View of the Eighth and Ninth Pylons of the Great Temple of Amun at Karnak, with the Pylon of the Temple of Khonsu in the background:
watercolour
mounted
35.5 x 26.1 cm
[on mount] 'Temple of Khons. / near the Great Hypostile, Karnac.' (ink note)
[on mount] '49' (pencil note)
[on verso of watercolour] 'Temple of Khons and the Pylon of Horus and Thothmes 2nd. / From of S entrance of the Great Hypostyle. Karnac. / 30th May 1843.' (pencil note)
The young princess Neferubiti, daughter of Tuthmosis I and Queen Ahmosi, wearing a side-lock and diadem and carrying a lotus-flower, from Room X preceding the Sanctuary in the Great Temple of Hatshepsut at Deir el-Bahari:
pencil drawing
mounted
25 x 34.9 cm
[on recto of drawing] 'Sotennofrä. / Temple of Assasief / Thebes. 27th July 1843.' (pencil note)
[on mount] encircled '1' (pencil note)
[on verso of drawing] 'Sotennofrä the daughter of Thothmes the first. / from a high relief in the temple of Assasief. / Thebes. 27th July 1843.' (pencil note) -[on verso of drawing] 11 lines of text <difficult to read - not transcribed here> (pencil note)
The young Amenhotep II seated on the lap of the royal nurse Amenemopet and holding captives, from a scene of the tomb of Amenemopet's son, Kenamun (TT 93), temp. Amenhotep II, at Sheikh Abd el-Qurna in Thebes: -pencil drawing
mounted
24.9 x 34.9 cm
[on recto of drawing] 'Amenophth 2nd and Ramaithä / Tomb 33. 17th July 1843.' (pencil note)
Thutmosis III, accompanied by his ka, purifying ithyphallic Amun-Re with water, scene from the Festival Temple (Akhmenu) in the Great Temple of Amun at Karnak (specific scene not identified):
pencil drawing
mounted
35.5 x 26 cm
[on mount] 'Thothmes 3d from the Palace Karnac' (pencil note)
[on mount] '7' (pencil note)
[on verso of drawing] 'Thothmes 3rd / From a bas relief in the private apartments of the Palace / of Thothmes 3rd. Karnac 5th July 1843.' (pencil note)
A group of eight captives, detail from the battle against the sea-peoples, from a scene on the North side of the outer face of the exterior wall of the Great Temple of Ramesses III at Medinet Habu:
Ramesses III shooting on foot and trampling enemies, accompanied by a group of archers and a fan-bearer, detail from the battle against the sea-peoples, from a scene on the North side of the outer face of the exterior wall of the Great Temple of Ramesses III at Medinet Habu:
Seti I holding nemset-vase and hdn-plant ('in bringing the foot' rite), remains of a scene in the interior wall of the Hypostyle in the Great Temple of Amun at Karnak:
pencil drawing
mounted
25.9 x 35.4 cm
[on recto of drawing] 'Menephthah 1st.' (pencil)
[on mount] 'In the Hypostile Hall Karnac.' (pencil note)
[on mount] '10' (pencil note)
[on verso of drawing] 'Menephthah 1st. / From a bas relief in the NE. interior angle of the / Great Hypostyle Hall / Karnac. / 6th July 1843.' (pencil note)
Five female musicians playing the harp, lute, double-pipe, lyre and tambourine, accompanied by a small female dancer, from a scene in the tomb of Amenhotep-si-se (TT 75), temp. Thutmosis IV, at Sheikh Abd el-Qurna in Thebes:
pencil drawing
mounted
35 x 24.9 cm
[on recto of drawing] 'Tomb near 17. / 1st Sept 1843.' (pencil note)
[on mount] '12' (pencil note)
[on verso of drawing] 'Female Minstrels. / Tomb to which there is a forced passage from / No 17. / 1st Sept / 2nd Sept / } / 1843. / With exception of the first face on the left, all the others have been / carefully injured. I have restored these. The date of the tomb / I do not know, but it is probably about Amenophth 3rd. The / paintings are very badly done, and the tomb is unfinished. / The colours however are very fresh. There is in this as in other / tombs different colours for the females. The harper is yellow, / but the next woman is rather copper coloured, so is the / little girl, and the lute player. Were they women from the / Upper country, brought expressly for their national instru / ments? The girdle was not confined to the Upper country / women. Sotennofrä wears it.' (pencil note)
Head of a Napatan king, probably Taharqa, detail from a scene on a column, perhaps from the Colonnade of Taharqa in the Temple of Amun-Re-Harakhti in the precinct of the Great Temple of Amun at Karnak:
pencil drawing
mounted
26 x 35.5 cm
[on recto of drawing] 'Tahrato. / On a column near the Eastern Pylon. Karnac. / 17th June 1843. / G Ll.' (pencil note)
The upper part of Seti I, detail from a battle scene showing the king mounting his chariot and dragging captives and Hittite chariots, on the North side of the exterior wall of the Hypostyle in the Great Temple of Amun at Karnak:
pencil drawing
mounted
35.3 x 26 cm
[on mount] 'Oseirei or Menephkak 1st Great Hypostile Karnac.' (pencil note)
[on mount] '15' (pencil note)
[on verso of drawing] 'Osirei, or Menephthah 1st / From the large bas reliefs on the / N part of the Great Hypostyle. Karnac. / 13th May. 1843.' (pencil note)
Upper part of Shabataka offering bread, detail from a scene showing the king offering bread to Amun and Mut, from the Chapel of Amun in the precinct of the Great Temple of Amun at Karnak, and now in Berlin, Ägyptisches Museum, 1480:
pencil drawing
mounted
26.1 x 35.5 cm
[on recto of drawing] '17th May 1843. Shebek. Small temple N of the pool of Purifications. Karnac.' (pencil note)
Statue of Queen Teye next to the right leg of the southern colossus of Amenhotep III (Memnon Colossi), in the Mortuary Temple of Amenhotep III at Thebes:
pencil drawing
mounted
24.9 x 35 cm
[on recto of drawing] 'Taia. / 8th Aug: 1843.' (pencil)
[on mount] 'The Wife of Amenophth 3rd. Height about 18 ft.' (pencil note)
[on mount] '17' (pencil note)
[on verso of drawing] 'Taia the wife of Amenophth 3rd / From the S. colossal statue. Gurna. / The other statue is the Memnon. 8 Aug. 1843 / The height of this beautiful and unfortunately / mutilated figure is about 18 ft.' (pencil note)
Woman carrying a menat and floral a bouquet, detail of a scene from an unidentified tomb at Thebes:
pencil drawing
mounted
25 x 34.9 cm
[on mount] 'From a Tomb.' (pencil note)
[on mount] '18' (pencil note)
[on verso of drawing] 'From a tomb to the N. perhaps No 5. or / near it. / 11 July 1843. / The paintings are stiff but the style is not bad. / The details are very much worked out. All the / heads of the women were effaced, it is said by / Mr. Hay's draughtsman. I have restored the face, the / band round the head, and the feet.' (pencil note)
Scribes counting the hands and phalli of slain Libyan enemies, from a battle-scene in the Second Court of the Great Temple of Ramesses III at Medinet Habu:
Merytre holding a Hathor-head sistrum and menat, detail from a scene on the right (North) thickness of the entrance to the Hall of the tomb of Merytre's husband, Neferhotep (TT 49), probably temp. Ay, at El-Khokha in Thebes:
pencil drawing
mounted
25 x 34.9 cm
[on mount] 'C. 2. / Tomb near a Assasief / 26th July 1843.' (pencil note)
Hatshepsut carrying a staff and a mace, detail of a scene depicting Hatshepsut presenting offerings to Hathor and Tjenenet, on the West Wall of Side-room XII of the Sanctuary in the Great Temple of Hatshepsut at Deir el-Bahari:
pencil drawing
mounted
25 x 34.9 cm
[on recto of drawing] 'Amenenthä. Assasief. 27th July 1843.' (pencil note)
Seated Queen Ahmose, wife of Tuthmosis I and mother of Hatshepsut, detail of a scene from a niche in Room X preceding the Sanctuary in the Great Temple of Hatshepsut at Deir el-Bahari:
pencil drawing
mounted
25 x 35 cm
[on recto of drawing] 'Amensä. El Assasief. 27th July 1843.' (pencil)
