Shepherd carrying lamb and Luke 15:5 verse
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Shepherd carrying lamb and Luke 15:5 verse:
inked pencil sketch on paper
loose, adjacent to page 1
7.5 x 12.3 cm
[on sketch] 'καὶ ἐὑρὼν ἐπιτίθησιν ἐπὶ τους / ωμους εἑαυτοῦ χαιρων / L 15 5' (pencil note) [translation: 'and when he has found it, he lays it on his shoulders, rejoicing']
Crouched putto sleeping
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Crouched putto sleeping:
pencil sketch on paper
mounted, together with Bonomi MSS 41.13 and Bonomi MSS 41.14
14.2 x 10.8 cm
[on mount] '4' (pencil note)
Murder of the sacred Apis bull by Cambyses II, with study of the king's hand
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Murder of the sacred Apis bull by Cambyses II, with study of the king's hand:
pencil sketches on paper
loose, adjacent to page 6
39.5 x 24.8 cm
[on sketch] 'No 8' (ink note)
[on sketch] 'Egyptian priests in despair.' (ink note)
[on sketch] 'The Bull dying' (ink note)
[on sketch] 'Persian king & attendants' (ink note)
The sacred Apis bull predicts the downfall of emperor Germanicus
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The sacred bull Apis predicts the downfall of emperor Germanicus:
inked pencil sketch on paper
loose, adjacent to page 11
37.0 x 22.3 cm
[on sketch] 'Germanicus consults the Bull Apis by offering him food' (ink note)
[on sketch] 'the Bull Apis returns an unfavourable answer to Germanicus by refusing to eat out of / his hands' (ink note)
Plato at Heliopolis discoursing on the immortality of the soul with Egyptians and Jews, with studies of scene and Jew
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Plato at Heliopolis discoursing on the immortality of the soul with Egyptians and Jews, with studies of scene and Jew:
pencil sketches on paper
loose, adjacent to page 11
37.0 x 22.6 cm
[on sketch] 'Plato at Heliopolis discoursing / on the Immortality of the Soul / with the Egyptians & Jews' (pencil note)
[on sketch] 'Trial Scene' (pencil note)
[on sketch] 'Jews' (pencil note)
[on sketch] 'Greek' (pencil note)
[on sketch] 'Plato' (pencil note)
[on sketch] 'Egyptians' (pencil note)
[on sketch] 'Neath the Great Mother' (pencil note) [continuation of note in Bonomi MSS 41.26 (verso)]
Mother reading with daughter
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Mother reading with daughter:
inked pencil sketch with pencil frame on paper
partially attached, together with Bonomi MSS 42.6
10.2 x 14.1 cm
[on sketch] 'JB' (pencil note)
Ewer and lamp design
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Ewer and lamp design:
pencil sketch on paper
mounted, together with Bonomi MSS 42.10
18.3 x 16.7 cm
[on sketch] 'PRUDENCE' (pencil note)
[on sketch] 'PR' (pencil note, erased)
[on sketch] '[P]RUD - ENCE' (pencil note, erased)
Standing man with staff
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Standing man with staff:
pencil sketch on paper
mounted
16.9 x 26.0 cm
Note on a marble statue in the collection of Dr Lee of Hartwell and on the artistic representation of the effects of alcohol in the human body (continuation), with two sketches of a big-bellied man
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Note on a marble statue in the collection of Dr Lee of Hartwell and on the artistic representation of the effects of alcohol in the human body (continuation), with two sketches of a big-bellied man:
pencil note on paper
loose, adjacent to Bonomi MSS 43.1
11.1 x 18.1 cm
[text] 'opportunities of delineating its effects / on the contour of the human fabric / from the constant exposure nature of the the costume (sic = custom) / X The of those days in the hot climates / of Greece and Egypt being seldom more / than a single piece of cotton or woollen / cloth which was thrown about the body / at the will or caprice of the wearer always most / generally leaving a considerable portion of its / surface to the action of light and air and / thus giving an opportunity to sculptor and painter to / make himself familiar with the configuration of the human body / under all circumstances and this is perhaps what made / them such masters of in the art of sculpture / and very early ...(?) X and as this beautiful / work ...(?) been it puortrays so faithfully / the effect of his soul(?) indulgence in alcohol / to this truth of which we are / all … … …(?) We scarcely need the aid / of the wine skin on which the figure is reclining in his / drunken offers(?) to inform us of the imbibe of the above in a salty eye the figure we need not the fulsome work of / to …(?) the abdomen scarcely covered scalp the ample beard / sufficiently'
Woman writing or reading
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Woman writing or reading:
pencil sketch on paper
mounted
18.7 x 22.0 cm
Male nude studies
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Male nude studies:
pencil and carbon sketches on paper
mounted
17.9 x 27.8 cm
Three architectural sketches
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Three architectural sketches:
pencil sketches on paper
mounted, together with Bonomi MSS 44.6 and Bonomi 44.7
18.8 x 12.0 cm
[on mount] '2' (ink note)
Personified Wednesday and two other days of the week as classical figures, profile view of heads
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Personified Wednesday (Hermes/Mercurius) and two other days of the week as classical figures, profile view of heads:
pencil sketches on paper
mounted, together with Bonomi MSS 44.5 and Bonomi 44.6
17.2 x 11.0 cm
[on sketch] 'Wednesday' (pencil note)
[on sketch] 'Lunedi v / Martedi v / Mercoledi v / Giovedi v / Venerdi / Sabbato'
[on mount] '2' (ink note)
Crete. Island of Gavdos.
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Crete. Island of Gavdos:
watercolour on paper
loose
12.7 x 7.5 cm
[on watercolour] 'NE by E' (ink note)
[on watercolour] 'E' (ink note)
[on watercolour] 'Gozo of Candia 6 miles' (ink note)
Emblem of Tyne Sailors' Home
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Emblem of Tyne Sailors' Home:
pencil drawing on tracing paper
loose
13.6 x 18.9 cm
[on drawing] 'ESTO PERPETUA' (pencil note)
[on drawing] 'SAILORS HOME' (erased pencil note)
[on drawing] 'TYNE SAILORS HOME' (pencil note)
[on drawing] '21 OCT 1856' (pencil note)
Design for Tyne Sailors' Home with Britannia
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Design for Tyne Sailors' Home with Britannia:
pencil drawing on tracing paper
loose
18.8 x 22.3 cm
[on drawing] 'TYNE / SAILORS / HOME' (pencil note)
Man with plumed helmet
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Man with plumed helmet:
pencil sketch on tracing paper
loose
8.2 x 18.8 cm
Woman pouring oil into a lamp
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Woman pouring oil into a lamp:
pencil sketch on tracing paper
loose
8.2 x 14.9 cm
[on verso] '280' (pencil note)