cavity for the reeds used as brushes. This instrument is seen in the hands of the scribes represented on the monuments: it served at once for a ruler, and sometimes a measure, besides its office of inkstand and penholder. penholder (crossed out) On the front at the top is the scribe making an offering and prayer to the judge of the Amenti (the region of the West) behind whom' (ink note; with '3114' and '3102' in pencil, and second 'penholder' crossed out)

Sketched plan and calculations, with watercolour stains:
-pencil sketch and watercolour stains on paper
-loose
-11.6 x 18.3 cm
-[on sketch] 'Metre diametre' / 'C' (pencil note)
-[on sketch] 'Section B' (pencil note)

Figures and shields; tracing of detail of Bonomi MSS 39.22:
-pencil tracing on paper
-loose
-8.9 x 6.4 cm

Print of "Nelson's Column. Trafalgar Square. &c." in London (England), by J. Shury, published by J. Harwood, with addition of statue of Britannia and other statues in watercolour:
-print with watercolour (grey and brown) on paper
-mounted
-18.9 x 15.7 cm
-[on print] 'J. Shury. sculp' (printed note)
-[on print] '12, Gt Carter Lane, Doctors Commons.' (printed note)
-[on print] 'Nelson's Column. Trafalgar Square. &c.' (printed note)
-[on print] 'PLACE DE TRAFALGAR.' (printed note)
-[on print] 'DIE NELSON SAULE.' (printed note)

Angel and three cloaked, hooded female figures:
-sketch on paper
-loose, adjacent to Bonomi MSS 40.1
-18.4 x 11.4 cm

Reclining figure of Christ(?) [no wounds depicted]:
-pencil sketch on paper
-loose, adjacent to Bonomi MSS 40.1
-18.6 x 11.5 cm

Male figure with arms raised above head, with outline of figure (left) and sketch of head (below):
-pencil sketches on paper
-mounted, together with Bonomi MSS 40.4
-12.8 x 25.7 cm

Four designs featuring the goddess Britannia:
-inked (red and black) pencil drawings on paper
-mounted
-25.3 x 33.6 cm
-[on drawing] 'BRITANNIA SACRIFISING AT THE SHRINE OF ART' (pencil note)
-[on drawing] 'BRITANNIA WELCOMING MINERVA' (pencil note)
-[on drawing] 'BRITANNIA REPLENISHING THE LAMP OF THE GENIUS OF ART' (pencil note)
-[on drawing] '"STET NOMINS UMBRA"' (pencil note)

Winged female figure (Victoria):
-pencil sketch on tracing paper
-loose, adjacent to Bonomi MSS 40.6
-15.2 x 12.6 cm

Christ standing between two figures, possibly Saint Paul and Saint Peter:
-ink sketch on paper
-mounted, together with Bonomi MSS 40.11
-11.2 x 10.1 cm
-[on sketch] 'as for example the Transfig the 3 cardinal virtues' (ink note)
-[on sketch] 'this plan' (ink note, crossed out)

Two angels flanking a door:
-pencil drawing on tracing paper
-mounted, together with Bonomi MSS 40.15 and 40.17
-24.5 x 12.8 cm
-[on drawing] 'JB' (pencil note)

Nude young Lapith holds a centaur's head from behind with his left; marble metope from the Parthenon (South metope XXVII) (London, British Museum, reg. 1816,0610.11 - BM Sculpture 316, 438-432 BC):
-ink sketch on treated tracing paper
-loose, adjacent to Bonomi MSS 40.20
-27.8 x 21.9 cm

Two designs featuring the goddess Britannia:
-pencil drawings on tracing paper, ink circles
-mounted, together with Bonomi MSS 40.22
-25.6 x 16.5 cm

Figure from plate 11 of the Compositions from the tragedies of Aeschylus, designed by John Flaxman, engraved by Thomas Piroli, London (1795):
-ink and wash sketch on paper (remains of pencil)
-mounted, together with Bonomi MSS 40.21
-14.5 x 10.6 cm
-[on sketch] 'Flaxman's Eschilylus. Pl. 11.'

Reclining figure of Christ(?) [no wounds depicted]:
-pencil sketch on paper
-loose, adjacent to Bonomi MSS 40.10-11
-18.6 x 11.5 cm

Two angels flanking a door:
-pencil sketch on paper
-mounted, together with Bonomi MSS 40.16-17
-19.3 x 12.4 cm

Circular design of Britannia replenishing the lamp of the genius of art, with annotations and sketches:
-print on paper
-mounted
-20.9 x 24.1 cm
-[on print] 'no mouth see drawing' (pencil note)
-[on print] 'in' (pencil note) [different examples]
-[on print] 'out' (pencil note) [different examples]
-[on print] 'cut away' (pencil note) [different examples]
-[on print] 'ring lines all the same thickness' (pencil note)
-[on print] 'under' (pencil note)

Three designs from the life of Christ:
-ink sketches on paper
-mounted, together with Bonomi MSS 40.10
-11.2 x 11.2 cm

Two angels flanking a door, each repeated on either side, in one case mirrored:
-pencil sketch on tracing paper
-mounted, together with Bonomi MSS 40.15-16
-24.6 x 13.2 cm
-[on sketch] 'JB' (pencil note)

Small portfolio or file entitled 'Pyramids of Sakkara Lisht etc.'.
Blue ink note at top right corner: '1' encircled in pencil (reference to previous arrangement, almost certainly introduced by Dr Moss).

Papers of William Matthew Flinders Petrie including journals covering 38 seasons (1880-1929) and photographs of excavations. The collection also includes secondary material associated with Petrie's journals, photographs of objects in museums, souvenir photographs and photocopies of material held at the Petrie Museum of Egyptian Archaeology, University College London.

Panel showing the deceased and his wife at a table, Dyn. IV, from Saqqara, North of Step Pyramid, Tomb B 3, Shery, now in Florence, Museo Archeologico, 2554.

Caption copied by Černý in Petrie MSS 3.2: 'Part of tomb of [Šrj]. Florence Catalogue No.1534 [rḫ-nsw nb jmȝḫ Šrj] [mjtrt Ḫnt-kt]'.

Uninscribed seated statue, black granite, Dyn. IV, from Giza, now in Bologna, Museo Civico Archeologico, 1826.

Caption copied by Černý in Petrie MSS 3.2: 'Black granite statue. B nameless'.

Detail of the head of a seated statue of Redidj, diorite, Dyn. III, provenance not known, now in Turin, Museo Egizio, 3065.

Caption copied by Černý in Petrie MSS 3.2: 'head'.

Altar-base, black granite, Dyn. XXVI, provenance not known, now in Turin, Museo Egizio, 22053 (Cat. 1750).

Caption copied by Černý in Petrie MSS 3.2: 'Altar of [Mrjj-Rʿ] Turin'.

False door of Simery and his mother Henutsen, dedicated by his father Werkaptah, end of Dyn.V or later, from Saqqara, now in Bologna, Museo Civico Archeologico, 1901.

Caption copied by Černý in Petrie MSS 3.2: 'Tablet of [Simery] B.'.

Stela of Mentuhotep Ressoneb, late Dyn. XII or Dyn. XIII, provenance not known, now in Bologna, Museo Civico Archeologico, 1930.

Caption copied by Černý in Petrie MSS 3.2: 'Tablet of [Mnṯw-ḥtp] B'.