• Postcard
• Photograph, photographer not known.
• The photograph was probably taken in early 1923; the production date of the postcard is not known, but it was almost certainly in the 1920s.
• An Egyptian team member carrying a tray containing the four 'candlesticks' (Carter 41a-d), transporting them from the tomb's Antechamber to the Laboratory. Each 'candlestick' is in the form of an anthropomorphic ankh with arms raised to either hold a bronze torch-cup or a small pottery cup.

• Postcard
• Photograph, photographer not known.
• The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
• Egyptian team members transporting one of Tutankhamun's elaborate vessels (Carter 57) from the King's tomb to the nearby 'Laboratory' set up in the tomb of King Sethos II (KV15). The large vessel, carved from a single piece of Egyptian alabaster, originally contained unguent, its contents stolen by the tomb robbers who entered the tomb in antiquity. The vessel's body is flanked by openwork side pieces incorporating bound papyrus and lotus flowers, symbolising Upper and Lower Egypt and its unification, as well as representing the King's sovereignty. The vessel's body is decorated with Tutankhamun's cartouches; the incised decoration has been filled with black pigment.

• Postcard
• Photograph, photographer not known.
• The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
• An Egyptian team member, accompanied by Arthur Callendar [right, foreground] and an armed guard [centre, background], carries a tray containing a reed and papyrus box (Carter 42) and an ornamental box made of redwood inlaid with ebony and ivory. The objects are being transported from Tutankhamun's tomb to the nearby 'Laboratory' (the tomb of King Sety II, KV15).

• Postcard
• Photograph, photographer not known.
• The photograph was probably taken in early 1923; the production date of the postcard is not known, but it was almost certainly in the 1920s.
• Members of the Egyptian team manoeuvring a large carrying tray out through the entrance to the modern enclosure wall constructed shortly after Tutankhamun's tomb was discovered. The team are carrying two black shrine-like boxes (Carter 37) and (Carter 38) and a gabled-roofed box (Carter 32), transporting them from the tomb's Antechamber to the Laboratory.

• Postcard
• Photograph, photographer not known.
• The photograph was probably taken in early 1923; the postcard's production date is unknown, but it was almost certainly in the 1920s.
• Two Egyptian team members carrying a white chest (Carter 50) up the rock-cup steps leading out of Tutankhamun's tomb, with Howard Carter assisting (head visible behind the left shoulder of the man at the front). This chest contained many items of Tutankhamun's wardrobe.

View of the temple of Amun-Re and Re-Harakhti at Amada:

• pencil drawing
• mounted
• [on recto, right side] 'x Priests'. (ink note)
• 29.5 by 20.6 cm

View of the temple of Isis at Dabod:

• pencil drawing
• mounted
• [on recto, bottom right corner] 'Deboud'. (pencil note)
• 27.3 by 20.5 cm

View of the ninth and tenth pylons at Karnak temple:

• pencil drawing
• mounted
• [on mount, bottom edge] 'Carnak'. (ink note)
• 32.7 by 21.1 cm

View of the portico of the temple of Montu at Nag el-Madamud:

• pencil drawing
• mounted
• [on mount, bottom edge] 'Medamut'. (ink note)
• 29.2 by 22.6 cm

View of the Roman kiosk at Qertassi in Nubia:

• pencil drawing
• mounted
• 30.4 by 24.1 cm

View of the temple of Isis and Serapis at el-Maharraqa in Sudan:

• watercolour
• mounted
• [on recto, top left corner] 'Uffidunia'. (ink note)
• 39.5 by 21.2 cm

View of the propylon from the temple of Montu at Karnak temple:

• pencil drawing
• mounted
• [on mount, bottom edge] 'Carnak - North Pylon -'. (ink note)
• 22.7 by 27.5 cm

View of the remains of the ninth pylon at Karnak temple:

• pencil drawing
• mounted
• [on mount, bottom edge] 'South propylons - Carnak'. (ink note)
• 28.5 by 22.6 cm

View of a Nubian village near Philae:

• pencil drawing
• mounted
• [on recto, top left corner] 'Near Philae'. (pencil note)
• 27.8 by 17.7 cm

Tomb wall scene, a gazelle suckling a fawn:

• pencil drawing
• mounted
• 17.6 x 10 cm
• [Lane's caption on page verso, at top left corner] illegible pencil note
• Detail from a wall scene, gazelle suckling calf, probably from scenes of bringing fowl and young animals in boxes (including hare, hedgehog, gazelles, and gazelle and young, from room I in the tomb of Nebemakhet [LG 86], son of Khephren, in the Central Field at Giza.

Tomb wall scene, female musicians, from the hallway of tomb Amenhotep-si-se (TT75), Sheikh Abu el-Qurna. The musicians play a harp, lute, double-pipe, a girl dancing, lyre and a tambourine:

• pencil drawing
• mounted
• 17.7 x 10 cm
• [Lane's caption on page verso, at top left corner] 'Female musicians & dancers — from the paintings at a tomb in the Hill of the shey'kh Abd El-Ckoor'n[eh]'.' (pencil note, 'eh' of 'Ckoor'neh' is cut off, presumably when the mounted drawings were bound)

Temple wall scenes from the hypostyle hall in the Great Temple of Amun at Karnak
Left scene, Seti I spears Libyan chief on the battlefield, north exterior wall
Right scene, Ramesses II binding Syrian captives, south exterior wall

• Two pencil drawings
• Drawings are mounted side-by-side
• 17.7 x 10.2 cm
• [Lane's caption on page verso, at top left corner] 'Sculptures at Kar'nak' (pencil note)

Tomb wall scene, figures picking and treading grapes:

• pencil drawing
• mounted
• 17.6 x 10.1 cm
• [Lane's caption on page verso, at top left corner] 'Sculptures at Eilethyia — The Vintage.' (pencil note)
• Detail from scene, vintage scenes, picking and treading grapes, from the upper part of the west wall of the hall, tomb of Paheri, El Kab

Tomb wall scene, figures treading and winnowing grain:

• pencil drawing
• mounted
• 17.7 x 10.2 cm
• [Lane's caption on page verso, at top left corner] 'Sculptures at Eilethyia — The Treading out the corn, & Winnowing.' (pencil note)
• Detail from agricultural scenes, oxen threshing corn and men winnowing, west wall in hall, tomb of Paheri, El Kab

Tomb wall scene, figures harvesting:

• pencil drawing
• mounted
• 17.6 x 10.2 cm
• [Lane's caption on page verso, at top left corner] 'Sculptures at Eilethyia — The Reaping.' (pencil note)
• Detail from agricultural scenes, cutting corn with man at front drinking water from a bottle, west wall in hall, tomb of Paheri, El Kab

Tomb wall scene, figures hoeing and ploughing:

• pencil drawing
• mounted
• 17.8 x 9.9 cm
• [Lane's caption on page verso, at top left corner] 'Sculptures at Eilethyia — The Ploughing & Sowing.' (pencil note)
• Detail from agricultural scenes, two groups of men hoeing and men with oxen ploughing (first group), west wall in hall, tomb of Paheri, El Kab

Part of a temple wall scene from the forecourt of the Beit el-Wali temple at Kalabsha, two registers of Nubians, including women and children, bringing tribute with animals, [to Ramesses II]:

• pencil drawing
• mounted
• 17.8 x 10.2 cm
• [Lane's caption on page verso, at top left corner] 'Sculpture on the left side-wall of the court before the rock-temple of Ckala'b'sheh.' (pencil note)

Tomb wall scene, upper register, sem priest with offerings before Qen and wife Meryt, with monkey eating dates under chair, followed by two rows of seated men and women, probably TT 59, Sheikh Abd el-Qurna, Thebes:

• pencil drawing
• mounted
• 17.7 x 10 cm
• [Lane's caption on page verso, at top left corner] 'Painting in a tomb in the Hill of the shey'kh 'Abd El-Ckoor'neh' (pencil note)

View of the rock grottoes at Qasr Ibrim:

• pencil drawing
• mounted
• [on recto, top right corner] 'Abrim'. (ink note)
• 26.8 by 13.0 cm

Drawing of a detail from a battle scene, Seti I in a chariot charging Libyans on the battlefield, on the north exterior wall of the hypostyle hall in the Great Temple of Amun at Karnak:

• black ink drawing
• mounted
• 17.8 x 10.2 cm
• Below the drawing are two small cartouches of the king (in ink)
• [Lane's caption on page verso, at top left corner] 'Sculpture at Kar'nak' (pencil note)

View of the pyramid of Amenemhat III at Hawara:

• pencil, black ink (probably), monochrome watercolour
• mounted
• 17.7 x 10 cm
• [Lane's caption on page verso, at top left corner] 'The Pyramid of Hawa'rah — a, Small canal — b Remains of columns & architraves.' (pencil note)

The fallen colossal limestone statue of Ramesses II ('Abû el-Ḥol'), from the south gate of the Ptah enclosure at Mit Rahina:

• black ink, monochrome watercolour
• mounted
• 17.6 x 10 cm
• [Lane's caption on page verso, at top left corner] 'Colossal figure at Memphis' (pencil note)

View of the Mosque of Ahmad Ibn Tulun in Cairo showing the courtyard with the ablution fountain:

• pencil, monochrome watercolour
• mounted
• 17.8 x 10 cm
• [Lane's caption on page verso, at top left corner] 'The Great Mosque of Ibu Too'loo'n, vulgarly called Ga'me' Teyloo'n — a, dome over the tank — b, the great minaret — / c, minaret of a mosque at the eastern angle of the Ckal'' at el-Kebsh — / Erected A H 263 AD 876-7' (pencil note)

View of the aqueduct at the Cairo citadel and the Fumm al-Khalig water intake tower:

• pencil, black ink, monochrome watercolour
• mounted
• 17.8 x 10.2 cm
• [Lane's caption on page verso, at top left corner] 'The Aqueduct of Musr — a, the building in which are the water-works — b, entrance of the Canal of Musr — / c, part of the bridge of the Canal — d, part of Mount Moockut'tum.' (pencil note)

Head of the Great Sphinx at Giza, with one man standing below to the right side of the Sphinx's head while another man climbs towards its chin:

• pencil, monochrome watercolour
• mounted
• 13.4 x 10 cm
• [Lane's caption on page verso, at top right corner] 'The Great Sphinx.' (pencil note)