Collection of antiquities and miscellanea collected by Miss Lane during her trips, including stone wall fragments, some with remains of decoration, Greek and Egyptian pottery fragments (modern and ancient), rough pottery oil lamps, shells, botanical specimens, strings of mummy beads, a decorated wooden spoon with an inscription to Miss Lane, a fabric sample and an ink well in the form of a boat.
Album of watercolours, drawings, and tracings of Egypt produced close to the end of Lloyd's life. It is a folio volume (33 x 44 cm, pages 32.7 x 43 cm), containing 135 watercolours and drawings (74 of which are full-page and 1 folding) and 10 tracings (8 folding). They are all mounted and most are captioned either on the image itself or on the mount. Captions on the mount seem to have been added when the album was put together after Lloyd's death. The album also contains a loose watercolour, a loose drawing and a loose lithographed portrait of George Lloyd by Prisse d'Avennes, who published it in his Oriental Album: Characters, Costumes and Modes of Life in the Valley of the Nile (1848). One of the drawings in the album is a pencil portrait of Lloyd sketched by Prince A. Soltykoff.
Photograph taken in early 1923, date of postcard not known.
Captioned 'Exploitation of Tout-Ankh-Amon's Tomb'.
Howard Carter (right) and Arthur Callender (left) carrying a tray of objects from the Antechamber of Tutankhamun's tomb. Objects include two footstools (78) and (84) and a rounded box of ebony and redwood veneer (79).
Part of a set of six photographs all taken by James Deardon Holmes (1873-1937), showing the backfilled entrance to Tutankhamun’s tomb in 1925. Each of these photographs represents one-half of a miniature stereoscopic image.
Part of a set of six photographs all taken by James Deardon Holmes (1873-1937), showing the backfilled entrance to Tutankhamun’s tomb in 1925. Each of these photographs represents one-half of a miniature stereoscopic image.
PDF with scans of four typewritten pages from the Holmes Stereoscopic Catalogue typescript with the section listing photographs taken by Deardon Holmes in Egypt including the Tutankhamun photographs.
Complement to a set of six photographs all taken by James Deardon Holmes (1873-1937), showing the backfilled entrance to Tutankhamun’s tomb in 1925, see TAA ii.6.65-70. Each of these photographs represents one-half of a miniature stereoscopic image.
The photograph was probably taken in early 1923; the production date of the postcard is not known, but it was almost certainly in the 1920s.
Members of the Egyptian team manoeuvring a large carrying tray out through the entrance to the modern enclosure wall constructed shortly after Tutankhamun's tomb was discovered. The team are carrying two black shrine-like boxes (Carter 37) and (Carter 38) and a gabled-roofed box (Carter 32), transporting them from the tomb's Antechamber to the Laboratory.
The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
Two Egyptian team members carrying a white chest (Carter 50) up the rock-cup steps leading out of Tutankhamun's tomb, with Howard Carter assisting (head visible behind the left shoulder of the man at the front). This chest contained many items of Tutankhamun's wardrobe.
The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
(Carter 116)
Howard Carter (second from right, striding, wearing a hat with a black band) accompanying the wooden portrait figure of Tutankhamun (the so-called "mannequin"; Carter 116), which is carried by an Egyptian member of the team transporting the object to the "Laboratory" tomb (KV 15, of Sethos II) for cleaning and conservation.
Also present in the photograph is Lord Carnarvon (sitting on the wall at the far left), who watches as the group passes by. The man walking to the left of the Earl is Arthur Weigall (dark hat with a darker headband), a former Egyptian Antiquities Service Inspector now engaged as a journalist reporting on the excavation. The other Europeans present here are also journalists or tourists.
The portrait bust of Tutankhamun [Carter 116] was found in the tomb's Antechamber. The King is portrayed wearing a yellow flat-topped crown featuring the centrally positioned uraeus on the crown's temple band. The King also wears a close-fitting white garment.
The bust's purpose is unclear, but it probably displayed part of the King's regalia. A recent proposal is that it may have been originally used for supporting and storing the King's gold corset (Carter 54k) in the tomb. When thieves ransacked the tomb in antiquity, these robbers likely removed the corset from the bust before breaking the heavy regalia into smaller, portable pieces.
The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
(Carter 116)
An Egyptian team member carrying the wooden portrait figure of Tutankhamun, the so-called "mannequin", from the King's tomb to the nearby "Laboratory" tomb (KV 15, of Sethos II) for cleaning and conservation.
The portrait bust of Tutankhamun [Carter 116] was found in the tomb's Antechamber. The King is portrayed wearing a yellow flat-topped crown featuring the centrally positioned uraeus on the crown's temple band. The King also wears a close-fitting white garment.
The bust's purpose is unclear, but it probably displayed part of the King's regalia. A recent proposal is that it may have been originally used for supporting and storing the King's gold corset (Carter 54k) in the tomb. When thieves ransacked the tomb in antiquity, these robbers likely removed the corset from the bust before breaking the heavy regalia into smaller, portable pieces.
The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
Four Egyptian members of the excavation team carrying trays of objects from Tutankhamun's tomb, escorted by Arthur Callendar (on left, wearing a pith helmet) and armed guards. The men at the front transport a wheel from one of the King's chariots, followed by two men, each carrying a tray containing smaller items, including a reed basket or tray (Carter 119) with partitions.
Twelve photographs, all black and white, of various objects from the tomb of Tutankhamun. All made by the Egyptian Museum, Cairo. Perhaps created in the 1940s or 1950s.
Complete set of three volumes of Howard Carter's popular account of the discovery and excavation of Tutankhamun's tomb, all first editions, no dust jackets:
Carter, Howard and Mace, A. C. 1923. The Tomb of Tut.ankh.Amen Volume 1 [discovery, Antechamber and opening of the Burial chamber]
Carter, Howard 1927. The Tomb of Tut.ankh.Amen Volume 2 [Burial chamber, opening the sarcophagus, the state chariots, opening of the three coffins and examination of Tutankhamun's mummy]
Carter, Howard 1933. The Tomb of Tut.ankh.Amen Volume 3 [Treasury and Annexe]
Cigarette card (2 copies) issued by Churchman's Cigarettes from the set titled: 'Treasure Trove: A Series of 50' (1937).
No. 28: 'The Gold Coffin of Tut-Ankh-Amen'.
Painted version based on Harry Burton photograph P0770.
Howard Carter and an Egyptian team member examine the lid of Tutankhamun's innermost coffin (255). This coffin was made of solid gold, with incised decoration inlaid with coloured glass and semi-precious stones.
Cigarette card issued by Churchman's Cigarettes from the set titled 'World Wonders: Old and New: A Series of 50' (c. 1955).
No. 11: 'Tutankhamen’s Tomb, Egypt'.
Painted version based on an unidentified media photograph. The original photograph was taken on 27 December 1922.
View of Howard Carter (lighter coloured hat with black band) watching Arthur Mace (dark hat) and an Egyptian colleague transporting Tutankhamun's painted box from the King's tomb to the nearby 'laboratory' (KV15, tomb of Sethos II).
Copy of Davies, Nina M. and Gardiner, Alan H. 1962. Tutankhamun’s painted box: reproduced in colour from the original in the Cairo Museum. Artwork by Nina M. Davies, with explanatory text by Alan H. Gardiner, published by Oxford University Press for Griffith Institute, Oxford [OEB 8995].
London Underground advertisement produced in the 1970s.
Daltons Weekly, for property, and no mistake: ‘Yes, it is odd living in the tomb of Tutenkhamen… but we thought the agent said a room in Tooting Common…’
![Transporting Tutankhamun's "mannequin" [1]](/uploads/r/null/c/6/9/c6989faf4715475b8610a391b2f70fa89105333f6c3010bf5513e38d1be0ac67/TAA_ii_6_81awm_142.jpg)
