1090 Treffer anzeigen

Archivische Beschreibung
Joseph Bonomi Collection Einzelstück Englisch
Druckvorschau Ansicht

1090 Treffer mit digitalen Objekten Treffer mit digitalen Objekten anzeigen

Side of sarcophagus

Side of sarcophagus:
-pencil drawing on paper
-loose
-12.7 x 19.6 cm
-[on drawing] 'No. 726, side B, the side' (pencil note)
-[on drawing] 'y' / 'z' (pencil labels)

Sarcophagus

Sarcophagus:
-pencil sketch on paper
-12.9 x 13.3 cm
-loose
-[on sketch] 'DIOSCHORI ISIDORIS V A' (penicl note)

Four sketches of view and reliefs from a Roman tomb in Ghineh, near Ghazir (Lebanon), copy of a Greek inscription from a village nearby and copy of Latin inscription from Deir el-Kalaa (Lebanon)

Four sketches of view and reliefs from a Roman tomb in Ghineh, near Ghazir (Lebanon), copy of a Greek inscription from a village nearby and copy of Latin inscription from Deir el-Kalaa (Lebanon):
-inked pencil sketches on paper
-loose
-22.6 x 35.6
-[on sketch] 'Der el Kalla near Beyrout' (ink note)
-[on sketch] 'The first year of Trajan was 421 of Alexander's death.' (ink note)
-[on sketch] 'Inscription built into a wall over a door of a ruined house in a village called Kenna (?) near Gazir' (ink note; name of village in pencil)
-[on sketch] 'View of the Roman tomb near Gazir' (ink note)
-[on sketch] 'Bassorelievo in the tomb' (ink note)
-[on sketch] 'Bassorelievo in the tomb' (ink note)
-[on sketch] 'Bassorelievo in the tomb' (ink note)
-[on sketch] '3.1/3' / '5 1/4' (pencil note)

Side of sarcophagus

Side of sarcophagus:
-pencil drawing on paper
-loose
-12.8 x 19.5 cm
-[on drawing] 'No 708 B - the side' (pencil note, with '708' crossed out and remains of erased previous note)

Studies of feet

Studies of feet:
-ink and pencil sketches on card
-loose
-8.1 x 15.9 cm
-[on sketch] '31 Decem 1916' (ink note)

Architectural drawings of the Temple of Olympian Zeus at Agrigento, Sicily (Italy), with measurements

Architectural drawings of the Temple of Olympian Zeus at Agrigento, Sicily (Italy), with measurements:
-blue ink sketches on tracing paper
-loose
-49.4 x 44.2 cm
-[on sketch] 'Plan of half the Temple of Jupiter Olympius at Agrigentum.' (ink note)
-[on sketch] 'Length of side 369.5' (ink note)
-[on sketch] 'Length of End 182.8' (ink note)
-[on sketch] 'Windows' / 'Profile' (ink note)
-[on sketch] 'Centre not roof?' (ink note)
-[on sketch] 'Elevation within the Centre or nave.' (ink note)
-[on sketch] 'Section of outer wall Large scale.' (ink note)
-[on sketch] 'Elevation Large scale.' (ink note)
-[on sketch] 'Restoration of the Temple of Jup. Olympius Agrigentum' (ink note)
-[on sketch] 'with comparison of relative scale of Temple of Concord at Agrigentum & Parthenon at Athens.' (ink note)
-[on sketch] 'Temple of Concord Agrigentum.' (ink note)
-[on sketch] 'Parthenon at Athens.' (ink note)

Page of handwritten catalogue of Egyptian antiquities

Page of handwritten catalogue of Egyptian antiquities:
-ink text on paper
-loose
-16.0 x 31.6 cm
-[on verso] '66' (ink note)
-[on verso] 'Material' (ink note)
-[on verso] 'pieces of the dried stem of the Payprus Plant. - Such rolls of papyrus are made up of the fragments of papyri that are sometimes found about the mummy by the present inhabitants of Thebes. / This specimen was purchased at the sale of antiquities by Mr Sotheby. / Papyrus Roll - A Coptic and Greek roll of Papyrus unrolled by Mr Bonomi at Hartwell Sep. 3. 1847. Very imperfect - This is also one of the fabricated rolls. See No 3114 / Do - A hieratic and Coptic roll of papyrus, unrolled by Mrs Lee at Hartwell Sep 3. 1847. In the centre was a part of the stem of a reed which is preserved among the fragments in No 3102. / This roll like the two former was made up of fragments. Originally, perhaps, it may have been a Coptic book written over the more ancient Hieratic characters; or the fragments of all Hieratic manuscript have been ignorantly rolled up with some Coptic fragments by the present inhabitants of Thebes, to sell to travellers. / Pallet of a Painter, presented to me by R. Catherwood Esqre who brought it from Egypt in 1835. Mr C. had another Lot 229 of Mr Bartons collection of antiquities; and No 230; 231; and 232 consisted of Pallets of this description of two of which there are drawings July 1836. / This is a remarkably fine specimen 16 inches long and 2./8th wide. It has two circular cavities for the red and black pgiments, usually employed in writing, and likewise an inclined cavity for the reeds used as brushes. This instrument is seen in the hands of the scribes represented on the monuments: it served at once for a ruler, and sometimes a measure, besides its office of inkstand and penholder. penholder (crossed out) On the front at the top is the scribe making an offering and prayer to the judge of the Amenti (the region of the West) behind whom' (ink note; with '3114' and '3102' in pencil, and second 'penholder' crossed out)

England. London. Trafalgar Square. Nelson's Column.

Print of "Nelson's Column. Trafalgar Square. &c." in London (England), by J. Shury, published by J. Harwood, with addition of statue of Britannia and other statues in watercolour:
-print with watercolour (grey and brown) on paper
-mounted
-18.9 x 15.7 cm
-[on print] 'J. Shury. sculp' (printed note)
-[on print] '12, Gt Carter Lane, Doctors Commons.' (printed note)
-[on print] 'Nelson's Column. Trafalgar Square. &c.' (printed note)
-[on print] 'PLACE DE TRAFALGAR.' (printed note)
-[on print] 'DIE NELSON SAULE.' (printed note)

Four designs featuring the goddess Britannia

Four designs featuring the goddess Britannia:
-inked (red and black) pencil drawings on paper
-mounted
-25.3 x 33.6 cm
-[on drawing] 'BRITANNIA SACRIFISING AT THE SHRINE OF ART' (pencil note)
-[on drawing] 'BRITANNIA WELCOMING MINERVA' (pencil note)
-[on drawing] 'BRITANNIA REPLENISHING THE LAMP OF THE GENIUS OF ART' (pencil note)
-[on drawing] '"STET NOMINS UMBRA"' (pencil note)

Two angels flanking a door

Two angels flanking a door:
-pencil drawing on tracing paper
-mounted, together with Bonomi MSS 40.15 and 40.17
-24.5 x 12.8 cm
-[on drawing] 'JB' (pencil note)

Nude young Lapith holds a centaur's head from behind with his left; marble metope from the Parthenon (South metope XXVII) (London, British Museum, reg. 1816,0610.11 - BM Sculpture 316, 438-432 BC)

Nude young Lapith holds a centaur's head from behind with his left; marble metope from the Parthenon (South metope XXVII) (London, British Museum, reg. 1816,0610.11 - BM Sculpture 316, 438-432 BC):
-ink sketch on treated tracing paper
-loose, adjacent to Bonomi MSS 40.20
-27.8 x 21.9 cm

Figure from plate 11 of the Compositions from the tragedies of Aeschylus, designed by John Flaxman, engraved by Thomas Piroli, London (1795)

Figure from plate 11 of the Compositions from the tragedies of Aeschylus, designed by John Flaxman, engraved by Thomas Piroli, London (1795):
-ink and wash sketch on paper (remains of pencil)
-mounted, together with Bonomi MSS 40.21
-14.5 x 10.6 cm
-[on sketch] 'Flaxman's Eschilylus. Pl. 11.'

Circular design of Britannia replenishing the lamp of the genius of art, with annotations and sketches

Circular design of Britannia replenishing the lamp of the genius of art, with annotations and sketches:
-print on paper
-mounted
-20.9 x 24.1 cm
-[on print] 'no mouth see drawing' (pencil note)
-[on print] 'in' (pencil note) [different examples]
-[on print] 'out' (pencil note) [different examples]
-[on print] 'cut away' (pencil note) [different examples]
-[on print] 'ring lines all the same thickness' (pencil note)
-[on print] 'under' (pencil note)

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