Complete working papers, including notebooks, notes, card indexes, drawings of scenes and inscriptions, plans, slides, photographs, and correspondence.

Research papers
Includes relevant notes, concordances, photocopies, letters, emails, negatives, photographs, and small-scale tracings.

• Scarabs and seals.
• Brooklyn Museum scarabs and seals.
• New Kingdom reliefs.
• Valley of the Kings.
• El-Lisht.
• Tutankhamun shabtis.
• Amarna Royal Tomb/Necropolis.
• Research for articles.
• Photographs, letters and newspaper cuttings.
• Miscellaneous papers.
• Three photograph albums.

Slides
10,000+ slides, the majority created by Martin, 1960s onwards. They include archaeological sites in Egypt, reliefs and objects, rephotographed publication illustrations, and commercially-produced slides.

Framed watercolour
Watercolour painting, perhaps by Annie Quibell. The upper part of an angel is probably inspired by (or copied from) one of the paintings in the Monastery of Apa Jeremias at Saqqara.

KV57: tomb of Horemheb, Valley of the Kings
Includes research papers, a small box of photographs, and Martin's epigraphic drawings of Horemheb's sarcophagus.

Original epigraphic drawings and scanned reductions of originals

• Epigraphic drawings of loose Memphite blocks used for Vols. I and II of Martin's Corpus of Memphite Blocks. Vol. I, published. Vol. II, in preparation (info. August 2022).
• Reduced line drawings of reliefs from published Memphite New Kingdom tombs, including the tomb of Horemheb and possibly the tomb of Maya.
• Drawings without labels, not yet identified—some Amarna.

Large photographs
Includes the Step Pyramid complex and Unas Causeway, some taken from the summit of the Step Pyramid, or perhaps aerial photographs. Some show tomb reliefs.

Miscellaneous

• PhD dissertation, G. T. Martin (two bound volumes on scarabs and seals. The second volume has been published. The first volume is not published).
• Brooklyn Museum manuscript (bound unpublished manuscript for scarabs and seals in the Brooklyn Museum).
• Three photograph albums (photographs of sites, buildings and street scenes mostly in and around Cairo in 1942. The albums were given or bequeathed to Martin).
• Manuscript ("The Memphite Tomb of Horemheb. A Palaeography (Catalogue of Signs)". Unfinished).
• Photocopied line drawings (these are probably duplicates of a published set of line drawings from a known New Kingdom Memphite tomb or are from Vol. I of Martin's Corpus of New Kingdom Memphite Blocks).
• Three bound volumes (miscellaneous postcards, photographs, etc.).
• Amarna Royal Tomb Project (selected material, copies of graffiti, ostraca, etc., represents a small section of the information gathered by the team when Martin was Field Director).
• Memphite New Kingdom Prosopography (card index with the names and other details of known tomb owners and other officials mentioned in reliefs, paintings, statuary, etc., in or from around the Memphite cemeteries).
• Photographs, newspaper cuttings, letters etc. (including a letter from Lord Mountbatten of Burma, also newspaper cuttings from international papers, primarily referring to the discoveries of Horemheb and Maya and the relationship of these officials to Tutankhamun).

15 black and white photographs of well-known monuments. Photographs made for the project 'Sondermappe Bilder zur aegyptischen Kunst'.

Two albums. One labelled 'Scraps', which contains mainly photographs, only one of which shows Egypt (Pyramids and Great Sphinx at Gîza); the rest are British churches and historic buildings. The other album is labelled 'Post Card Album' and contains postcards showing French Prehistoric stone circles, megaliths, and chamber tombs, as well as excavations in progress.

Photographs, tracings and squeezes of Dodecaschoenus graffiti.

Various notes.

Slides, colour transparencies, 35 mm black & white and colour film slides, variously sized black & white negatives, black & white and colour photographs, 19th Century photographs, antique and modern postcards, and project folders containing working notes, photocopies and correspondence.

Journals, excavation records (Abu Geili, Jebel Moya, Saqadi, Dar el-Mek, etc.), indexes, maps, plans and photographs.

2,500 slides (35 mm), taken in 1962 and 1963 at sites in Egypt and in the Egyptian Museum, Cairo. Folder containing typewritten and handwritten lists/catalogues.

Negatives of Egyptian antiquities, scenes of daily life, and landscapes.

21 photographs. 13 of the Temple of Hibis at el-Khârga Oasis, and 8 of the Temple of Deir el-Hagar at el-Dâkhla Oasis.

Negatives, mainly connected with the tomb of Tutankhamun. Same as TAA ii.4.1-61.

Complete papers, including notes, drafts, lectures, annotated photocopies and notebooks.

181 paper squeezes
Arranged in five original portfolios containing mounted squeezes, one package containing loose squeezes, and one metal plaque/plate (kept in package with squeezes). These squeezes were made from scenes in three tombs at Thebes: the pharaoh Sethos I (KV 17) and two high-ranking officials, Khaemhet (TT 57) and Paser (TT 106). The squeezes were almost certainly produced and sold as tourist 'souvenirs'. Revd Stobart acquired the paper squeezes during his visit to Egypt in 1854-5.

The squeezes are catalogued as part of the Griffith Institute Squeezes Collection and numbered Griffith Institute Squeezes 4.1-106.

Metal plaque/plate
The plaque measures approximately 36 cm x 25.5 cm and has Coptic text in the Bohairic dialect written on both sides; the lettering was possibly originally painted or inked but is now faded or has peeled/flaked off. A small hole at one edge may indicate that the plate was hung initially, which could relate to the practice of Coptic texts being written on plates and displayed in monasteries. The text on

The text on the better preserved of the two sides, is a Bohairic thanksgiving prayer: ⲉⲑⲃⲉ ⲫⲁⲓ ⲧⲉⲛϯϩⲟ ⲟⲩⲟϩⲧⲉⲛⲧⲱⲃϩ ⲛ̀ⲧⲉⲕⲙⲉⲧⲁ̀ⲅⲁⲑⲟⲥ ⲡⲓⲙⲁⲓⲣⲱⲙⲓ: ⲙⲏⲓⲥ ⲛⲁⲛ ⲉⲑⲣⲉⲛϫⲱⲕ ⲉ̀ⲃⲟⲗ ⲙ̀ⲡⲁⲓⲕⲉⲉ̀ϩⲟⲟⲩ ⲉⲑⲟⲩⲁⲃ ⲫⲁⲓ: ⲛⲉⲙ ⲛⲓⲉ̀ϩⲟⲟⲩ ⲧⲏⲣⲟⲩ ⲛ̀ⲧⲉ ⲡⲉⲛⲱⲛϧ: ϧⲉⲛ ϩⲓⲣⲏⲛⲏ ⲛⲓⲃⲉⲛ ⲛⲉⲙ ⲧⲉⲕϩⲟϯ. ⲫⲑⲟⲛⲟⲥ ⲛⲓⲃⲉⲛ: ⲡⲓⲣⲁⲥⲙⲟⲥ ⲛⲓⲃⲉⲛ: ⲉ̀ⲛⲉⲣⲅⲓⲁ̀ ⲛⲓⲃⲉⲛ ⲛ̀ⲧⲉ ⲡ̀ⲥⲁⲧⲁⲛⲁⲥ: ⲡ̀ⲥⲟϭⲛⲓ ⲛ̀ⲧⲉ ϩⲁⲛⲣⲱⲙⲓ ⲉ̀ⲩϩⲱⲟⲩ ⲛⲉⲙ ⲡ̀ⲧⲱⲛϥ ⲉ̀ⲡ̀ϣⲱⲓ ⲛ̀ⲧⲉ ϩⲁⲛϫⲁϫⲓ ⲛⲏ ⲉ̀ⲧϩⲏⲡ ⲛⲉⲙ ⲛⲏ ⲉ̀ⲑⲟⲩⲱⲛϩ ⲉ̀ⲃⲟⲗ. Ⲁⲗⲓⲧⲟⲩ ⲉ̀ⲃⲟⲗ ϩⲁⲣⲟⲛ etc. Info. Alin Suciu, 19/11/2024, see https://www.facebook.com/share/p/15V2DmnTAB/.

450 negatives of Egyptian sites and monuments, taken before 1914.

Photographs of foreigners as represented on various Egyptian monuments.

158 colour slides (35mm) of Theban Tomb scenes, made in Thebes in 1953-4.

Some 250 facsimile copies of graffiti and ostraca found by E. Naville at Deir el-Bahari, probably mostly in the Hathor-cow Chapel, in 1906-7.

Two notebooks

• Diary with brief retrospective entries dated 6th January 1920 to 13th January 1939.
• Notebook containing Dawson's list of his publications, 1903 to 1936.

Three A4 folders containing an unpublished annotated typescript of a monograph on the constellations of the Babylonian and Egyptian sphere and their modifications by the Greeks of the Achaean period.

Plans, tracings, and photographs made in TT 55, 92, and 97.

Notes collected on Hierakonpolis (The Hierakonpolis finds). Consists of handwritten notes made by M. A. Murray, typescript, and additional notes in a different hand.

Two albums containing approximately 460 black and white photographs taken by various members of the IFAO team during excavations at Deir el-Medîna during the 1920s and 30s. Photographs interspersed with some notes and drawings.

Typescript in 12 folders with a complete synopsis of Theban tomb scenes, as well as three letters.

Notebook containing the transcription and notes on papyrus Reisner I.

Two portfolios containing drawings and plans, and three illustrated notebooks.

Items which cannot be incorporated into other GI series. E.g. plates from early Egyptological publications, maps, casts, film and postcards.

(a) 20 folders containing handwritten notes, pencil drawings, negatives, photographs, and postcards of furniture from the tomb of Tutankhamun (= MSS 1-20) (1935).
(b) 18 folders containing notes, drawings, negatives and photographs of thrones, chairs, stools and footstools mainly from the Egyptian Museum in Cairo (1935) and the British Museum in London (1936), as well as from other collections, and material gathered from publications; 1 index card box with Segal's reference notes for his furniture records; and letter from T. G. H. James to M. Eaton-Krauss regarding Segal correspondence in the British Museum along with photocopies of the letters.