George A. Hoskins Drawing - Paestum (Poseidonia), Italy
- Hoskins MSS 3.91
- Pièce
Fait partie de George Alexander Hoskins Collection
View of the temple of Poseidon (Poseidonia) at Paestum:
- pencil drawing
- mounted
- 40.2 by 24.7 cm
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George A. Hoskins Drawing - Paestum (Poseidonia), Italy
Fait partie de George Alexander Hoskins Collection
View of the temple of Poseidon (Poseidonia) at Paestum:
George A. Hoskins Drawing - Philae
Fait partie de George Alexander Hoskins Collection
View of the river Nile, with the island of Philae and the temple remains visible in the distance:
George A. Hoskins Drawing - Philae
Fait partie de George Alexander Hoskins Collection
View of a large tree with the island of Philae, the temple remains and Trajan's kiosk visible in the distance:
George A. Hoskins Drawing - Philae
Fait partie de George Alexander Hoskins Collection
View of a Nubian village near Philae:
George A. Hoskins Drawing - Philae
Fait partie de George Alexander Hoskins Collection
View of subsidiary buildings at the temple of Isis site of Philae, including Trajan's Kiosk:
George A. Hoskins Drawing - Philae
Fait partie de George Alexander Hoskins Collection
View of the temple of Isis at Philae, including the north enclosure wall of the Temple of Arsenuphis with First Court area and the first pylon of the Isis temple in the background:
George A. Hoskins Drawing - Philae
Fait partie de George Alexander Hoskins Collection
View from Philae including part of the river Nile:
George A. Hoskins Drawing - Philae
Fait partie de George Alexander Hoskins Collection
Distant view of the Island of Philae:
George A. Hoskins Drawing - Qasr Ibrim
Fait partie de George Alexander Hoskins Collection
View of the rock grottoes at Qasr Ibrim:
George A. Hoskins Drawing - Qertassi
Fait partie de George Alexander Hoskins Collection
View of the Roman kiosk at Qertassi in Nubia:
George A. Hoskins Drawing - River View
Fait partie de George Alexander Hoskins Collection
River view:
George A. Hoskins Drawing - Saqqara
Fait partie de George Alexander Hoskins Collection
View of the Step Pyramid of Djoser at Saqqara:
George A. Hoskins Drawing - Sedeinga (Adaya)
Fait partie de George Alexander Hoskins Collection
Plan of the temple of Amenhotep III at Sedeinga (Adaya):
George A. Hoskins Drawing - Sedeinga (Adaya)
Fait partie de George Alexander Hoskins Collection
View of the remains of the temple of Amenhotep III at Sedeinga (Adaya):
George A. Hoskins Drawing - Semna East
Fait partie de George Alexander Hoskins Collection
Plan of the fortress of Senwosret III at Semna East (Kumma):
George A. Hoskins Drawing - Semna East
Fait partie de George Alexander Hoskins Collection
View of the ruins of the temple of Khnum at Semna East (Kumma):
George A. Hoskins Drawing - Semna West
Fait partie de George Alexander Hoskins Collection
Plan of the fortress of Senwosret III at Semna West:
George A. Hoskins Drawing - Shendi
Fait partie de George Alexander Hoskins Collection
View of a fortified royal residence at Shendi in northern Sudan:
George A. Hoskins Drawing - Soleb
Fait partie de George Alexander Hoskins Collection
View looking north-east to the remains of the temple of Amun and Amenhotep III at Soleb:
George A. Hoskins Drawing - Soleb
Fait partie de George Alexander Hoskins Collection
View of the temple of Amun and Amenhotep III at Soleb:
George A. Hoskins Drawing - Soleb
Fait partie de George Alexander Hoskins Collection
View of the courtyard area of the temple of Amun and Amenhotep III at Soleb:
George A. Hoskins Drawing - Soleb
Fait partie de George Alexander Hoskins Collection
Plan of the temple of Amun and Amenhotep III at Soleb:
George A. Hoskins Drawing - Stelae
Fait partie de George Alexander Hoskins Collection
Drawing of two stelae. On the left side is the early 18th Dynasty stela of a man named Anen, likely from Thebes, showing Anen offering flowers to the seated god Amun-Re. On the right side the stela is from the 17th Dynasty of prince Ahmose, of unknown provenance, showing Ahmose seated with his pet dog in receipt of offerings. Along the bottom edge of the paper is another separate sketch of a bracelet consisting of various scarabs with inscribed bases:
George A. Hoskins Drawing - Study of a Man
Fait partie de George Alexander Hoskins Collection
Drawing of a Nubian man holding a stick:
George A. Hoskins Drawing - Study of a Man
Fait partie de George Alexander Hoskins Collection
Study of a male figure seated and with a pipe:
George A. Hoskins Drawing - Tafa
Fait partie de George Alexander Hoskins Collection
View of the Roman north temple at Tafa (Taphis):
George A. Hoskins Drawing - Thebes, West Bank. Deir el-Medina
Fait partie de George Alexander Hoskins Collection
Relief scene from the south sanctuary area of the Hathor temple at Deir el-Medina of the weighing of the heart, also known as the judgement, with a male individual followed by the goddess Maat. Above is part of two registers of seated deities with a kneeling figure at both far left ends of the register:
George A. Hoskins Drawing - Thebes, West Bank. Deir el-Medîna
Fait partie de George Alexander Hoskins Collection
Relief scene from the south sanctuary area of the Hathor temple at Deir el-Medina showing the weighing of the heart, also known as the judgement. Above are two registers of seated deities outlined in faded pencil:
George A. Hoskins Drawing - Thebes, West Bank. Deir el-Medîna
Fait partie de George Alexander Hoskins Collection
Relief scene from the south sanctuary area of the Hathor temple at Deir el-Medina of the weighing of the heart, also known as the judgement scene, with the deity Ammit and a seated Osiris observing. In between are the four small figures of the sons of Horus on top of a lotus flower:
George A. Hoskins Drawing - Thebes, West Bank. Tomb TT 343
Fait partie de George Alexander Hoskins Collection
Relief scene from the hall of the early 18th Dynasty tomb of Benia Pakehmen (TT383) at the west bank of Thebes of the tomb-owner in a striding pose before three separate registers of workers who are weighing out and recording various items including gold rings. To the left side is a mirror image of the tomb owner, but with his palms held upward in a sign of adoration: