Arched structure (not identified):

• pencil sketch on paper
• mounted
• 8.4 x 12.5 cm

Arched monument with two figures, surmounted by cross:

• pencil sketch on paper
• loose
• 11.3 x 15.9 cm

Ape, basalt, temp. Nektanebos II, found in Rome, Iseum, now in Rome, Museo Capitolino, Inv. 32, 26 (5, 11)

Caption copied by Černý in Petrie MSS 3.2: 'Tahuti blinded by electricity! Rome'.

Ape, basalt, temp. Nektanebos II, found in Rome, Iseum, now in Rome, Museo Capitolino, Inv. 32, 26 (5, 11).

Caption copied by Černý in Petrie MSS 3.2: 'Tahuti. Rome'.

Portfolio titled 'Antiques in / Lord North's Collection / JB.' (ink)
Pencil notes: 'Sketches from the Antiques / Ld North's Collection / Complete'.

Portfolio titled 'Antiques Various JB.' (ink)
Pencil note: '2'
Ink table of contents (not complete) on piece of paper partially glued to cover:

• '1 Halicarnassus frieze part of / CL'
• '2 Tracing from Halicarnassus frieze part of / CL'
• '3 Tracing from Halicarnassus frieze / CL'
• '4 Halicarnassus frieze part of / CL'
• '7 Camera lucida drawing of an antique figure at Malta'
• '8 Camera lucida sketch Elgin frieze / two figures'
• '9 Camera lucida sketch Elgin frieze'
• '10 Camera lucida Townley cariatedes canefora'
• '11 Camera lucida. Profile of the the Townley basket bearer'

Pencil / inked pencil notes partially covered by piece of paper glued to cover: 'Antique Dress / Not Complete / Vol.'.

Portfolio titled 'Antiques / Various. / JB' (ink).

Portfolio titled 'Antiques Naples / JB.' (ink)
Pencil notes: 'Antiques Naples / Complete'.

Portfolio titled 'Antique Dress / JB / III.'.

Portfolio titled 'Antique Dress / JB / II.' (ink)
Pencil notes: 'Complete / Antique Dress / Complete / Vol 2'.

Portfolio titled 'Antique Dress / JB. / I.' (ink)
Pencil notes: 'Complete / Antique Dress / Complete / Vol / 3 Nos'.

Animal-shaped vase and a bed, pottery, not identified, now in Turin, Museo Egizio.

Caption copied by Černý in Petrie MSS 3.2: 'Vase in form of a dog. Early greek? / Pottery couch T'.

Animal coffin in the form of an obelisk, dedicated by Harsiesi, wood, Late Period, provenance not known, now in Turin, Museo Egizio, Cat. 2407.

Caption copied by Černý in Petrie MSS 3.2: 'Wooden obelisk of [Ḥrw-sȝ-ȝst] T'.

Angel holding ewer and lamp with flower:

• ink sketch on paper
• loose
• 11.3 x 7.5 cm
• [on sketch] 'Implement / as drawn / in Proof (underlined) / is quite / correct.-' (ink note)

Angel carrying child:

• pencil sketch on paper
• loose
• 18.1 x 22.9 cm

Angel and three other figures kneeling:

• pencil sketches on paper
• loose
• 9.1 x 7.2 cm
• [on sketch] 'JB' (pencil note)

Angel and three cloaked, hooded female figures:

• sketch on paper
• loose, adjacent to Bonomi MSS 40.1
• 18.4 x 11.4 cm

-Loose note with a list of names of kings, dynasty, and photograph reference number:
'Ancient Portraits'.

Anatomical study (ribcage with shoulder):

• ink and pencil sketch on paper
• loose
• 18.2 x 22.7 cm
• [on sketch] 'vertebrae of neck' (pencil note)
• [on sketch] 'R sternum' (pencil and ink note)
• [on sketch] 'clavicle H' (ink and pencil note)
• [on sketch] 'C. acromiun of scapula' (pencil note)

Anatomical studies (ribcage, shoulder and humerus):

• inked pencil drawings with ink wash on paper
• loose
• 18.2 x 22.7 cm
• [on drawing] 'S. Vertebrae of Neck - / C. Acromiun of Scapula - / H. Clavicle - / R. Sternum - / f. Head of Humerus - / K Humerus' (ink note)

Amulets and trial-pieces, not identified, now in Turin, Museo Egizio.

Caption copied by Černý in Petrie MSS 3.2: 'Small pectorals / Glazed plaques [drawing] and eye T'.

Over one thousand colour slides (group III), several hundred black and white photographs (group II), and correspondence (group I).

• Album of drawings and watercolours made during Amelia Edwards's visit to the Dolomites.
• Album of drawings and watercolours made during her visit to Egypt in 1873-4.
• Album with 26 pencil sketches and one watercolour titled 'Small Egyptian Scraps, 1874', made during same visit to Egypt.
• Album, notebook, packet containing an assortment of drawings, letters, and notes, another packet contains copies of deeds and accounts issued following her death.
• Two watercolours of the temples on Philae island, assumed to have been painted by A. Edwards.
• First edition of Amelia B. Edwards, Pharaohs, Fellahs and Explorers (1891); Kate Griffith's (née Bradbury) copy, with handwritten dedication to ‘My Katie - Novr. 1891 - A.B.E’.

Alternative cover inside, titled 'Various Sites / & / Uncertain / in Syria'.

Altar-base, black granite, Dyn. XXVI, provenance not known, now in Turin, Museo Egizio, 22053 (Cat. 1750).

Caption copied by Černý in Petrie MSS 3.2: 'Altar of [Mrjj-Rʿ] Turin'.

Alpine landscape:

• watercolour on paper, mounted on paper
• loose
• 16.2 x 22.4 cm (21.1 x 29.2 cm with mount)

Alnwick Fountain and continuation of text on church at Alnwick:

• ink sketch and text on paper
• loose
• 15.7 x 11.5 cm
• [on sketch] 'Fountain Alnwick' (ink note)
• [text]:

'The roof of the nave was

restored in 1781 owing no doubt

to its threat(e)ning an invasion

of the pavement from the walls

injuditious alteration

having been weakened by throwing

2 arches into one in order to

x(?) the exhibit the x(?) pulpit to

all the people in every corner

of the church the (?)'

Pompey's Pillar at Alexandria:

• unfinished watercolour with pencil details
• mounted, together with Lloyd MSS 027
• 17.7 x 25.8 cm
• [on mount] 'Pompeys Pillar Alexandria.' (ink note)
• [on mount] encircled '28' (pencil note)
• [on verso of watercolour] 'Pompeys pillar, Alexandria. / 20th Nov. 1842. / Height 99ft. Capital 10ft. Shaft 60ft. / Angle of the pedestal N[?]. 22 E.' (pencil note)

Portfolio titled 'Alexandria, Cairo. / JB.' (ink)
Pencil notes: 'Modern Egypt / Not Complete.'
Pencil notes: '7 / 1'.

Album of drawings and watercolour sketches made in Italy, Greece, Egypt, Syria, and Palestine in 1853.