View of the pyramid of Snefru at Meidum (TopBib iv.89):
-pencil sketch on paper
-loose
-12.2 x 7.9 cm

View of the North Pyramid of Amenemhet I at El-Lisht (TopBib iv.77):
-pencil sketch on paper
-loose
-19 x 8.1 cm
-[on sketch] 'LISHT' (pencil note)

Plans with measurements of underground rooms of step pyramid enclosure of Netjerikhet at Saqqara (TopBib iii2.401-402):
-pencil sketch on paper
-loose
-17.2 x 11 cm
-[on sketch] 'tuffle' (pencil note)
-[on sketch] 'block / block' (pencil note)
-[on sketch] 'North east / corner' (pencil note)
-[on sketch] 'blocked / tuffle' (pencil note)
-[on sketch] 'tuffle' (pencil note)
-[on sketch] 'blocked / up north / stairs' (pencil note)
-[on sketch] 'North(?) / first / room' (pencil note)
-[on sketch] 'blocked / middle / rubbish' (pencil note)
-[on sketch] 'end of masonry' (pencil note)
-[on sketch] 'blocked / stones / slight corner of 4 feet' (pencil note)
-[on sketch] 'cavern / ascending / well / blocked / rubbish / stones' (pencil note)
-[on sketch] 'of stone(?) stairs / Ceilings rough rock / never been smooth / ornaments following(?) the / irregularities of the rock' (pencil note)

Illegible text:
-rubbed out pencil text on paper
-loose
-10.8 x 15.7 cm

Profile of a female head (design or Modern Egypt):
-pencil sketch on paper
-loose
-7.8 x 7 cm

Top: view of a boat being towed (Modern Egypt); second from top: unclear subject, not finished; second from bottom and bottom: views of Philae temple from West (TopBib vi.205):
-pencil sketches on paper
-mounted
-22.2 x 32.2 cm
-[on sketch] 'passed the / cataracts / Thursday 15 October / 1826' (pencil note, inked year)
-[on sketch] 'Ruined Pylon / Karnac.' (black ink note)
-[on mount] 'Temple near Cataract.' (pencil note, almost certainly by Dr Moss)
-[on mount] encircled '2' (pencil note, almost certainly by Dr Moss)
-[on mount] '5' (black ink note, almost certainly by Bonomi)

View of three sphinxes from the Avenue of crio-sphinxes at Karnak, on the East Bank of Thebes (TopBib ii2.22):
-pencil sketch on paper
-loose
-22.4 x 16.9 cm
-[on sketch] 'Karnac' (pencil note, almost certainly by Bonomi)
-[on sketch] encircled '6' (pencil note, almost certainly by Dr Moss)
-[on verso] 'Karnak' (pencil note, almost certainly by Dr Moss)

Note on signet rings:
-ink text on paper
-loose
-13.1 x 21.3 cm
-[page number] '36'
-[text]:
'Signet ring of fine gold weighing nearly 3 sovereigns
bearing the name of Shufu the (Suphis) of the Greeks
This remarkable piece of antiquity is in the highest state
preservation and(crossed out) said to have been found at Gezeh
in a tomb near that(crossed out) to the excavation of Col Campbell The work(crossed out)
in(crossed out) The style of the hieroglyphics is perfectly that of those
sculptors(crossed out) hieroglyphics(crossed out) of the tombs about the
great pyramid all the details are eminently executed
The heaven is engraved with minute(crossed out) stars; The Fox or Jackall has
significant lines within its con[t]our; The hatchets have
their handles bound with thongs as usual in the sculptures; The volumes have the
string that binds them differently(crossed out) hanging below the
roll differently placed from any example in sculptured or
painted hierogs in the tombs; The determinative for country
is studded with dots representing the sand of the mountainous
margins of the side(crossed out) valley of Egypt The sign [F35] has the
tongue and semilunar mark of the longer examples as also
the vase in the shape of the heart. The Name is surmounted
by the usual(crossed out) globe and feathers decorated in the usual way except
that the lines are more horizontal than in the sculptured examples,
and the ring of The cartouch is engraved with lines representing
a rope of(crossed out) of(crossed out) which decoration I know no(crossed out) of the line inclosing
the hieroglyphics of a royal name I know of no example but
this; the [Aa1] in the name is placed as in the tombs not in
the centre(crossed out) as of the cartouch; the chickens have their unfledged
wings The serastes its horns to be seen only with the magnifying
glass Of(crossed out) the variations in(crossed out) from the usual made of representing
a volume and the inclosure of Royal names are circumstances
favorable to the genuineness of this remarkable piece of antiquity
for when taken into consideration with the style of the work(crossed out) which
is infinitely more difficult to imitate than little(crossed out) little x[crossed out]
in which(crossed out) details from(crossed out) in which the fabricator would not have
ventured to differ from the known examples'

Note on signet rings (continuation):
-ink text on paper
-loose
-13.1 x 21.3 cm
-[page number] '37'
-[text]:
'Ring of fine gold found in a wooden box
at Thebes(crossed out) in a tomb at Thebes

Gold ring with a figure of Isis sitting
it is massive and of that shape called Opisphendone
Thebes(crossed out) Sakkara

Ring of fine gold with the figures of 2 goddesses
engraved in two cartouches surmounted with the
feathers Sakkara

Scarabeus set in gold on a pivot

Ring of pure(?)(crossed out) gold in which is tastefully inserted
2 blue stones and one red one

Ring of gold with a pyramidal stone in it

Ring of gold with a x plate

Ring of gold with a carnelian scarabeus

Ring of silver massive and of the greek form

Sakkara'

Notes on the wooden sarcophagus and two coffins of Ir, Dyn. XXVI, from Thebes, formerly in H. Salt, J. Lee and Lord Amherst collections and at Sotheby's in 1921, current location not known (TopBib i2.835):
-ink text on paper
-loose
-20.6 x 33.2 cm
-[text]:
'Harwell House October 21 1850
The great Sarcophagus in the Chapel
The Goddess Neith N(crossed out) Neith [X1*W24:N1] who is depicted in
full length on the inside of the upper half of the
third coffin is compounded of the hieroglyphic [V39]
in the same manner as the god [Q1\:D4\:A40], likewise depicted
full length, is corresponded of the hieroglyphic [R11].
In Sarcophagi from the necropolis of Thebes it is
usual to find the same Goddess in the likeness of a beautiful
woman, usually(crossed out), with her arms streached over the deceased
as the heavens streached(d - crossed out) over the earth. That she represents
the heavens the determinative of her name [N1] is a
voucher, and her figure [C199] in this position over astronomi
cal signs. But if other proof were wanting there is a
stone sarcophagus in the British Museum where she
is sculptured streached out, as the heavens over the
earth, and giving birth to the Planets. In the lower half
of Sarcophagi from Thebes it is usual to find an other
Goddess female figure and not the figure of a man or one(crossed out) man or god in the
likeness of a man or compounded of the [R11] as in the Hartwell
Coffin; and this goddess [X1\:H8-Q1] is the goddess of the earth. as might be naturally suppose(?) This(crossed out)
Figure(crossed out) She extends her arms up each side of the coffin as if
embracing the deceased or receiving the deceased into her bosom
That the stone Sacrophagus here quoted came from Thebes
I my self can assert being present where the officers of the
Luxor brought it out of the pit
Whence then is the great Sarcophagus in the Chapel
of Hartwell house? The answer is, most probably from(crossed out)
Lower Egypt(crossed out). Most probably from the great necropolis
of Lower Egypt there namely the Necropolis(crossed out) desert of Sakkara of Memphis. First
because Pthah of(crossed out) to whom(underlined) the sign R11 is peculiar(underlined) had a celebrated
Temple at in the city of Memphis and secondly because the hierogly
phics are of the form or style of writing peculiar to
this region of Egypt and thirdly because the form of the outer
case is of the ancient(crossed out) form [Q6] most usual from in this nearby(?)
the most ancient times to the most recent in that
district of Egypt (See ancient inscription in the same
collection)'

Two squeezes and nine sketches of Egyptian amulets in Dr Lee's collection:
-squeezes and pencil sketches on paper pieces mounted on paper
-loose
-22.8 x 29.6 cm
-[above squeezes and sketches] 'Plate III' (pencil note)

Eight sketches of shabtis in Dr Lee's collection:
-seven pencil sketches on paper pieces mounted on paper and one sketch on paper
-loose
-22.8 x 29.4 cm
-[above sketches] 'Plate II' (pencil note)
-[above sketches] 'HARTWELL MUSEUM' (pencil note)
-[on sketch] 'alabaster' (pencil note)
-[on sketch] 'painted wood' (pencil note)
-[on sketch] 'Hard wood' (pencil note)
-[on sketch] 'alabaster' (pencil note)
-[on sketch] 'porcelain' (pencil note)
-[on sketch] 'painted wood' (pencil note)
-[on sketch] '1 / 2 / 3 / 4 / 5 / 6' (pencil note)
-[on sketch] '1 / 2 / 3 / 4 / 5 / 6 / 7 / 8' (pencil note)
-[on sketch] '1 / 2 / 3 / 4 / 5' (pencil note)

Vase with ivy decoration, and hieroglyphic inscription "Ra raises":
-pencil tracing on tracing paper
-loose
-18.3 x 23.9 cm

Tiles with rosette / flower designs:
-pencil sketch with blue, yellow, grey and magenta watercolour on paper
-loose
-13.4 x 21.2 cm

Unfinished design of unidentified painted ceiling decoration from Medinet Habu, on the West Bank of Thebes:
-pencil sketch with blue, green, magenta, yellow and grey watercolour on paper
-loose
-19.9 x 24.9 cm
-[on sketch] 'MEDINET. HABOO' (pencil note)
-[on sketch] 'Ceilings to window in small / palace.' (pencil note)

Part of the funeral procession scene (dragging of the sarcophagus) in the passage of the Tomb of Amenemhet (TT 82) at Sheikh Abd el-Qurna, on the West Bank of Thebes (TopBib i2.165(10).III):
-pencil sketch/tracing on tracing paper
-loose
-30.9 x 15.1 cm

Back view of kneeling statue of Paser, Vizier (TT 106), with figure of Ptah, cartouche of Ramesses II, granite, temp. Sethos I to Ramesses II, found near the South Gate of the Wall of the Ptah Enclosure at Mit Rahina, now in Durham, Oriental Museum, N.511 / EG4003 (TopBib iii2.838)::
-pencil sketch on paper
-loose
-14.8 x 25.5 cm

Four views [two front, side, top] of seated statue of Ramesses II, head lost, black granite, said to come from el-Matariya, now in Cairo, Egyptian Museum, Temp. 15.4.18.1, with some measurements and details of inscriptions and throne decoration (TopBib iv.63A) (probably this):
-pencil sketches on paper
-loose
-41.2 x 30.0 cm

A Hereditary prince, Count, etc., upper part of statue, right side of the face and left shoulder damaged, with the cartouches of Psammetikhos I on shoulders, basalt, temp. Psammetikhos I, formerly in J. Lee and Lord Amherst collections and at Sotheby's in 1921, current location not known, with measurements and details of cartouches (TopBib viii.801-763-510):
-ink tracing on tracing paper
-loose
-11.9 x 17.6 cm

Relief with Alexander as pharaoh (probably not ancient):
-pencil sketch on paper
-loose
-15.6 x 16.7 cm
-[on sketch] 'ΑLΕXΑΝΔΡΟΣ / ΥΙΟΣΑΜΟΥΝΣ' (pencil note)

Male and female mourners from funeral procession, probably from a tomb on the West Bank at Thebes (not identified):
-pencil sketch on paper
-loose
-13.2 x 11.4 cm
-[on sketch] 'l'ennuit (crossed out) / l'ennui de beau (a produit) le gout de singulier' (pencil note)

Unfinished sketch with two human figures, probably not Egyptological, not identified:
-pencil sketch on paper
-loose
-8.5 x 5.7 cm

Corner fragment of the sarcophagus of Ay with winged goddess and prenomen, from the Tomb of Ay (KV 23) in the Valley of the Kings, on the West Bank of Thebes, formerly in possession of the Royal Asiatic Society, now in Cairo, Egyptian Museum, Temp. No. 3.8.39.1, with measurements and some details (TopBib i2.551):
-red inked pencil sketch, with red and black ink notes and details on blue paper, mounted on blue lined paper
-loose
-21.1 x 17.1 cm (22.1 x 17.5 cm with mount)
-[on sketch] 'FRAGMENT OF A RED GRANITE / SARCOPHAGUS / ROYAL ASIATIC SOCIETY' (red ink note)
-[on sketch] 'One quarter scale.' (black ink note)
-[on sketch] 'King / Ai' (pencil note)
-[on sketch] 'Ai' (red ink note, by Bonomi)
-[on sketch] '9' (black ink note)
-[on sketch] 'C / D' (black ink notes)
-[on sketch] 'A / B / C / D' (black ink notes)
-[on sketch] '4 / 4 / 13 1/4 / 11' (red ink notes)
-[on sketch] '11' (pencil note)

Marble slab of the Amazon frieze of the Mausoleum of Halikarnassos, with three Greek warriors and two Amazons, one fallen and the other on horseback (London, British Museum, inv. 1847,0424.5, c. 350 BC):
-pencil sketch on paper
-mounted
-35.9 x 23.1 cm

Figure riding a camel:
-pencil sketch on paper
-mounted, together with Bonomi MSS 51.13 and Bonomi MSS 51.14
-14.6 x 9.3 cm

View of ruined castle in the Greek island of Leros:
-pencil sketch on paper
-loose, adjacent to Bonomi MSS 52.1
-18.1 x 11.5 cm
-[on sketch] ' Ancient castle Lerus. Cyclades' (pencil note)

Man in robes with spear, probably ancient Near Eastern relief or carving (not identified):
-pencil tracing on tracing paper
-loose, adjacent to Bonomi MSS 52.1
-5.3 x 14.1 cm

Sea view with six ships:
-pencil sketch on paper
-loose, adjacent to Bonomi MSS 52.1
-23.0 x 17.4 cm
-[on sketch] '5' [originally 'Figure 4' (rubbed out)] (pencil note)
-[on sketch] 'B - C' (pencil note)

Italy unchained:
-pencil drawing with ink (yellow) wash on card
-loose, adjacent to Bonomi MSS 52.1
-12.5 x 16.1 cm
-[on sketch] 'ITALIA / SVINCOLATA' (pencil note)
-[on sketch] 'Italy unchained' (pencil note)

Calculations and sketch of two figures with upraised arms:
-ink sketch and text on paper
-loose, adjacent to Bonomi MSS 52.1
-7.8 x 9.6 cm