Complete papers (see catalogue for more details).

• Partial journal for the 1902-1903 season (working with G. A. Reisner).
• 20 February to 9 March 1903.
• Handwritten.
• Sites: Naga el-Deir, Giza.

• Journal for the 1901-1902 season (working with G. A. Reisner).
• 23 November 1901 to 20 July 1902 (with gaps).
• Handwritten.
• Site: Naga el-Deir.

• Partial journal for the 1900-1901 season (working with W. M. F. Petrie).
• 10 February to 10 March 1901.
• Handwritten.
• Sites: Abydos, Umm el-Qa'ab.

• Journal for the 1899-1900 season (working with W. M. F. Petrie).
• 1 November 1899 to 25 April 1900 (with gaps).
• Handwritten.
• Sites: Abydos, Umm el-Qa'ab.

• Partial journal for the 1898-1899 season (working with W. M. F. Petrie).
• 8 February to 1 April 1899.
• Handwritten.
• Sites: Abadiya, Hu (Diospolis Parva).

(1) Excavation journals for 1899-1901 (working with W. M. F. Petrie) and 1901-1903 (working with G. A. Reisner).
(2) Personal correspondence exchanged between Mace and his wife Winifred during the Winter season 1922-1923, Winifred Mace and her mother during the Winter season 1923-1924, and other correspondence related to the excavation of the tomb of Tutankhamun.
(3) Two typewritten articles by Mace on work in Tutankhamun's tomb: "DESPATCH No. 5" (3 pages), and "THE CLOSING OF THE TOMB" (incomplete, first page only + newspaper cutting of The Times article); both submitted to The Times and subsequently published on 31/01/1923 and 28/03/1923.
(4) 39 photographs, most are original Burton images, some of which have been annotated by Howard Carter; they may have been used during the preparation of H. Carter and A. C. Mace, The Tomb of Tut.ankh.Amen i (1923).
(5) Newspaper cuttings, most from The Times, published between 1922 and 1925.

(y) Mace's account of the opening of the burial chamber of Tutankhamun - typewritten version (TAA iv.1). Diary for 1922-3 (TAA iv.2).
(z) Mace's account of the opening of the burial chamber of Tutankhamun - original handwritten version (TAA iv.3).

Diary kept from 4 May 1922 to 20 October 1926 by the wife of the British archaeologist and photographer Harry Burton (1879-1940). The diary contains detailed daily entries recording social engagements and memorable events, including the excavation of the tomb of Tutankhamun by Howard Carter’s team, of which her husband was a member. The diary details her life and travels with her husband at home in Florence, their stays in Egypt (especially Luxor, but also Cairo), the trip they made across the US and to Hollywood in 1924, and various holidays in Europe (London, Salzburg, St. Moritz, etc.), as well as trips to friends in Italy. Lined account book, 400 pages, 8vo (179 x 110 x 28 mm).

Memorial portrait of George Lloyd. Lloyd is portrayed reclining on a rug, wearing Arab clothing and holding the mouth-piece of a hookah-pipe in his right hand. The scene is set in a desert campsite, perhaps fictional, in Egypt, with a man standing with three camels in the background. The drawing this lithograph was based on was created by É. Prisse d'Avennes sometime between 1843 and 1848:

• three colour tinted lithograph
• loose item, perhaps not originally with the album but placed with it later
• 41.5 x 30.5 cm (print area of 36.1 x 27.7 cm)
• [on recto of lithograph] 'Drawn on stone by Lemoine. [caption]
• [on recto of lithograph] 'Portrait of the late George Lloyd Esqr' [caption]
• [on recto of lithograph] 'James Madden_London' [caption]
• [on verso of lithograph] '330' and enclosed ',1039' (pencil notes)

Explanatory note on design:

• pencil handwritten text
• loose item, originally a tipped-in page perhaps for this album, with remains of mounting-strip on right side
• 25.5 x 34.9 cm (including mounting-strip)
• [text] 'I have drawn this simply as a title for my sketches. / The semicircle at the top, excepting the Cartouches / is from the doorway of the first vaulted Chamber / in the temple of El Assasief erected by Amensä / the mother of Thothmes 3rd. The other part is mere / composition. On the right is Thmai or Truth, and / on the left Safrä, the Goddess of Letters. The characters / are ornamented with the emblems of Lower and / Upper Egypt. The Cartouches are for Our Lady / Victoria, when I can get those from Birche's work. / 27th July sketched / 1st August finished / } / 1843 / { / G Lloyd. / Gurna / Thebes.'

Design for a title-page for Lloyd's 'Sketches of Ancient Egyptian Sculpture and Painting' with the goddess Seshat and Maat, which are based on two other drawings in the same album (see Lloyd MSS 103 and Lloyd MSS 104):

• pencil drawing
• loose item, originally a tipped-in page perhaps for this album, with remains of mounting-strip on right side of verso
• 25 x 34.9 cm (excluding mounting-strip)
• [on drawing] 'SKETCHES OF ANCIENT EGYPTIAN SCULPTURE AND PAINTING' (pencil note)

Man on horseback in conversation with another man and woman seated on the ground outside the walls of an ancient temple, probably at Thebes:

• watercolour
• loose item with own mount
• 16.9 x 14 cm (19.4 x 16.4 cm with mount)

[Priests] carrying the barque of Amun-Re, detail of a scene in an unidentified temple or tomb at Thebes:

• pencil drawing with edges folded in on two sides (top and bottom edges of album page)
• mounted
• 68 x 28.8 cm
• [on verso of drawing] 'No 4' (pencil note)
• [on verso of drawing] '77' (pencil note)

Female musicians and dancers, detail from a scene in the tomb of Mery (TT 95), temp. Amenhotep III, at Sheikh Abd el-Qurna in Thebes:

• pencil tracing with right edge folded in twice
• mounted
• 66.3 x 42.2 cm
• [on recto of tracing] '10' (pencil note)

Female lute player, detail from a scene with female musicians performing for guests at a banquet in the tomb of Kha (TT 8), temp. Amenhotep II, Tuthmosis IV and Amenhotep III, at Deir el-Medina in Thebes:

• pencil tracing with right edge folded in twice [right side of album page]
• 41.8 x 66 cm
• [on recto of tracing] 'Woman playing and dancing. / 19th (or perhaps 10th) July 1843 [lower part of date lost]' (pencil note)
• [on verso of tracing] '9' (pencil note)

Two female guests with two female attendants pouring water or oil onto the head of one of them, detail from a banquet scene in the tomb of Ptahemhet (TT 77), later usurped by Roy, temp. Tuthmosis IV, at Sheikh Abd el-Qurna in Thebes:

• pencil tracing with edges folded in on two sides (right <twice> and bottom)
• mounted
• 66.2 x 46 cm
• [on recto of tracing] 'Lady in a bath. / Tomb at Thebes. No. 15 ? / 11th July 1843' (pencil note)
• [on verso of tracing] 'No. 10 -' (pencil note)
• [on verso of tracing] '8' (pencil note)

Three musicians (woman with harp, man with lute and woman with double-pipe), detail from a banquet scene in the tomb of Amenemhet (TT 82), temp. Tuthmosis III, at Sheikh Abd el-Qurna in Thebes:

• pencil tracing with right edge folded in
• mounted
• 55.2 x 36.9 cm
• [on mount] '7' (pencil note)
• [on verso of tracing] 'No 11.' (pencil note)