Thebes, upper part of Ramesses II offering, detail of an unidentified scene, perhaps from one of the Osiride pillars in the Second Court or a column in the Hypostyle in the Ramesseum:

• pencil drawing
• mounted
• 25 x 35 cm
• [on recto of drawing] 'Ramases the great. / <<cartouches of Ramesses II>> / Memnonium. / 26th Aug. 1843.' (pencil)
• [on mount] '24' (pencil note)

Seti I mounting his chariot whilst dragging three captive Hittites, detail from a battle scene, , on the North side of the exterior wall of the Hypostyle in the Great Temple of Amun at Karnak:

• pencil drawing
• mounted
• 35 x 25 cm
• [on mount] 'Menephthah 1st or Osirei Great Hypostile, Karnac.' (pencil note)
• [on mount] '26' (pencil note)
• [on verso of drawing] 'Menephthah 1st or Osirei. / From a large Bas-relief on the exterior of the Northern / wall of the Great Hypostyle. Karnac. / 14th June 1843. / G Lloyd.' (pencil note)

Ramesses III in chariot hunting lions, detail from the battle against the sea-peoples, from a scene on the North side of the outer face of the exterior wall of the Great Temple of Ramesses III at Medinet Habu:

• pencil drawing
• mounted
• 35 x 24.9 cm
• [on recto of drawing] 'Medinet Abu. / 31st Aug. 1843.' (pencil note)
• [on mount] '27' (pencil note)

Thebes, a harp with the uppermost terminal decorated with the head of Tuthmosis IV, detail from a scene of presentation of royal gifts to the Temple of Amun, in the tomb of Amenhotep-si-se (TT 75), temp. Thutmosis IV, at Sheikh Abd el-Qurna in Thebes:

• pencil drawing
• mounted
• 24.9 x 35 cm
• [on recto of drawing] 'Harp. / Tomb, near 17. / 1st Sept 1843.' (pencil note)
• [on mount] '29' (pencil note)
• [on verso of drawing] 'This is one of the most exquisite things / I have seen in the tombs. It is not finished / for the tomb has never been completed. / The headdress is blue, the band and pendants / and serpent yellow or gold, the staff of the / Harp gold, and the base, silver or white.' (pencil note)

Papyrus-clump, from an unidentified Ptolemaic temple scene at Karnak:

• pencil drawing
• mounted
• 35 x 24.9 cm
• [on mount] '30' (pencil note)
• [on verso of drawing] 'Lambris of Lotus Flowers. / From the walls of a small temple near the Pylon / to the North. Karnac. / This ornament is of the Ptolemaic Period. / 14th June 1843. / G Ll.' (pencil note)

Agricultural scenes including waiting mule-chariot, man asleep under tree, boy playing pipe, men carrying and threshing grain, from the tomb of Khaemhet (TT 57), temp. Amenhotep III, at Sheikh Abd el-Qurna in Thebes::

• pencil drawing
• mounted
• 34.9 x 24.9 cm
• [on recto of drawing] 'Tomb. 5. / 8th Oct. 1843.' (pencil note)
• [on mount] '31' (pencil note)

View of a doum palm (Hyphaene thebaica) in the vicinity of a village North-East of the temples at Karnak:

• pencil drawing
• mounted
• 35.5 x 25.3 cm
• [on recto of drawing] 'Karnac. 2nd July 1843.' (pencil note)
• [on mount] 'The Dunn Palm Cucefera Thebraica. Karnac.' (pencil note)
• [on mount] '35' (pencil note)
• [on verso of drawing] 'The Dum Palm, Cucifera Thebaica. / Near a small village to the N.E. of the ruins. / Karnac. 2nd July 1843.' (pencil note)

Portrait of George Lloyd sketched by Prince Alexis Soltykoff in Cairo:

• pencil sketch
• mounted
• 24.7 x 27.8 cm
• [on recto of drawing] 'Cairo 1. April. 1843' [caption probably by Soltykoff] (pencil note)
• [on recto of drawing] 'Sketched by Prince A. Soltykoff.' [caption by Lloyd] (pencil note)
• [on mount] '39' (pencil note)

A European-style fountain with a central ornament of four female figures with their arms raised supporting a foliform tier, with an additional sketch of an acanthus leaf tier or pedestal, sketched at an unidentified site in Egypt or perhaps sketched for a design:

• pencil sketches
• mounted
• 25.4 x 35.4 cm
• [on mount] '41' (pencil note)

A young girl seated on the ground observing a lizard at Karnak:

• pencil drawing
• mounted, together with Lloyd MSS 110
• 17.8 x 25.7 cm
• [on recto of drawing] 'Karnac. / 23rd June 1843.' (pencil note)
• [on mount] '57' [should be 51] (pencil note)

Portrait of the young boy Abdallah at Karnak:

• pencil drawing
• mounted, together with Lloyd MSS 109
• 17.8 x 25.7 cm
• [on recto of drawing] 'Abdallah. Karnac. 3rd June 1843 / G Ll.' (pencil note)
• [on mount] '52' (pencil note)

A woman drinking from a jar while standing by the side of two pomegranate trees, detail of a scene from the tomb of Neferhotep (TT 49), probably temp. Ay, at El-Khokha in Thebes:

• pencil drawing
• mounted, together with Lloyd MSS 111
• 25.7 x 17.7 cm
• [on mount] '54' (pencil note)
• [on verso of drawing] 'Woman drinking. / From a painting in a tomb near the one marked A. / Assasief. / 15th July 1843. / This is also copied from a hasty sketch in my note book, and it / would be difficult to trace it as it is much decayed, except / the face and legs.' (pencil note)

A moored boat carrying Hajj pilgrims at Dashriya (North of Gezira village in Luxor, West bank):

• pencil drawing
• mounted, together with Lloyd MSS 113
• 25.7 x 17.7 cm
• [on recto of drawing] 'Boat with Hadjies. Däschria N of Gessira 29th April 1843.' (pencil note)
• [on mount] '56' (pencil note)

Three men fishing with basket-traps in the flooded canals at Sheikh Abd el-Qurna in Thebes:

• pencil drawing
• mounted, together with Lloyd MSS 116
• 25.7 x 17.7 cm
• [on recto of drawing] 'Fishing with a Basket in the flooded canals. / Gurna. Thebes. 20th Aug: 1843.' (pencil note)
• [on mount] '57' (pencil note)

The solar disk, emerging above the horizon of the mountains, is held by the arms of Nut and those of a personified ankh, with a dressed personified djad pillar supporting the whole group; this central group is adored by four baboons, kneeling Isis and Nephthys and two ba-birds, from a painted wall scene in the Ramesside tomb of Nefersekheru (TT 296), at El-Khokha in Thebes:

• pencil drawing
• mounted, together with Lloyd MSS 122
• 17.7 x 25.7 cm
• [on mount] '63' (pencil note)
• [on verso of drawing] 'From a tomb near the Scheich El Beleds. / Gurna. / 15th July 1843. / This is not very correct as I drew it from a rough sketch / in my Note Book, and as the place was extremely hard to / get to, I did not take the trouble of going there again. / It is painted, but I saw no cartouche. The style of the / tomb is bad, as are the statues in it. The tomb is possibly / of the time of Amenoph 3rd but it is impossible to judge / from the style the period. / G Ll.' (pencil note)

Oblong base of quartzite monument with tapering sides (called 'obelisk'), with dedication texts of Seti I and Ramesses II to Horus of Mesen commemorating Ramesses I, once at Tell Abu Seifa in el-Qantara, and now in Ismailia Museum, 2249; back, with remains of scene at top with a kneeling king offering to a seated [deity], and remains of four columns of text below with two lines of text at the bottom:

• pencil drawing
• mounted, together with Lloyd MSS 121
• 17.8 x 25.8 cm
• [on recto of drawing] 'Upper side. / Obelisk at Abu Saiffie / 12th Feb 1843. / x' (pencil)
• [on mount] '64' (pencil note)

Oblong base of quartzite monument with tapering sides (called 'obelisk'), with dedication texts of Seti I and Ramesses II to Horus of Mesen commemorating Ramesses I, once at Tell Abu Seifa in el-Qantara, and now in Ismailia Museum, 2249; left side, right part, with remains of a scene at top with seated deity, and remains of six columns of text below and two lines of text at the bottom [drawn separately]:

• pencil drawing
• mounted, together with Lloyd MSS 123
• 18.8 x 25.8 cm
• [on recto of drawing] 'No 1 a / 1 ft 6 in / x 4 ft. 8 in / a/ a - 1ft. 9 in - 2ft. 6 in' (pencil note)
• [on recto of drawing] 'Obelisk at Abu Saiffie. 12th Feb 1843. / x' (pencil note)
• [on mount] '66' (pencil note)

Oblong base of quartzite monument with tapering sides (called 'obelisk'), with dedication texts of Seti I and Ramesses II to Horus of Mesen commemorating Ramesses I, once at Tell Abu Seifa in el-Qantara, and now in Ismailia Museum, 2249; fragments from [at least] two sides with remains of scenes of kings kneeling before deities:

• pencil drawings
• mounted, together with Lloyd MSS 125
• 25.7 x 17.7 cm
• [on recto of drawing] 'a / a / Fragments of the Obelisk at Abu Saiffie. / a and a are different sides of the angle. / 12th Feb 1843. / x' (pencil note)
• [on mount] '68' (pencil note)

Two rows of female mourners squatting on the ground, detail from a funerary scene in the tomb of Haremhab (TT 78), temp. Tuthmosis III to Amenhotep III, at Sheikh Abd el-Qurna in Thebes:

• pencil tracing with edges folded in on two sides (top and right <twice>)
• mounted
• 38.1 x 44.8 cm
• [on recto of tracing] 'Women mourners wailing. / Tomb at Thebes. / No. 16 ? / 11th July 1843' (pencil note)
• [on recto of tracing] '4' (pencil note)
• [on verso of tracing] 'N 7 -' (pencil note)

Two men carrying a large wine-jar with painted grape-vine decoration, detail of a scene from an unidentified tomb at Sheikh Abd el-Qurna in Thebes:

• pencil and watercolour tracing with right edge folded in twice
• mounted
• 58.5 x 42.1 cm
• [on recto of tracing] 'Gurna. / 25th Sept 1843' (pencil note)
• [on mount] '5' (pencil note)
• [on verso of tracing] 'No 9 -' (pencil note)

Two women, each holding a sistrum and a bouquet, detail of a scene from an unidentified tomb at Thebes:

• pencil tracing with right edge folded in [right side of album page]
• mounted
• 42.9 x 55 cm
• [on recto of tracing] 'Women making an offering / Tomb 4.' (pencil note)
• [on verso of mount] '6' (pencil note)

Female lute player, detail from a scene with female musicians performing for guests at a banquet in the tomb of Kha (TT 8), temp. Amenhotep II, Tuthmosis IV and Amenhotep III, at Deir el-Medina in Thebes:

• pencil tracing with right edge folded in twice [right side of album page]
• 41.8 x 66 cm
• [on recto of tracing] 'Woman playing and dancing. / 19th (or perhaps 10th) July 1843 [lower part of date lost]' (pencil note)
• [on verso of tracing] '9' (pencil note)

Female musicians and dancers, detail from a scene in the tomb of Mery (TT 95), temp. Amenhotep III, at Sheikh Abd el-Qurna in Thebes:

• pencil tracing with right edge folded in twice
• mounted
• 66.3 x 42.2 cm
• [on recto of tracing] '10' (pencil note)

• Postcard
• Photograph, photographer not known.
• The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
• Two Egyptian team members, accompanied by Howard Carter [wearing hat and waistcoat, left foreground], carry trays containing objects from the Antechamber of Tutankhamun's tomb while being pursued by tourists. The man on the left carries a decorated box (Carter 44), probably a footstool or stool, while the tray conveyed by the man contains two items, perhaps a box lid and a vessel (not identified). The objects are being transported to the nearby 'Laboratory' (the tomb of King Sety II, KV15).

• Postcard
• Photograph, photographer not known.
• The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
• Egyptian excavation team members transport some of Tutankhamun's food provisions from the King's tomb to the nearby 'Laboratory' set up in the tomb of King Sethos II (KV15) in the Valley of the Kings.
• Forty-eight boxes (Carter 62) containing choice cuts of meat and whole geese were prepared to accompany the King's burial and were placed in a neat pile beneath one of the ceremonial couches in the Antechamber. They were some of the first items Howard Carter saw when he looked into the tomb for the first time on 26th November 1922, recording them as "a heap of large curious white oviform boxes".

• Postcard
• Photograph, photographer not known.
• The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
• (Carter 116)
• An Egyptian team member carrying the wooden portrait figure of Tutankhamun, the so-called "mannequin", from the King's tomb to the nearby "Laboratory" tomb (KV 15, of Sethos II) for cleaning and conservation.
• The portrait bust of Tutankhamun [Carter 116] was found in the tomb's Antechamber. The King is portrayed wearing a yellow flat-topped crown featuring the centrally positioned uraeus on the crown's temple band. The King also wears a close-fitting white garment.
• The bust's purpose is unclear, but it probably displayed part of the King's regalia. A recent proposal is that it may have been originally used for supporting and storing the King's gold corset (Carter 54k) in the tomb. When thieves ransacked the tomb in antiquity, these robbers likely removed the corset from the bust before breaking the heavy regalia into smaller, portable pieces.

• Postcard
• Photograph, photographer not known.
• The photograph was probably taken in early 1923; the production date of the postcard is not known, but it was almost certainly in the 1920s.
• Members of the Egyptian team manoeuvring a large carrying tray out through the entrance to the modern enclosure wall constructed shortly after Tutankhamun's tomb was discovered. The team are carrying two black shrine-like boxes (Carter 37) and (Carter 38) and a gabled-roofed box (Carter 32), transporting them from the tomb's Antechamber to the Laboratory.

Merchandise pamphlet for the 'Treasures of Tutankhamun' exhibition at the British Museum in 1972.

• 1 printed, gatefold pamphlet with a list of merchandise, some items illustrated with line drawings