Cropped sketch of a man's head profile:

• pencil sketch on paper
• loose
• 6.6 x 4.9 cm

Sketch of front and texts of front and sides of a headless sphinx of Amenophis III, found in the Palace of Diocletian in Split (Croacia) and now in Split, Archaeological Museum (TopBib vii.407):

• ink sketch on paper
• loose
• 14.7 x 9.3 cm

Crete. Island of Gavdos:

• watercolour on paper
• loose
• 12.7 x 7.5 cm
• [on watercolour] 'NE by E' (ink note)
• [on watercolour] 'E' (ink note)
• [on watercolour] 'Gozo of Candia 6 miles' (ink note)

Country house and garden, with sketches of three women:

• pencil and watercolour sketch on paper
• loose
• 36.5 x 26.7 cm

Country house:

• pencil sketch on paper
• loose
• 36.5 x 26.7 cm

Copy of a column of text from an unidentified Egyptian inscription, and individual hieroglyphs:

• pencil sketch on paper
• loose
• 10.3 x 12.6 cm

Copy of Greek inscription:

• pencil sketch on paper
• loose
• 31.6 x 16.0 cm

Composition with ancient Egyptian statue bust on pedestal and temple entrance with reliefs depicting the pharaoh:

• pencil sketch on tracing paper
• mounted, together with Bonomi MSS 49.17-22
• 11.5 x 19.5 cm

Composition with Classical(?) bust surrounded by enthroned Egyptian kings:

• pencil sketch on tracing paper
• mounted
• 11.0 x 19.8 cm

Composition with Classical(?) bust surrounded by Egyptian royal cartouches (Sesonchis, Alexander, Ramesses II, Ptolemy, Cleopatra and Khufu) and references to the twelve months of the year:

• pencil sketch on tracing paper
• mounted, together with Bonomi MSS 49.23 and Bonomi MSS 49.24
• 11.3 x 18.9 cm

Coloured lithograph of details from Greek vase by Nikosthenes discovered in Etruria, from the collection of the Marquess of Northampton; published on 23 April 1848 as plate XVI to illustrate "Observations by the Marquess of Northampton, Pres. R.S., F.S.A., upon a Greek vase discovered in Etruria, now in his Lordship's possession, bearing the name of the fabricator Nicosthenes", in Archaeologia: or, Miscellaneous tracts relating to antiquity, published by the Society of Antiquaries of London 32 (1847), p. 255-262:

• multi-coloured (orange, red, black) lithograph
• loose
• 24.3 x 29.4 cm

Coloured lithograph of Greek vase by Nikosthenes discovered in Etruria, from the collection of the Marquess of Northampton; published on 23 April 1848 as plate XV to illustrate "Observations by the Marquess of Northampton, Pres. R.S., F.S.A., upon a Greek vase discovered in Etruria, now in his Lordship's possession, bearing the name of the fabricator Nicosthenes", in Archaeologia: or, Miscellaneous tracts relating to antiquity, published by the Society of Antiquaries of London 32 (1847), p. 255-262:

• multi-coloured (orange, red, black) lithograph
• loose
• 24.4 x 29.7 cm

Colour-coded sketch of winged horses pulling two charioteers in profile, and beginning of meander pattern with water fowl below; probably fragment of painting on Attic or Italiote vase (Naples, not identified):

• pencil sketch on paper
• mounted
• 24.1 x 18.3 cm
• [on sketch] 'A red / B white / C black / D' (pencil note) [key to colours annotated in sketch]

Cityscape with mosques (not identified):
-pencil sketch on paper
-loose
-18.6 x 11.4 cm

Cityscape with foliage and human figure (not identified):

• pencil sketch on paper
• loose
• 22.8 x 18.2 cm

Circular design of Britannia replenishing the lamp of the genius of art, with annotations and sketches:

• print on paper
• mounted
• 20.9 x 24.1 cm
• [on print] 'no mouth see drawing' (pencil note)
• [on print] 'in' (pencil note) [different examples]
• [on print] 'out' (pencil note) [different examples]
• [on print] 'cut away' (pencil note) [different examples]
• [on print] 'ring lines all the same thickness' (pencil note)
• [on print] 'under' (pencil note)

Christ standing between two figures, possibly Saint Paul and Saint Peter:

• ink sketch on paper
• mounted, together with Bonomi MSS 40.11
• 11.2 x 10.1 cm
• [on sketch] 'as for example the Transfig the 3 cardinal virtues' (ink note)
• [on sketch] 'this plan' (ink note)

Chair designs:

• pencil sketches on paper
• loose
• 18.5 x 11.5 cm

Chair design:

• partially inked pencil sketch on paper
• mounted
• 18.8 x 22.8 cm
• [on mount] '8' (pencil note)

Chair:

• pencil sketch on paper
• loose
• 8.4 x 9.6 cm

Caryatid design:

• ink and pencil sketch on paper
• loose
• 18.8 x 22.8 cm

Cartouches of Ramesses II:

• pencil sketch/tracing on tracing paper
• mounted, together with Bonomi MSS 49.16-19 and Bonomi MSS 49.21-22
• 10.9 x 4.6 cm

Cartouches of Ptolemy VI Philometor, cutting from publication:

• print on paper
• mounted, together with Bonomi MSS 49.16-18 and Bonomi MSS 49.20-22
• 3.3 x 3.0 cm
• [on print] '236 / 235 / 23[4]' (printed note)
• [on print] 'PHILOMETOR' (printed note)

Cartouches of Amasis and Sethos I:

• pencil sketches
• partially mounted, together with Bonomi MSS 4.2 [Top and Middle]
• 6.3 x 9.9 cm
• [on mount] '2' (pencil note)

Cartouches of Amasis:

• pencil sketches on paper
• mounted, together with Bonomi MSS 4.3 [Middle and Bottom]
• 5.4 x 6.2 cm
• [on mount] '3' (pencil note)

[Top] Sketches of types of female figures; [middle] caricatures of man and woman; [bottom] caricature of man (perhaps Bonomi himself) by pyramid:

• ink and pencil sketches on paper, mounted on blue lined paper
• loose
• [top] 13.5 x 6.5 cm, [middle (folded)] 5.6 x 6.6 cm / [middle (unfolded)] 5.6 x 13.1 cm, [bottom] 12 x 7 cm (17.4 x 22 cm with mount)
• [on top sketch] 'La belle taille ronde' (pencil note)
• [on verso of middle sketches] calculations (pencil note)

Candlestick designs:

• pencil sketches on paper
• loose
• 10.0 x 15.4 cm

Camel caravan in grid:

• pencil sketch on tracing paper
• mounted, together with Bonomi MSS 49.12 and Bonomi MSS 49.13
• 17.4 x 10.9 cm

Camel caravan at rest:

• pencil sketch on tracing paper
• mounted, together with Bonomi MSS 50.24-26 and Bonomi MSS 50.28
• 11.1 x 6.5 cm

Camel caravan:

• pencil sketch/tracing on tracing paper
• mounted, together with Bonomi MSS 50.22
• 17.9 x 11.8 cm