Syrian landscape with structure and tree
- Bonomi MSS 31.2 (recto)
- Pièce
Fait partie de Joseph Bonomi Collection
Syrian landscape with structure and tree:
- pencil sketch on paper
- loose
- 20.9 x 13.5 cm
- [on sketch] 'Syria' (ink note)
1177 résultats avec objets numériques Afficher les résultats avec des objets numériques
Syrian landscape with structure and tree
Fait partie de Joseph Bonomi Collection
Syrian landscape with structure and tree:
Fait partie de Joseph Bonomi Collection
Tabernacle or memorial design:
Temple doorway lintel, with winged sun-disk and hieroglyphic inscription (not identified)
Fait partie de Joseph Bonomi Collection
Temple doorway lintel, with winged sun-disk and hieroglyphic inscription (not identified):
Fait partie de Joseph Bonomi Collection
Handwritten text:
'If any man wants [?] {[?]} [?] of the truth of {the} [?]
here it isif he cannot find in history if he cannotfind it in his own heart or if refuses to seek for it then
became he wants an [?] not to look for it then
here is abundance say there books are only words which
[?] him another thing him [?] [?] being
subject to errors of various kinds the [?] of
[?] the [?] of [?] the [?]
of ad(d)itions for [?] of years and offer all
on oldest copy are not another is any
years old which years [?] [?] [?]
except it [?], and year [?] [?] first
year seeing the middle [?]
but is like a middle [?]
The [?] [?] on certainly managed to carry
The expression of age and fatigue of [?] and [?]
are the conclusion[?] the strenuous efforts'
Fait partie de Joseph Bonomi Collection
Text:
Text (22 lines) in cuneiform script with annotations, now in the British Museum (not identified)
Fait partie de Joseph Bonomi Collection
Text (22 lines) in cuneiform script with annotations, now in the British Museum (not identified):
Fait partie de Joseph Bonomi Collection
Text on church at Alnwick:
'The church at Alnwick a gothic building
once a beautiful and highly adorned
edifice but now from the injuditious
additions and alterations especially
that usual one of taking away
pillars in order to make the pulpit
more generally seen from all corners
of the church
thusby throwing two archesinto one thus
weakincreasing the lateral pressure endangering
the roof which perhaps on that
account
has been restored in theit was found
ornamental gothicnecessaryto restore in the side isles
however the original oak beams remain'
Texts in Arabic and part of column
Fait partie de Joseph Bonomi Collection
Texts in Arabic and part of column:
The Tenantry Column at Alnwick in Northumberland
Fait partie de Joseph Bonomi Collection
The Tenantry Column at Alnwick in Northumberland:
The sacred Apis bull predicts the downfall of emperor Germanicus
Fait partie de Joseph Bonomi Collection
The sacred bull Apis predicts the downfall of emperor Germanicus:
The sacred Apis bull predicts the downfall of emperor Germanicus, with bull's head detail
Fait partie de Joseph Bonomi Collection
The sacred Apis bull predicts the downfall of emperor Germanicus, with bull's head detail:
Fait partie de Joseph Bonomi Collection
Portfolio titled 'Thebes' (ink)
Pencil note: 'Medamoud, Karnak and Luxor' (almost certainly by Dr Moss)
Red pencil note at top right corner: encircled 'C' (reference to previous arrangement, almost certainly introduced by Dr Moss).
Fait partie de Joseph Bonomi Collection
Part of the funeral procession scene (dragging of the sarcophagus) in the passage of the Tomb of Amenemhet (TT 82) at Sheikh Abd el-Qurna, on the West Bank of Thebes (TopBib i2.165(10).III):
Fait partie de Joseph Bonomi Collection
Three architectural sketches:
Three designs featuring the goddess Britannia
Fait partie de Joseph Bonomi Collection
Three designs featuring the goddess Britannia:
Three designs featuring the goddess Britannia
Fait partie de Joseph Bonomi Collection
Three designs featuring the goddess Britannia:
Three designs from the life of Christ
Fait partie de Joseph Bonomi Collection
Three designs from the life of Christ:
Three designs of female figure pouring oil into a lamp and holding ewer and lamp
Fait partie de Joseph Bonomi Collection
Three designs of female figure pouring oil into a lamp and holding ewer and lamp:
Three designs of woman holding ewer and lamp (mirror views; one on recto, two on verso)
Fait partie de Joseph Bonomi Collection
Three designs of woman holding ewer and lamp (mirror views; one on recto, two on verso):
Three designs of woman pouring oil into a lamp (mirror views)
Fait partie de Joseph Bonomi Collection
Three designs of woman pouring oil into a lamp (mirror views):
Three designs of woman pouring oil into a lamp (two in mirror view)
Fait partie de Joseph Bonomi Collection
Three designs of woman pouring oil into a lamp (two in mirror view):
Three female figures with lyres
Fait partie de Joseph Bonomi Collection
Three female figures with lyres:
Three medieval (?) capitals of columns, two showing figures in relief
Fait partie de Joseph Bonomi Collection
Three medieval (?) capitals of columns, two showing figures in relief:
Three seated figures with four attendants
Fait partie de Joseph Bonomi Collection
Three seated figures with four attendants:
Fait partie de Joseph Bonomi Collection
Three sketches of man drinking water from amphora being held by woman (Classical) and sketch of Egyptian scene with a pharaoh and the god Seth:
Fait partie de Joseph Bonomi Collection
Three sketches of objects in the Hertz collection (hieroglyphic inscription of kohl pot, bronze statuette of classical goddess and amulet or seal) and squeeze of seal(?):
Three standing figures (probably women) appearing in audience before seated figure (probably man)
Fait partie de Joseph Bonomi Collection
Three standing figures (probably women) appearing in audience before seated figure (probably man):
Fait partie de Joseph Bonomi Collection
Three standing women presenting objects (including building and statue models) to seated female scholar:
Fait partie de Joseph Bonomi Collection
Three standing women presenting objects (including building and statue models) to seated female scholar:
Fait partie de Joseph Bonomi Collection
Three standing women presenting objects (including building and statue models) to seated female scholar: