Three designs of woman pouring oil into a lamp (two in mirror view):

• pencil tracings on tracing paper
• mounted, together with Bonomi MSS 46.14
• 14.2 x 19.1 cm

Two designs of woman pouring oil into a lamp (mirror view):

• pencil tracings on tracing paper
• mounted, together with Bonomi MSS 46.15
• 12.1 x 19.0 cm

Rectangular shapes:

• pencil sketches on paper
• loose, adjacent to Bonomi MSS 46.12 and Bonomi MSS 46.14-15
• 17.3 x 11 cm

Profile view of woman with helmet:

• pencil sketch on paper mounted on paper
• loose, adjacent to Bonomi MSS 46.12 and Bonomi MSS 46.14-15
• 9.0 x 12.3 cm (11 x 17.3 cm with mount)

Hero holding fainting woman:

• ink tracing on tracing paper
• mounted
• 9.8 x 15.3 cm
• [on tracing] 'March 1821' (ink note)

Man knocking at door, putto or Cupid with shepherd's crook and Phrygian cap, and shepherd holding a lamb with sheep:

• pencil sketches on tracing paper
• mounted
• 23.9 x 24.9 cm

Stooping man:

• pencil sketch on paper
• loose, adjacent to Bonomi MSS 46.9
• 5.7 x 12.1 cm

Dog:

• pencil sketch on paper
• loose, adjacent to Bonomi MSS 46.9
• 12.1 x 5.7 cm

Two angels praying over a tomb:

• pencil sketch on tracing paper
• loose, together with Bonomi MSS 46.2
• 24.6 x 24.5 cm

Woman pouring oil into a lamp:

• inked pencil sketch on paper
• loose
• 4.6 x 16.3 cm

Designs for Ascension scene:

• ink sketches on paper
• loose
• 12.8 x 11.4 cm

Studies of children:

• pencil sketches on paper
• loose
• 12.0 x 17.5 cm

Britannia breaking her bonds or Italy unchained:

• pencil sketch/tracing on tracing paper
• loose
• 9.4 x 17.4 cm

Draft of a letter:

• pencil text on paper
• loose
• 28.3 x 8.0 cm
• [text]:

'My Lord Duke
I inclose according to your request
the three italian drawings and three 2
modifications of three designs as well as / and one as a substitute for the arched chimney piece
a drawing of the chimney piece at Syon
with its modification. If your Grace
approves of Syon modification and you / of any of them(?) the working the working drawings could be made either here or in Rome from / the sketches sufficiently indicate the design / the small drawings
desire to send to Italy a cast of the / the details

new(?) figure of the boy and the mouldings
I would be undertake superintending the casting
of the boy and the mouldings'

Frontal and profile views of colossal statue of Britannia (design for lighthouse):

• pencil sketches on paper
• loose
• 28.3 x 8.0 cm

Text:

• pencil and coloured (black) pencil text on paper
• loose
• 11.1 x 9.0 cm
• [text]: 'The cost of die / the sign of a medal / for 10 pounds and / the cost of a die / for such a medal'

Design for ten pound coin:

• pencil sketch on paper
• loose
• 11.1 x 9.0 cm
• [on sketch] '10 pounds' (pencil note)

Kneeling figure:

• pencil sketch on paper
• loose
• 7.7 x 5.1 cm

Man teaching another man archery(?):

• ink sketch on paper
• loose
• 5.1 x 7.7 cm

Tondo designs of woman pouring oil into a lamp and holding ewer and lamp, with details of lamps:

• pencil sketches on paper
• loose
• 12.7 x 20.9 cm
  -[on sketch] 'LIFEINS / URANCI' (pencil note)
  -[on sketch] 'LIFE / INSURANCE' (pencil note)

Tondo design of standing multi-armed Cybele(?) with cornucopia:

• pencil sketch on paper
• loose
• 17.7 x 9.9 cm

Studies of human figure and dog:

• pencil sketches on paper
• loose
• 9.8 x 16.2 cm

Ornamental design:

• cut out paper mounted on paper
• loose
• 13.4 x 13.5 cm

Filigree design:

• cut out paper mounted on paper
• loose
• 13.4 x 13.5 cm

Incomplete note:

• ink text on paper
• loose
• 11.6 x 11.3 cm
• [text] '(?) to denounce all this can be c- / thus is as(?) (?)'

Raising of Lazarus in grid, copy of Giotto's fresco in the Cappella degli Scrovegni nell'Arena (Padua, Italy):

• pencil sketch on paper
• loose
• 11.6 x 11.3 cm

Female head:

• pencil sketch on paper
• loose
• 10.2 x 15.5 cm

Text on church at Alnwick:

• ink text on paper
• loose
• 15.7 x 11.5 cm
• [text]:

'The church at Alnwick a gothic building

once a beautiful and highly adorned

edifice but now from the injuditious

additions and alterations especially

that usual one of taking away

pillars in order to make the pulpit

more generally seen from all corners

of the church thus by throwing two arches

into one thus weak increas

ing the lateral pressure endangering

the roof which perhaps on that

account has been restored in the it was found

ornamental gothic necessary

to restore in the side isles

however the original oak beams remain'

Alnwick Fountain and continuation of text on church at Alnwick:

• ink sketch and text on paper
• loose
• 15.7 x 11.5 cm
• [on sketch] 'Fountain Alnwick' (ink note)
• [text]:

'The roof of the nave was

restored in 1781 owing no doubt

to its threat(e)ning an invasion

of the pavement from the walls

injuditious alteration

having been weakened by throwing

2 arches into one in order to

x(?) the exhibit the x(?) pulpit to

all the people in every corner

of the church the (?)'

Lunging male nude (probably design for pediment) :

• pencil sketch on tracing paper
• loose
• 9.4 x 8.7 cm