View of the Pyramid of Snefru at Meidum (TopBib iv.89):

• pencil sketch on paper
• loose
• 12.1 x 4.9 cm

View of the upper part of the Great Sphinx at Giza (TopBib iii2.35):

• pencil sketch on paper
• loose
• 21.8 x 24.8 cm
• [on sketch] encircled '2' (pencil note, almost certainly by Dr Moss)

'Egypt in Tears'. Encircled design of kneeling woman holding a flower in front of Pyramid complex at Giza, and studies of hands, flower, column and legs:

• pencil sketches, pencil and brown watercolour drawing (woman) and inked sketch (hands) on paper
• loose
• 18.4 x 22.6 cm
• [on sketches] 'Au' (pencil note)
• [on verso] 'EGYPT IN TEARS' (pencil note)

Pattern of an ancient Egyptian sandal:

• paper cut-out
• loose
• 30.2 x 11.4 cm
• [on cut-out] 'Pattern of an ancient Egyptian Sandal' (pencil note)

Notes (continuation) on the wooden sarcophagus and two coffins of Ir, Dyn. XXVI, from Thebes, formerly in Salt and Amherst collections, current location not known (TopBib i2.835):

• ink text on paper
• loose
• 20.6 x 33.2 cm
• [text]:

'The [V39] hieroglyphic represents the fastening of the

belt worn by the Gods and Kings round the waist

The [R11] hieroglyphic in the upper part of the

staff carried by the Divinity Pthath only

The age of the Sarcophagus is apparently

discovered settled by Mr Sharpe's discovery *

namely after the the time of the Persian

rule with which time the style of the hieroglyphics

agree

Mr Sharpe also remarks the [X1\:X1-Q1] for the

more ancient forms [X1\:H8-Q1]

X See Mr Sharpes notes

The drawing of the heads of the different figures

on all three of the Cases show that they were

all three decorated by the work of the same artist in all

of them there is a remarkable protrusion of the

lips. This remark does not apply to the sculptured

heads on the 2d and 3d case and therefore thus the

Sculptor and painter were not the same person

as there is abundant proof I Bonomi to show in other

monts'

[Upper] Top and side views of knob inscribed with the cartouches of Amenhotep III, not identified, with measurements; [lower] sketch of a box, not finished:

• ink (blue and black) drawings and pencil sketch on paper
• loose
• 20.7 x 22.6 cm
• [on drawing] '1 " 9/10' (black ink note)
• [on drawing] '1 " 6/10' (black ink note)

Two views of chairs from Thebes, with measurements:

• pencil and watercolour (black, grey and red) sketches on paper, with pricked marks for pouncing technique
• loose
• 20.9 x 30.3 cm
• [below sketches] 'Ancient Chair. / found at Thebes / Egypt' (black ink note)

Note identifying the owner of the Egyptian amulets reproduced on Bonomi MSS 3.9 (recto):

• pencil note on paper
• loose
• 29.6 x 22.8 cm
• [text]: 'Dr Lee's / Antiquities (underlined)'

A Hereditary prince, Count, etc., upper part of statue, right side of the face and left shoulder damaged, with the cartouches of Psammetikhos I on shoulders, basalt, temp. Psammetikhos I, formerly in J. Lee and Lord Amherst collections and at Sotheby's in 1921, current location not known (TopBib viii.801-763-510):

• blue and green watercolor and pencil sketch on paper
• loose
• 16 x 22.1 cm

Tiles with rosette / flower designs:

• light blue, dark blue, yellow and magenta watercolour on paper
• loose
• 21.3 x 26.7 cm

Tiles with rosette / flower and geometric designs, not finished:

• pencil sketches with blue, green, yellow and magenta watercolour on paper
• loose
• 21.3 x 26.7 cm

[Upper left] sketch of inscribed metal vase, with copy of inscription, not identified; [lower left] incomplete sketch of sistrum, not identified; [right] copy of inscription with prenomen of Necho II:

• pencil sketches and copies on paper, mounted on blue lined paper
• loose
• 6.5 x 12.8 cm (6.7 x 13.1 with mount)