Three officials carrying fans, forming part of a procession celebrating the Festival of the god Min, detail from a wall scene in the Second Court of the Great Temple of Ramesses III at Medinet Habu:
"The Shady side", two men, one holding a gun and the other a stick, with a captured fox between them, and a third man kneeling on the ground at Abu Zaabal:
pencil drawing
mounted, together with Lloyd MSS 132 and Lloyd MSS 133
17.8 x 12.7 cm
[on mount] '72' (pencil note)
[on verso of drawing] 'Abu Zaabel. 16th Jan. 1843. / "The Shady side"' (pencil note)
Three musicians (woman with harp, man with lute and woman with double-pipe), detail from a banquet scene in the tomb of Amenemhet (TT 82), temp. Tuthmosis III, at Sheikh Abd el-Qurna in Thebes:
Later film negatives, made from original Burton photographs
Some are original Harry Burton negatives.
Carter's negatives are views of the area around the tomb entrance and the outer sealed doorway when the tomb was found in 1922 and before Burton joined the Tutankhamun excavation team in December 1922.
Glass and film negatives.
Approximately 1000 negatives (400 glass and 600 film)
Number ranges 1-2024 and i-xcvii
The negative number ranges comprise both the small and large negatives (large, see TAA i.5)
A few original negatives in this series were created by Howard Carter, see above.
Many of the negatives were made later in the Ashmolean Museum photographic studio from photographs supplied by the Metropolitan Museum of Art, New York, following an exchange of images in the 1950s.
Includes modern film negatives made in the Ashmolean Museum photographic studio from the original Harry Burton photographic prints in the Tutankhamun Archive, Griffith Institute.
The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
An Egyptian team member, accompanied by Arthur Callendar [right, foreground] and an armed guard [centre, background], carries a tray containing a reed and papyrus box (Carter 42) and an ornamental box made of redwood inlaid with ebony and ivory. The objects are being transported from Tutankhamun's tomb to the nearby 'Laboratory' (the tomb of King Sety II, KV15).
The photograph was taken on 24th January 1923, the day Carter recorded this couch being moved; the postcard's production date is unknown, but it was almost certainly sometime in the 1920s.
Howard Carter (left), assisted by Walter Hauser (right), manoeuvring the right side of the cow-headed couch (Carter 73) into a packing case in preparation for its transfer to the nearby 'Laboratory' set up in the tomb of Sethos II (KV15).
The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
(Carter 116)
An Egyptian team member carrying the wooden portrait figure of Tutankhamun, the so-called "mannequin", from the King's tomb to the nearby "Laboratory" tomb (KV 15, of Sethos II) for cleaning and conservation. The man holding the bust is escorted by an armed guard and another Egyptian excavation team member, which was necessary to ensure the safe movement of objects through the Valley of the Kings following the announcement of the tomb's discovery, which attracted large crowds of journalists and tourists who flocked to Luxor hoping to see the tomb and view objects as they were being moved.
The portrait bust of Tutankhamun [Carter 116] was found in the tomb's Antechamber. The King is portrayed wearing a yellow flat-topped crown featuring the centrally positioned uraeus on the crown's temple band. The King also wears a close-fitting white garment.
The bust's purpose is unclear, but it probably displayed part of the King's regalia. A recent proposal is that it may have been originally used for supporting and storing the King's gold corset (Carter 54k) in the tomb. When thieves ransacked the tomb in antiquity, these robbers likely removed the corset from the bust before breaking the heavy regalia into smaller, portable pieces.
The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
Egyptian team members carrying the body of one of Tutankhamun's chariots (Carter 122) from the King's tomb to the nearby 'Laboratory' set-up in the tomb of Sethos II (KV15). The chariot is also escorted by an armed guard and Howard Carter (background, wearing a bowtie and a pale-coloured hat with a dark band).
The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
Egyptian team members manoeuvering a tray loaded with a chariot wheel up the rock-cut steps leading out of Tutankhamun's tomb. The wheel is from one of the four chariots found in the Antechamber.
The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
View showing the lid of Tutankhamun's outer coffin (Carter 253), still in situ inside the King's sarcophagus (Carter 240). This photograph was taken sometime between the sarcophagus lid being raised on 12th February 1924 and the removal of the outer coffin lid on 13th October 1925.
Card indexes used in compilation of the <i>Coptic Dictionary</i>, photographs, photostats, notebooks, notes, correspondence, newspaper cuttings, negatives, and casts.
Index of Late Egyptian Grammar, index for Egyptian Dictionary, and various other indexes. 18 notebooks containing copies of hieratic papyri and ostraca. Small watercolour. 2 boxes of family papers and ephemera, including personal correspondence, certificates, photographs, notes for Peet’s books on Neolithic Italy, a couple of pages from an inaugural lecture, newspaper cuttings, a travel record small notebook, a Latin and Greek classes notebook, etc.
Notebooks, notes, card indexes of the Pyramid Texts and Late Egyptian, copies of inscriptions, corpus of transcribed hieratic ostraca and papyri, photographs, drawings, correspondence, copies of his own publications, and portraits.